Thanks for the pics ricksy - well done. Jimmy mentioned that he was going to do a passive bass for the show; looks like the green LG4 is the one. Did anyone play the red RA4? I think that's Mitch's bass... and it looks killer. 

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That oly/tort RA5 (I'm assuming that's what it is because of the maple board with black blocks) looks killer! Jimmy consistently has some of the best looking oly/tort basses.
Thanks for the pics ricksy - well done. Jimmy mentioned that he was going to do a passive bass for the show; looks like the green LG4 is the one. Did anyone play the red RA4? I think that's Mitch's bass... and it looks killer.![]()
Yeah, that's Bobby Vega's bass (I'll be posting a vid of him playing it too)... built specifically to his specs to be a '61 J with the faithful stacked knob config. Tom and I both played it and the mojo is TOTALLY there. He nailed that one perfectly.So there is a stacked knob jazz bass in those pictures and some with a traditional control plate...
That oly/tort RA5 (I'm assuming that's what it is because of the maple board with black blocks) looks killer! Jimmy consistently has some of the best looking oly/tort basses.
Thanks for the pics ricksy! !ricksy Yep that oly white RA-5 is killer!
Dan
The Olympic White RA is Ruben Rodriguez's new bass, I was lucky enough to get his old one. If you look closely the pickguard is cut
differently, because he had Jimmy widen up the lower cutaway for
easier access to the higher frets.
I see three Passive four's all have control plates. The green and the walnut have VVT and the sunburst has stack knobs with grounding strip.
Aj

That's the one that really caught my eye too; and the natural custom deluxe super special secret sauce LM5.
the video is totally uploaded now so its working right...
now that i loathe 19mm spacing, im curious. what about it is the appeal. is it just the extra room when thumping or is it fingerstyle too?
im glad i like 17.5 because that new 2 band stingray 5 classic is looking fantastic.
If I was 'king of the luthier world' and all powerful, I would decree the following:
1) No bass will be made, for any reason, by any luthier, without the Music Man/Sadowsky truss rod adjustment wheel design
2) No bass (edit: with an on-board preamp) will be made, for any reason, by any luthier, that does not have some sort of separate, easy access, battery compartment.
3) No bass will be made, for any reason, by any luthier, that does not ship with Duncan dual action straplocks.
So let it be written, so let it be done![]()