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CP Thornton Club

Thanks. That makes sense that you wanted to pull in those Jazz Bass. It's just a visual thing, but I would love to see a rear-routed version without the pickguard and control plate, since the shape is such a cool one...

Hi mikezimmerman, The body of the bolt on neck is the same body as the set neck just without the thumbrest and
without the contour of the top. Because I was building a bolt on I wanted it to resemble the tried & true J bass and I wanted to use a one piece, not counting the fingerboard, flatsawn neck instead of a two or more piece quatersawn neck with the tilt back headstock. If someone wanted passive circuitry in this bass with the six controls like I had on the set neck then I would have to do a control cavity in the back. I suppose at some point I could re engineer the two basses and morph one design into the other.
 
Thanks. That makes sense that you wanted to pull in those Jazz Bass. It's just a visual thing, but I would love to see a rear-routed version without the pickguard and control plate, since the shape is such a cool one...
I'm glad you think my design is cool, thank you. I think your ideas are good and I'm going to be working on morphing the two designs together including the integral thumbrest.
 
Hi BlueLou, Glad you like the new page on my website, I'll be posting pictures there of every new build I finish. As for the future I'm concentrating on the near future at the moment. I'm in finish now with four more basses that are for sale, two 4 strings & two 5 strings and one of my Improvs for a client in MA. plus I'm starting 6 more Classic II's of which 5 are sold. As for future designs I'm planning on another guitar model. I absolutely love the basses I'm building now so my future plans for these are to try to get them into the hands of more players.
I would love to see some CPThornton bass/guitar events at a store, show, event, etc.. They are collectors items and works of art that you can touch. I would be willing to bring several CPTHORNTON basses [(I own the two and a friend owns a glorious torrified CPTHORNTON bass), but he also owns several others (many) CPThornton guitars] to most any place in the Northeast with some notice. My idea would do that more people for the city or or try Chuck’s masterpieces.
I really feel like I own two Stratavarius basses!!
 
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I would love to see some CPThornton bass/guitar events at a store, show, event, etc.. They are collectors items and works of art that you can touch. I would be willing to bring several CPTHORNTON basses [(I own the two and a friend owns a glorious torrified CPTHORNTON bass), but he also owns several others (many) CPThornton guitars] to most any place in the Northeast with some notice. My idea would do that more people for the city or or try Chuck’s masterpieces.
I really feel like I own two Stratavarius basses!!
My idea is dont use Siri!! My idea is for more people to try Chuck’s masterpieces
 
CPThornton 5 B-026
Simply the best tone bass I've ever had. It sits in the mix on recordings and cuts through in live situations. Walnut top, no pickguard, terrified birds eye maple neck. Norstands. A little over 8 pounds. Thank you Chuck for your artistry and superb craftsmanship!!
So happy to be part of this group. Owned and got to play some great basses but this is tops.

CPThornton5.jpg
 
So, I've just completed an interesting project to compare the sound and rate my basses. I know it's a flawed procedure and I don't have calibrated equipment to measure stuff, but the results are giving me a different point of view about them. I kind of wish I had the proper equipment to do this more accurately and compare my notes to the readings.
The basses I used in this project (below) are all 5 strings and strung with strings the builder recommends:
Ken Smith Black Tiger: Smith electronics,
Wyn: Aguilar OBP-3 with Nordstrand Fat Stack,
Roscoe (2): One with Demeter BEQP-1 w/Bart CB and one with Bartolini preamp and pups. Different body woods and neck woods,
Stambaugh: Audere Classic w/Bart pups,
Sadowsky MV5: Sadowsky electronics with VTC,
My CP Thornton is my only passive bass, so it wasn't a totally fair comparison with active basses.

I was surprised to conclude that one bass that I really held high was not the best performer across the tonal spectrum. There were two that I had considered selling really excelled and have changed my opinion of them.

Only one really had a very nice piano tone with a tight string feel, comfortable neck, hangs nicely on a strap and covers the tonal spectrum very nicely, and doesn't require a battery!!