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Slight addition:Sadowsky + REDDI = bliss.
If all songs are played half-step down and everyone tunes that way, then it's a piece of cake. Everyone detunes, so fingerings remain the same. Communication is no problem because everyone refers to the keys/notes as what they would be if not detuned.
Here's the problem: when a band transposes some songs but not others! One band I subbed with detuned half their tunes, played the rest in standard. I hate having to switch basses at the gig, but I did with that band (to their credit they grouped the standard and detuned songs into large blocks). Then there's my "mini big band" that does classic rock/R&B. They play most tunes in standard, but the Aretha songs are all a full step down (really common; there are few Arethas out there). I just had to learn them that way (and was really grateful for five string bass).
Logistical note: half my bands play in standard, the others play half-step down. So I keep half my basses tuned to standard, and the rest half-step down: I'm not fussy about super-low action; it merely saves me the trouble of detuning/retuning, and there's no worry about shifts as the neck settles in to the new tuning.
I pull out my 5.My main band does 2-3 songs per night that are dropped 1/2 step down. Our guitar player switches axes, but I just stomp on my Digitech Drop pedal. I find that in a mix, it is quite passable.![]()
I pull out my 5.
I do that on some songs, as well. But the three in question are songs that I've played for years in other bands in standard tuning on 4-strings, so I have a lot of muscle memory built in. And some just play "better" on a 4-banger, IME/IMHO.
For sure. When we do "The Middle" I just tune my E to a D and adjust. It's pretty easy for a single tune here and there. Killing in the name plays way better on a detuned 4 than a 5. Many other examples as well.
Tom always has something that I’ve never heard of and now 100% needI just stomp on my Digitech Drop pedal. I find that in a mix, it is quite passable.![]()
Tom always has something that I’ve never heard of and now 100% need![]()

Yeah, there are only a handful of songs we do they “need” something below ad or for an extended period. I could “almost” be a 4 string/d-tuning guy but just not quite. And I still like having a B string for some things here and there position/finger wide. Nice to have options s.
Same.I find that, on songs that are in drop D tuning, I'll typically drop the E string to D on a 5 string because it just sounds a bit better. Some songs it doesn't make much difference, though.
And some just play "better" on a 4-banger, IME/IMHO.
For sure. When we do "The Middle" I just tune my E to a D and adjust. It's pretty easy for a single tune here and there. Killing in the name plays way better on a detuned 4 than a 5. Many other examples as well.
We all have to balance options/convenience. I decided to go "all in" on 5 string for a few reasons: saves myself the hassle of switching basses at the gig, and I get the same fretboard and string tuning every song.
Of course the hassle comes in when playing 3rd position B string instead of open low D on tunes like "Killing in the Name Of", "Slither", "The Middle"! I get by OK, but it's extra work for sure.
which "Slither"? Opeth?