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Dingwall Owners Club

I also snapped a few pictures of my NG3 today outside. Damn what a beautiful piece!

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Gig report on the La Bella tapewounds from Fret Nation...

Silent stage, ABZ-5 into Turbo Tuner into Diamond BCP-1 compressor, Radial JDI. Amateur sound person at the other end of the snake, Presonus 32AI digital board.

Results were what I hoped for, and very similar to what I heard at home through my MB Fusion and AudioKinesis TC112:

<snip>
Well, I think I just found a use for one of my older AB1's :D. Thanks for this detailed write-up!
 
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Both great cabs & yet completely different. The Big Twin II can handle any situation that I put it in, so for now it’s the one I’m keeping. I’m considering moving to Bergantino cabs to go with the Forte HP which is possibly the best amp I’ve ever owned. The Two10 is great cab, it’s just what I thought would be the easiest to sell to cross over to a Berg cab.

Ok thanks.
I asked because I couldn't yet find a sound my BT2 could not handle, so I was curious :)
 
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Also, dingwall strings, ss or nickels ?
The gauges look more balanced on the ss ones if I see correctly ?
I guess they're more "hifi" sounding though ?

And what about tension ?
Those that came with the bass are ok but tension could be a bit lighter I suppose ..
 
Figured I'd update the group with some "before and after" shots of the AB2 prototype that I picked up a little over a year ago - my first Dingwall, and now 1 of 4 in my arsenal!

Pic I took on the drive home from buying it, wasn't in great shape but I knew I had something beautiful all the same
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After cleaning it as best I could and jamming a bit I wanted to properly set it up in G# standard to play it with my band, but when I tried to adjust the intonation the saddles wouldn't move. Turns out the whole bridge was rusted from years of sweat. At that point I acquired a Dingwall AB1 to use with my band and commenced taking apart the AB2... (warning: gore)



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The folks at Dingwall hooked me up with a new bridge, and I got to work on removing the grime.

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My original plan was to refinish it myself, however sanity prevailed and it was brought to a local tech to complete the finer sanding and matte oil refinish.

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Thanks everyone for the "likes" and the kind comments on this refurbishment!

Sadly, after just getting to start to enjoy the AB2 in its proper restored glory, life has interjected with plans of its own and I have listed this bass in the TB classifieds to alleviate my financial situation. Ad can be found here:

For Sale - Dingwall AB2 Prototype

I'll still be rocking a Combustion model, but my financial situation doesn't warrant owning a high-end Canadian model at this time.
 
Thanks everyone for the "likes" and the kind comments on this refurbishment!

Sadly, after just getting to start to enjoy the AB2 in its proper restored glory, life has interjected with plans of its own and I have listed this bass in the TB classifieds to alleviate my financial situation. Ad can be found here:

For Sale - Dingwall AB2 Prototype

I'll still be rocking a Combustion model, but my financial situation doesn't warrant owning a high-end Canadian model at this time.
I would buy that thing in a hot second, it looks amazing.

I know how it goes, I've had to part with my 78 Corvette I bought for $2000 and restored myself from age 19 to 21, had to sell it to help my father out of foreclosure, sadly it only delayed the inevitable.

But don't lose faith, you'll get another!
 
Anyone using a lighter than .40 G on a Super series? I’m really intrigued by the idea of going to a really light set on my SP5 (although likely keeping the B .130). I don’t exactly play lightly, but I’ve always liked the timbre of slightly downtuned basses, like a standard 105-45 down to Eb or D standard.
 
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"NDD" It's safe to say I'm all in now. It's been less than a year since I first touched a Dingwall bass and now I own 4. I probably need to sell one of them. Maybe my other SJ4 since this one is lighter and tricked out a bit more. I just need to decide if I want to add the P pickup on this one or not. I don't think I want to deal with having to get another pickguard custom made again. Quick comparison yesterday had me preferring this newer Super J to the old one with the P/J setup. Not sure if it is the "newer" Super fatties or the Glock pre, but there is more clarity and punch to this one. I switched the neck to series on the others older SuperJs to give more umph, but I don't think it will be necessary with this one. Sounds great as is!!

I didn't go into this thinking I would end up with 2 black basses being my main players, but I didn't plan on buying a black car either(another used purchase). I really thought hard about getting a new one built, but at the end of the day I decided that 3 pickups and paint wasn't worth paying an extra $2k for. Only other thing I would change would be to a Wenge neck, but I have that covered with my 5er & AB-1.
 
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View attachment 3523090
"NDD" It's safe to say I'm all in now. It's been less than a year since I first touched a Dingwall bass and now I own 4. I probably need to sell one of them. Maybe my other SJ4 since this one is lighter and tricked out a bit more. I just need to decide if I want to add the P pickup on this one or not. I don't think I want to deal with having to get another pickguard custom made again. Quick comparison yesterday had me preferring this newer Super J to the old one with the P/J setup. Not sure if it is the "newer" Super fatties or the Glock pre, but there is more clarity and punch to this one. I switched the neck to series on the others older SuperJs to give more umph, but I don't think it will be necessary with this one. Sounds great as is!!

I didn't go into this thinking I would end up with 2 black basses being my main players, but I didn't plan on buying a black car either(another used purchase). I really thought hard about getting a new one built, but at the end of the day I decided that 3 pickups and paint wasn't worth paying an extra $2k for. Only other thing I would change would be to a Wenge neck, but I have that covered with my 5er & AB-1.

Congratulations! She’s a beauty!
 
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View attachment 3523090
"NDD" It's safe to say I'm all in now. It's been less than a year since I first touched a Dingwall bass and now I own 4. I probably need to sell one of them. Maybe my other SJ4 since this one is lighter and tricked out a bit more. I just need to decide if I want to add the P pickup on this one or not. I don't think I want to deal with having to get another pickguard custom made again. Quick comparison yesterday had me preferring this newer Super J to the old one with the P/J setup. Not sure if it is the "newer" Super fatties or the Glock pre, but there is more clarity and punch to this one. I switched the neck to series on the others older SuperJs to give more umph, but I don't think it will be necessary with this one. Sounds great as is!!

I didn't go into this thinking I would end up with 2 black basses being my main players, but I didn't plan on buying a black car either(another used purchase). I really thought hard about getting a new one built, but at the end of the day I decided that 3 pickups and paint wasn't worth paying an extra $2k for. Only other thing I would change would be to a Wenge neck, but I have that covered with my 5er & AB-1.
Congratulations! Those block inlays look awesome!
 
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Figured I'd share this... It's interesting how the pickguard has changed over the years. Notice that the Super Fatties got a little Fatter than the FD-4s on my old SJ. I didn't notice initially how much lower the cutaway is compared to the older version. Cool evolution... especially when comparing to the current SuperJs.
 
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I’m having trouble dialing in a great sound out of my Super J(Fatties). There is a harsh high-mid/high grind that I can’t seem to take away. Both basses have glock pre-amps. Any tips? Maybe string choice?

I’m used to playing standard jazz basses.
What kind of strings are you using atm?

Do you have the thin super fatties, like the ones in my avatar pic, or the SF2 which come in the standard rounded shells?
 
I’m having trouble dialing in a great sound out of my Super J(Fatties). There is a harsh high-mid/high grind that I can’t seem to take away. Both basses have glock pre-amps. Any tips? Maybe string choice?

I’m used to playing standard jazz basses.

Same thing when used in passive mode? How are the batteries?
Have you set up your input gain structure too high?
Have you checked your pickup heights?
 
What kind of strings are you using atm?

Do you have the thin super fatties, like the ones in my avatar pic, or the SF2 which come in the standard rounded shells?

I have the thin super fatties. I have two super J’s, the other one has Black Beauties and the other one with unknown rounds(seems like nickels).

Same thing when used in passive mode? How are the batteries?
Have you set up your input gain structure too high?
Have you checked your pickup heights?

Yeah, same problem on passive mode though using the tone fusion helps a lot when using the high cut. I’ll check pickup heights later tonight, what measurements I should be looking for?
 
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