• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Damnation Audio Fan/Appreciation Thread

My home board is set so this is going on the gig board. I spent last night shooting it out with the DCX Bass. I concluded I love both pedals and don't have a preference at this point. They have different voices and some unique features (contoured blend + boost versus adaptive voicing), but both are excellent. What surprised me the most is how different the MBD's clipping voice is from the MDB-2's. I like the MBD much more. The MBD-2 could sound like IC clipping at higher gain, but I don't get that with the MBD. It stays MOSFET. I only played with it for an hour or so last night, though, so these are just first impressions.
I have both the DCX and now the MBD on my board… each definitely have a place in my tone.
 
  • Like
Reactions: kevk
I still can’t believe you landed three. Quite impressive!

How was the "Fixed; Not Fixed" switcher? That thing is high on my NEED list.

@father of fires and @whoismarykelly, how was the event for you guys?
I think Dave might still have a prototype blender with him, it has a footswitch to take the blender out and put it back in, essentially doing the same thing as the fixed/not fixed pedal. Don’t tell him I told you though :cigar:
 
  • Like
Reactions: kranahan
How would you compare them?

I flipped the Ashmaker, mostly because I didn’t use it as often as I thought I would. The Ashmaker was an interesting bridge between a modern Darkglass sound and a more conventional distortion sound. The mid EQ boost/cut on it allowed for more radical tone shaping than the MBD tilt EQ. You could get a scooped bedroom Tone out of the Ashmaker or make it really cut in the mids, which actually made the distortion sound “cleaner” in some ways. I think the MBD blend and depth controls allow for more “useful” sound design if you want to retain the big clean lows. I found that with the Ashmaker I always wanted the boost engaged to get the sounds I liked, even if it was at low gain settings.

I need more time with the MBD, which will happen once my back pain gets to a point where I can play bass again. I’m making progress on that, so hopefully sooner than later.
 
Is that DCX similar in tone to the Rusty Box possibly?? I was eyeballing that one for a sec. Seems like a puncher....??
No... I had a Rusty Box for a minute (cool pedal) and the DCX sounds more polished; like a classic studio recording console. The DCX thickens, where the Rusty Box sharpens.
 
Last edited: