The 'maiden' public use of the fretless Combustion is next Saturday. I rehearsed with everyone last week and there was not a single critical comment on my intonation and tuning, which is a good thing. I've played this bass for practice exclusively since mid-December. It's been a lot of work, but I think it's starting to sound decent.
After next Saturday, I'm sending it away...to Mo's out in California. I've already talked with him and while I like the boxwood inlay, it's just not contrasty enough for my eyes. I'm getting blue luminlay lines, dots and side markers put in. He'll then decide the best move for neck coating/leveling and all that and take care of it. I'm also looking to get the action down from where it is now (a solid medium)...
...in the meantime, I've said here before I've been using Stewart Semple's LIT glow powder and the acrylic base he makes. It's purportedly the glowiest glow substance, and I buy that. I tested it by playing for two plus hours in my music room with no lights (no windows either). It was easily visible throughout. Here it is in daylight in my living room:
I'm also putting luminlay side dots in the NG3 when I get a chance (have it sitting here waiting).
Next up... I'm going to ask Mo to put Graphtech Ghost saddle/pickups on the fretless and the associated preamp and electronics.
They make ABM-style replacement saddles:
Ghost Pickups - Bass
And the preamp for the piezos:
product-detail
Which will add a 3 way switch (piezo/piezo-magnetic/Magnetic) a second volume with push/pull for mid/low eq settings...and a third 9v battery that will have to be fit somewhere.
