Peter Lufrano
Blues. and nothing but the Blues.
That's gonna look sweet.![]()
Thank you! I’m having Mo make a few different ones that I can choose from. But I already like the looks of this one even in its rough form.
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That's gonna look sweet.![]()
Thank you! I’m having Mo make a few different ones that I can choose from. But I already like the looks of this one even in its rough form.
Yeah you cant really get a few wraps on the ABs though, they're different than the super series or z series. They've got countersunk tuning machines with a scalloped post designed to hold the single wrap at a low angle. Sheldon has definitely put some serious engineering into remediating this issue without string trees, but it's still there. It was sort of a common issue on my super series basses with the a string too but I never really worried about it cause it doesn't come through the amp. It's just been bothering me a bit playing unplugged and a little bit more break angle closer to the nut would definitely solve the problem.
Yeah you cant really get a few wraps on the ABs though, they're different than the super series or z series. They've got countersunk tuning machines with a scalloped post designed to hold the single wrap at a low angle. Sheldon has definitely put some serious engineering into remediating this issue without string trees, but it's still there. It was sort of a common issue on my super series basses with the a string too but I never really worried about it cause it doesn't come through the amp. It's just been bothering me a bit playing unplugged and a little bit more break angle closer to the nut would definitely solve the problem.

You can get 3 wraps on the ABZ posts, here is mine.
View attachment 3417633
But isn’t the lowest wrap sitting in the groove? I can’t get wraps any lower than that groove regardless of how many are atop it. 1.5 seems to be all that should be necessary. I don’t see the angle changing at all otherwise. I could be wrong for sure, just trying to think through it.
Yep. I've used DRs before. They sounded fine the first few days, but they died super fast.Did you cut them to length before installation?
DR's are round core and if you do not kink them before cutting them the wrap will slide from the core resulting in them sounding like dead flats. Read the inside of your DR Strings box for more information.
Make sure you kink your string 90 degrees with needlenose pliers at a point 4" past the tuning head, then cut the string about 3/4" past that point. That will ensure you have sufficient wraps to have the string coming off the tuner shaft right down next to the headstock. Did you do that?Anyone here put a string tree on their AB? Getting an open string rattle on my E and A that goes away if I hold the strings behind the nut. Thinking about putting a Super series tree on it but don’t know if there’s any physics I should consider first or if it’s safe to just pop one on where it makes sense.
I'll admit I don't have an AB... yet. Should be here this fall. If you are taking the winds down as far as you can then that's all you can do. Too bad, the string tree on my NG3 was the only thing I didn't like about that bass.Yeah you cant really get a few wraps on the ABs though, they're different than the super series or z series. They've got countersunk tuning machines with a scalloped post designed to hold the single wrap at a low angle. Sheldon has definitely put some serious engineering into remediating this issue without string trees, but it's still there. It was sort of a common issue on my super series basses with the a string too but I never really worried about it cause it doesn't come through the amp. It's just been bothering me a bit playing unplugged and a little bit more break angle closer to the nut would definitely solve the problem.
Yeah you cant really get a few wraps on the ABs though, they're different than the super series or z series. They've got countersunk tuning machines with a scalloped post designed to hold the single wrap at a low angle. Sheldon has definitely put some serious engineering into remediating this issue without string trees, but it's still there. It was sort of a common issue on my super series basses with the a string too but I never really worried about it cause it doesn't come through the amp. It's just been bothering me a bit playing unplugged and a little bit more break angle closer to the nut would definitely solve the problem.
Ok so just to recap, those who’ve experienced this issue before have solved it with a string tree, like on the old super series basses that had countersunk tuning machines similar to the AB, but no one has yet tried a string tree on their AB?
Make sure you kink your string 90 degrees with needlenose pliers at a point 4" past the tuning head, then cut the string about 3/4" past that point. That will ensure you have sufficient wraps to have the string coming off the tuner shaft right down next to the headstock. Did you do that?
Also, have the nut slots been filed wider than factory, making them now too wide for the current strings?
While I am busy passing out free restringing tips, here is another that I have never seen written down anywhere. Surely someone else must have thought of this besides me, but I haven't seen it:
After you install the ball end of the string onto the bridge and pull the string in the direction of the headstock, clamp it at around the 12th fret or so with a capo. Suddenly the rest of the process becomes magically a whole lot easier to manage. Repeat for each string. Also works for multiple strings at a time if you are doing it that way, for example when you don't need to clean or oil your fingerboard. If you don't have a capo handy, a fret wrap or velcro cable tie will also work.
If I could receive 50 cents from each person who tries this technique, smiles ear-to-ear at how much it helps, and wonders why they didn't think of it themselves years ago, I could retire and start practicing more.
You can add twist to the string that way, which can cause some intonation issues with the stringAm I the only person who strings from the tuner first and then slides the ballends into the bridge?
Am I the only person who strings from the tuner first and then slides the ballends into the bridge?
If not the only, then perhaps one of the few.Am I the only person who strings from the tuner first and then slides the ballends into the bridge?
You can add twist to the string that way, which can cause some intonation issues with the string
You can add twist to the string that way, which can cause some intonation issues with the string