I can SEE a difference between yours and mine. Your definitely looks like gold paint pen.
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I can SEE a difference between yours and mine. Your definitely looks like gold paint pen.
Yup. Again a big difference. Your is obviously a pen.
Haha, glad it was passed on before I got to it! No chance it's going on the block, between it and my D Bird, they're the only of my basses getting played these days. I did have a Nordstrand wound for it in Dingwall supplied shells, it sounds really good! As far as the finish, I thought it was indigo burst, but maybe I made that up.Honestly...I kinda miss it too. Had a great neck and super light...easy to play....GHS Pressurewounds and the thing would thump your arm off. Maybe @dmac1961 can chime in on his thoughts on it. Who knows...we all seem to have the same DAS/GAS sickness...maybe he could be enticed to sell(?)![]()
Absolutely.Mine was definitely done by hand in gold pen, you can see it quite clearly.
The recent post by @MDBass having gobs of fun playing a single note on the D-Bird with his new X7 inspired me to see if I could replicate that same tone with my D-Bird with the AOU instead of the X7. I was able to get something very close, but then I thought I would try the same settings with a bunch of different basses in order to find out how much of the awesome tone was from the pedals and how much was due to the bass itself. To my great surprise, the bass made a MUCH bigger difference in the tone than I had expected. I tried a whole bunch of them, and in the first round of testing, a Roger 6-string with Bartolini Jazz pickups and a LeFay Pangton were the two best sounding basses. Some others were pretty good, and lots of them were just not cutting it at all.
But then I decided to take my most expensive bass out of its case and give it a try to see how it did.
This was my first time touching the bass other than for taking photos since I first got it almost a year ago.
Several different four word phrases come to mind, such as:
I am blown away.
My ears are bleeding.
This thing is brutal.
The recording is with a cellphone, so the quality is obviously not great. But you can get the idea if you use headphones:
I should really let this incredible instrument go to someone who will share its musical offerings with the world. It is a shame to have it just sit in the case. And by the way, it does sound totally killer clean as well, both active and passive.
Do!!Now I should see if I can post something from my Z3. Hmmm...
How could you not love doing that? It looks wicked cool! Maybe not so good for an outdoor gig in August, but for Halloween it seems like it would be a lot of fun!Frankenstein plays an NG3, y'all.
...and though every year I swear it off, I played in a full-head mask again...Always the most challenging gigs of the year.
Distortion aside, that B-string sounds amaze-balls. droolI am blown away.
My ears are bleeding.
This thing is brutal.
Yeah, it sure does! And a little trick, giving away my secrets: It sounds "extra tight" because that string is tuned to C for the recording. The other four are in standard tuning. (EADG)Distortion aside, that B-string sounds amaze-balls. drool
CHEATER!Yeah, it sure does! And a little trick, giving away my secrets: It sounds "extra tight" because that string is tuned to C for the recording.
How could you not love doing that? It looks wicked cool! Maybe not so good for an outdoor gig in August, but for Halloween it seems like it would be a lot of fun!
And I'm sure there's an interesting story behind the Canada sticker on the toaster...![]()
Is the signature on the headstock of Canadian Dingwalls , Sheldons real signature? or a waterslide?