I agree with the general consensus here... as long as you're not a purist, you'll likely be much happier with the Sadowsky sound, and it's true that passive mode will get you closer to a Fender sound, but I suspect you'll stay in active mode all the time anyway, and yah, even if you are a purist, you won't say it sounds exactly like a Fender, but you'll still feel it's in the J tone camp for sure.To those of you that own or have owned both, how sonically accurate a replacement would the Will Lee be for a stock Fender Jazz?
I know the Will Lee can do things that a stock passive Jazz can't do, but I am thinking of the times when I just want "dat Jazz sound" - i.e. passive, single-coils, growl.
Otherwise, if you are a purist, well, the answer is simple, if you absolutely have to have exactly the Fender sound... well... buy a Fender.
Beware of recordings... depending on LOTS of unknowns in the circumstances, they do NOT tell the whole and/or accurate story.Second bonus question: Is there a huge difference between maple-necked Will Lee models and rosewood-necked ones?
I was listening to various videos of Will Lee models being played (mostly by the man himself) and found that I often guessed incorrectly as to whether I was hearing maple or rosewood (when the video didn't show the bass immediately as the audio was playing), so I am thinking that the overall construction (and preamp) might lessen the sonic effect that neck wood has.
The maple board is going to give you a lot more edge and aggression... almost harsh especially on slap when playing solo at home, but gives you a really nice high end cut in a thick mix. The rosewood is going to be a lot smoother... the high end won't really come out as much in a mix UNLESS you slap. But also be careful not to confuse Pau Ferro with Rosewood. Pau Ferro is more between maple and ebony than it is any rosewood tonally.
In short, if you like a stronger high end profile, but want a rosewood-like aesthetic, Pau Ferro/Morado is a great choice. But if you want a more classic/warmer tone, you gotta' get some flavor of a real rosewood.