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Thank you for your response!A slight amount of extra relief under the B-string is normal and desireable. It sounds like you have a little more than "slight" so I recommend taking it to a qualified tech who can level the fretboard under tension to correct the buzzing along the G-string.
Did someone say Capri Orange P???
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I’ve had La Bella Low Tension flats on this for a couple months. Time to switch back to rounds. Is anyone using Elixir strings in their Supers? I used to love them in high school and I’m curious if I would feel the same today.
My friend JB uses Elixir string on his Super P and Super JDid someone say Capri Orange P???
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I’ve had La Bella Low Tension flats on this for a couple months. Time to switch back to rounds. Is anyone using Elixir strings in their Supers? I used to love them in high school and I’m curious if I would feel the same today.
That’s really sweet man. Bad assYes! It’s here and it’s mineABZ 5. View attachment 4426610View attachment 4426611View attachment 4426612View attachment 4426614
That black with white cereuse finish looks WAY upscale-killer!Yes! It’s here and it’s mineABZ 5. View attachment 4426610View attachment 4426611View attachment 4426612View attachment 4426614
Hello! Any Dingwall players who also use Darkglass gear, especially the X Ultra have issues taming harmonics when playing fingerstyle? If I play even a bit harder, especially on E and A strings I get these pinch harmonics. My action is not that low and playing softer is not really an option with the music style. I know that lowering the gain from the pedal helps a bit, but dont want to lower it too much.
Are you muting the strings with a rest stroke? There’s a good chance your muting of the E and A strings is on a prominent harmonic node. Playing with a lot of compression or distortion will bring up these harmonics that might be way quieter otherwise. Quick test is to move your right hand (assuming right-handed) position and see if it is still happening, and if they are the same harmonics or not.
Yes I'm muting with a rest stroke. It appears that the harmonics come in almost every position when I move my right hand. Actually I think it might be that the strings are hitting the upper frets and that's causing it. Maybe should try to adjust the truss rod for less neck relief then get the action a bit higher?



This ABZ is just crazy. It’s probably the lightest bass I’ve ever had at just 7lbs 13oz. And luminlay side dots is a nice feature. The only concern I have now is that the right hand position seems different from my other basses and the hand is resting on the bass body at different angle. It causes a bit of fatigue now.
So, this is going to be an adventure.
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So, the wires come out of the terminal on the 3X board, and simply get soldered to where the little sheet says, on a pretty much one-by-one basis, yes? So the two connections that don’t have dedicated lugs (B+ and N-) get soldered to any exposed portion of the white wire and black wire, respectively, yes? And the loose ends of the white and black wires go to wherever the 3x switch wires go (I’m guessing to the active passive switch, I didn’t look closely at those yet), yes?
lol. I went back, searched for, and saved those same photos earlier as references.View attachment 4427268 View attachment 4427269 View attachment 4427271
Maybe these photos will help.
Maybe not.
I disconnected one lead from the existing switch at a time and connected as per Mo’s diagram.
everything you questioned above sounds right to me. I’d have to go back and look for your last question but I think so.
What was your order again?lol. I went back, searched for, and saved those same photos earlier as references.
Edit to add: it’s also fascinating to see how much differently yours is wired from mine. I wonder which caused more changes, the Bridge/Neck in parallel (IIRC, you said yours is series), or my request for a different order for the positions than yours. I’m not even sure they could accommodate my requested order, which is fine, if they couldn’t.