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Just the mention of carrying around the city, busses and metro makes me immediately go towards the GR. If I didn’t have to carry it around, and had a car, I’d probably pick something else.The options are:
GR, the new carbon fiber line. Bergantino HDN? (The newer, lighter line), new lighter Markbass? Oh and almost forgot, Eich XS line.
I was suggested Barefaced, too but I think they look fugly as heck.
Either a single 1x12 for starters or a 2x10. Has to be relatively small and lightweight for me to carry around the city, busses and metro.
That may change in the near future is my impression.Haven't been able to find mesa stuff in the EU, not seen it anywhere, ever. Dunno if they sell here. I don't think they do.
Haven't been able to find mesa stuff in the EU, not seen it anywhere, ever. Dunno if they sell here. I don't think they do.
I didn’t want to point fingers at my friend here for having such “unusual” taste…Yeah@ABNate - that first version is UGLY! Can’t see anyone wanting it!!LOL
PS - for those uninformed and wondering why I said that - I bought the first one and LOVE it!
They used to, but all that changed when Mesa was sold to Gibson back in 2021. After that the availability of all Mesa products in the EU has been abysmal. Levytukku, the Finnish importer for Mesa, recently announced that this might be changing rather soon, perhaps even later this year. Only time will tell.
If you could go with a 1 driver cab I’d lean on the Mesa 115 subway. It really is the most versatile box for its size on the market IMO. It can go low volume or shake a stage and sound sooo hood doing it. It is the closet bass cab to a FRFR (with a smidge of Mesa flavour) that I know of. I went with more drivers as size is not a concern and I really like the flavouring a cabinet can provide. It really is such a critical factor to live sound. Try as many as you can with your gear and at volume before you buy.Haven't been able to find mesa stuff in the EU, not seen it anywhere, ever. Dunno if they sell here. I don't think they do.

So hey - if anyone is interested - my band Door 13 has our second single dropping tomorrow through our distribution label. We also have a video premiere. The tune was recorded on my NG3 but my Z made it into the video.
Here's the link for the YT premiere if anyone is interested. Click the "notify me" and you'll be notified when it premieres. Cross posting this in the Mesa thread as I went post-eq direct out of my WD800.

I'm so, SO glad my new project is all in on IEMs. No more lugging cabs of any kind around. Before this, I'd just have a small FRFR on stage for personal monitoring only with my AxeFx. Right now I'm just going out of my D800+ into the IEM rack splitter.
I think if I had to go back to a cab, I'd be pretty wary of trying to carry gear to support a room, or even part of a room. I'd just want something more side-firing that'll fill out the stage to the minimum volume needed there.
Somewhere along the line thou your paint spec IS different. The one you used as a sample has a trans grey(?)burst from purple.
Yeah, even though I'm running a quad cortex now, my capo capture is always running as a core part of my sound.
People seem to always think Dingwall and Darkglass is "the combo," but the Capo is also something special for sure.
I'm so, SO glad my new project is all in on IEMs. No more lugging cabs of any kind around. Before this, I'd just have a small FRFR on stage for personal monitoring only with my AxeFx. Right now I'm just going out of my D800+ into the IEM rack splitter.
I think if I had to go back to a cab, I'd be pretty wary of trying to carry gear to support a room, or even part of a room. I'd just want something more side-firing that'll fill out the stage to the minimum volume needed there.
I'm so glad my main gig is on IEMs. Just for the hearing I save in rehearsal alone!
I was doing the same thing running my D800+ into the IEM rig, but I ended up replacing that with a Jad Freer Capo. Another magic little box.
We are going to be renting a rehearsal with gear but I wanna schlep my own thing. Kinda wanna have "my sound" with me whereever we go plus I'll be taking my rig with me to every gig anyway. Kinda want to get into that of mindstate of always having my rig and backup. Also, I'm new to playing live with people so what do I knowDude, thank you so much! I really appreciate you checking it out!
Im right there with you guys. Ive finally dialed in my ears vs cab tone. Im still getting used to the IEM system, but i think i can safely say the cabs can stay home now on rehearsal nights. Im still gonna bring a small 112×115 setup for the gig tonight i think. I havent got the courage to leave the cabs home on gig day yet. Id hate for something to fail and be stuck without them.

Will the rehearsal space have multiple cabs you could try?We are going to be renting a rehearsal with gear but I wanna schlep my own thing. Kinda wanna have "my sound" with me whereever we go plus I'll be taking my rig with me to every gig anyway. Kinda want to get into that of mindstate of always having my rig and backup. Also, I'm new to playing live with people so what do I know
Also... Genzler 1x12 Array looks very very nice and is small. Has great support for that B string. Either that or a GR cab. 2x12 slim. They're basically the same price.
Yep, trans grey on back, same as the other.I actually reached out to the owner of that bass to confirm his specs before ordering. Exact same finish and top specs all around.