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Club Fbass (Part 11!)

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From a recent gig in Chicago...
 

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@lebrett Awesome VF5! I'm supposed to receive my first build pics of my BN6 on May 8 (a month after initiating my order.)

The VF is my biggest surprise. I knew how the AC would sound and feel since I had the chance of trying one in a store. But the VF was more of a guess. Not a big one of course but still. And man oh man! This is by far the biggest-open-growl-tight tone I had ever played. The B string is awsome and puts my Musicman Stingray5 to shame. And of course the slap tone is also incredible.
 
So I did a couple of things to my new bass...the first, which was a little scary, was to replace the 19mm spacing bridge with an 18mm spacing. It involved drilling a few holes but Marcel gave me a few tips and it ended up not being too dramatic. I think I like it, it makes chords and string crossing a little easier and slapping is no problem. I asked George about it at NAMM and he said the effect on pickup pole piece alignment is negligible.

And I installed a set of Ken Smith Rock Masters non-taper core strings, adjusted the intonation and...the difference was shocking. Now upper register chords play perfectly in tune! So my conclusion is that exposed core strings will not play in tune unless you minimize the length of the exposed core portion, which is a hassle but possible using spacers. It looks funny too.

It's a shame, because the F Bass strings really do sound and feel great. Perhaps George will consider a non-exposed core version in the future ;)

I am waiting for a set of Hard Rocking Steels from La Bella, which is non-exposed core and according to them similar in sound and feel to the F Bass strings. To be continued...
You ended this with, "To be continued..." Please, continue!

I just figured out why I've been able to work around the intonation problems with fresh Fbass strings on my BN6... it's because I have Thor! When I'm playing chords and playing up the neck, that stuff I do on another bass because I like the piezo tone for it.

I was noodling around on my BN6 last night doing stuff I normally play on my fretted AC6 and, well, decided I've got to try other strings on the BN6 if I'm going to be playing up there much in the future.
 
BTW, two questions about the bass:

1. Which bridge is that?
2. Is that a Bass Clef Yin Yang symbol between the pickups?


It's a Hipshot B style with string through option. The design between the pickups is a sterling silver double bass clef design made for me by a terrific jeweler and a good friend named Chester Allen. Check him out on FaceBook!
 
It's a Hipshot B style with string through option. The design between the pickups is a sterling silver double bass clef design made for me by a terrific jeweler and a good friend named Chester Allen. Check him out on FaceBook!
Cool. When you get a chance, please post a close up of the design. It would be cool to check it out.
 
Just bumped into this image:

hadrien-feraud-main-image.png


You will recognize the bass as an AC5, but if you don't recognize the bassist, it is Hadrien Feraud.

Hadrien has been named “Rising Star, Electric Bassist of the Year” by the Downbeat Critics Polls and “Most Exciting New Player” by Bass Player magazine.
 
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