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I’m currently saving up for a Dingwall but I’m unsure whether to buy a NG-2 or NG-3. If I understand this correctly, the NG-2 can use both pickups in series, while the NG-3 has all three pickups in series in that position. Can someone explain what difference this makes or has even an audio clip for that?
I’m curious what that means tone-wise. The NG2’s bridge/neck in series combination is said to have a lot midrange. How does this compare to the NG3’s bridge/middle (parallel) with neck in series?
Maurillo it the best. He's got one of mine now, probably next in line. So I'm not familiar with the Ghost system. Is your goal to expand your tonal palette? Does it also have midi capability?Maurilio Mina has started on my fretless Combustion,
First off, the wiring clips didn’t fit in the bridge pieces with the saddles:
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Snipped soldered/hand wired.
Next, bridge saddles needed to be drilled and ovaled so each saddle could be intonated wire channels drilled:
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Next up, integrating the second preamp. The plan is to stack the treble/bass and also use a push/pull on the mag. volume (preamp bypass) which allows the last pot hole to be push/pull for piezo volume and then only a switch gets added for pickup selector.
Maurillo it the best. He's got one of mine now, probably next in line. So I'm not familiar with the Ghost system. Is your goal to expand your tonal palette? Does it also have midi capability?
EDIT: Sorry, I had not read the intervening posts. I see that others already had stated pretty much everything I had in this post. Sorry for the duplication. should have scrolled down first to see who else had replied before I bothered to respond. Seems like the bit about the green and black wire being connected is not valid on the old ones.
Unless otherwise noted, I would assume that FD-1's were wired in parallel from the shop, which is how the original FD3's were done.
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NG-3 back from upgrade to slightly larger Luminlay inlays on the side dots. I went with the 2mm w/black surrounds. Should stop me from having any trouble seeing dot placement on dark stages ever again with this bass.
Very nice! Who'd you have do the work?
I like the black surrounds.View attachment 3375461
NG-3 back from upgrade to slightly larger Luminlay inlays on the side dots. I went with the 2mm w/black surrounds. Should stop me from having any trouble seeing dot placement on dark stages ever again with this bass.
I like the black surrounds.
Looks like it'll be worth the wait!I'm just waiting for the final paperwork and shipping out here of this rather pretty looking beasty. Looks like the Dingwall folks are really hard up against their 18 month window for delivering custom basses at the moment.
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Love the color combination! It looks very classyI'm just waiting for the final paperwork and shipping out here of this rather pretty looking beasty. Looks like the Dingwall folks are really hard up against their 18 month window for delivering custom basses at the moment.
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Thank you.The B/n in series does have lots of mids... very throaty and present in a metal mix. The "all on" setting on the Ng3 seems is perhaps more sooo but BIGGER! its a monstrous sound often stated as too much for a normal use setting.
I'm just waiting for the final paperwork and shipping out here of this rather pretty looking beasty. Looks like the Dingwall folks are really hard up against their 18 month window for delivering custom basses at the moment.
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