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Darkglass Anagram Multi FX Announced

Went from an ancient Line6 "Toneport DI Gold" to the Anagram. The Line6 had plenty of bass emulations, but it was real hard to get a good tone out of it.

On the Anagram, it's dead easy. It's so nice man.

Love the case too. Such a nice touch.
Yea, on the HX I was always fighting things like that to get them to work with bass, but the Anagram just sounds good for most of the modulation and reverbs, I just want more options. The Anagram also probably have more bass centric pedals than the HX just because ALL of them are tuned for bass. I dig it.
 
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Went from an ancient Line6 "Toneport DI Gold" to the Anagram. The Line6 had plenty of bass emulations, but it was real hard to get a good tone out of it.
I had one of those Toneports, but with a lesser software package, that I mainly used for practice. I quite liked it, but I seemed to spend more time tweaking than actually playing.
Yea, on the HX I was always fighting things like that to get them to work with bass, but the Anagram just sounds good for most of the modulation and reverbs, I just want more options. The Anagram also probably have more bass centric pedals than the HX just because ALL of them are tuned for bass. I dig it.
As has been mentioned before, the default block settings in the Helix and other Line 6 stuff are often "what on earth were they thinking" settings. They were probably designed by guitarists who don't properly understand how bass should be treated. The Anagram, however, even with all parameters set to 12 o'clock, sound great straight away. You could build a perfectly giggable preset with a few blocks all at default settings. That just shows how great Darkglass' designs are.

I really appreciate the clean blend in almost every block, too. Every helix patch I have created has multiple paths, just to retain a clean blend and stop the low end from disappearing.
 
Yea, on the HX I was always fighting things like that to get them to work with bass, but the Anagram just sounds good for most of the modulation and reverbs, I just want more options. The Anagram also probably have more bass centric pedals than the HX just because ALL of them are tuned for bass. I dig it.
The Toneport had an older emulation tech than the HX. Really nowhere as good as the HX system.
I had one of those Toneports, but with a lesser software package, that I mainly used for practice. I quite liked it, but I seemed to spend more time tweaking than actually playing.

As has been mentioned before, the default block settings in the Helix and other Line 6 stuff are often "what on earth were they thinking" settings. They were probably designed by guitarists who don't properly understand how bass should be treated. The Anagram, however, even with all parameters set to 12 o'clock, sound great straight away. You could build a perfectly giggable preset with a few blocks all at default settings. That just shows how great Darkglass' designs are.

I really appreciate the clean blend in almost every block, too. Every helix patch I have created has multiple paths, just to retain a clean blend and stop the low end from disappearing.
I'm so used to fighting the knobs on my old Line6 Toneport. Like you said, every control at noon and it's already really usable. Just a little tweak here and there and voilà.
 
If I'm running a stereo reverb at the end of the preset for headphones at home but using only the left output into the PA at practice, do I need to swap the reverb to mono or is that effectively the same? I keep meaning to test this and forgetting
 
If I'm running a stereo reverb at the end of the preset for headphones at home but using only the left output into the PA at practice, do I need to swap the reverb to mono or is that effectively the same? I keep meaning to test this and forgetting
Not technically the same - mono after stereo would normally involve mixing the left and right together and adjusting the volume. But I doubt you would hear the difference with reverb which is diffuse. If it was a stereo delay then you might notice - one side often gets a delayed signal after the other side.
 
I’m currently in Helsinki and look what I found 👀
IMG_1716.jpeg
 
If I want to hook up my mc8 to the anagram...how many expression pedals can I use?
I've thought about doing this, and have a page on the MC6 that would change the CC of the Expression according to what pedal I want to control, Volume, Wah, Pitch, Phaser Rate, etc. but I didn't want to sacrifice my Quickslots as I also use those to toggle blocks in Stomp mode.
 
Hey guys, I have a Darkglass midi footswitch on order, but it is taking FOREVER to arrive here in Canada. I'm thinking about a MC6 as an alternative... What are your thoughts. I am pretty sharp and pick up new things readily, but the Midi is a relative unknown so far to me. Seems like the Darkglass Midi is really easy to set up, but limited in flexibility. I'm worried the MC6 might be "too flexible". Basically just looking for more options of stomps to turn different blocks on and off, and the ability to navigate presets more effectively.
 
Looking at the Anagram as an “all-in-one”. I’ve sold all pedals except for the MXR Bass Synth and the Broughton HPF.

It was rumored that Darkglass was working on the 70s / 80s bass synth sounds like the Yamaha DX7. Us ther any news in that? It’s the only thing holding me back.
 
Looking at the Anagram as an “all-in-one”. I’ve sold all pedals except for the MXR Bass Synth and the Broughton HPF.

It was rumored that Darkglass was working on the 70s / 80s bass synth sounds like the Yamaha DX7. Us ther any news in that? It’s the only thing holding me back.
no idea, but FWIW, there is a pretty decent DX7 preset on the Suite. It's not a synth of course, but the preset does come pretty close.
 
Looking at the Anagram as an “all-in-one”. I’ve sold all pedals except for the MXR Bass Synth and the Broughton HPF.

It was rumored that Darkglass was working on the 70s / 80s bass synth sounds like the Yamaha DX7. Us ther any news in that? It’s the only thing holding me back.
No rumors. We are working on a synth 👀
 
Hey guys, I have a Darkglass midi footswitch on order, but it is taking FOREVER to arrive here in Canada. I'm thinking about a MC6 as an alternative... What are your thoughts. I am pretty sharp and pick up new things readily, but the Midi is a relative unknown so far to me. Seems like the Darkglass Midi is really easy to set up, but limited in flexibility. I'm worried the MC6 might be "too flexible". Basically just looking for more options of stomps to turn different blocks on and off, and the ability to navigate presets more effectively.
I'd go for the mc6! You'll get the most of the anagram. I was a noob to midi as well and I owned the dg footswitch for a while. And it is true. It is very easy to set up. But also: you might not learn anything about midi when using it. Compared to the the mc6 it is underwhelming in it's functionality. Maybe DG will add some functionality to the footswitch as well once they roll out deeper midi, but I simply cannot image that it'll reach the level of morningstars midi pedals.
 
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