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Dingwall Owners Club

Insane.
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Saw that one in person today.

Definitely eye catching.

Nice job on that demo in a really hard place. Playing in those settings direct to 'tape' really is like walking around in the dark. I don't think I realized that the B/M setting on the D-Bird was parallel rather than series. I always assumed it was a regular series vibe.
 
Nice job on that demo in a really hard place. Playing in those settings direct to 'tape' really is like walking around in the dark. I don't think I realized that the B/M setting on the D-Bird was parallel rather than series. I always assumed it was a regular series vibe.

Yeah the bridge/middle in parallel mode on the D Bird doesn’t have the same oooomph as the series but it can be EQ’d to be very close.

Now, the series setting on the D bird is another story. That’s where my selection mainly stays these days. There’s just soooo much push there. Big sounding is a massive understatement.
 
Yeah the bridge/middle in parallel mode on the D Bird doesn’t have the same oooomph as the series but it can be EQ’d to be very close.

Now, the series setting on the D bird is another story. That’s where my selection mainly stays these days. There’s just soooo much push there. Big sounding is a massive understatement.

This summer I re-found love for the parallel N/B setting, especially on bigger stages outdoors. Sometimes the series setting was reading as too dense and lacking clarity. We ended up north of 90 shows in 2017 with some of them maxing out at about 5K people, so we're experiencing some different settings. We also have 7 people on stage (although that's shrinking to 6 soon) so the mix has a fair amount of density in it as well.
 
Thanks so much for this info - you've just changed my order for my Combustion. Would much rather have the factory 3X option if I can.
Factory option will change your delivery date. There are to be the upgrade kit options beginning in or after April.

Anyone on this forum purchase any of those bad boys?

Man I wanted that black/white Z...!

That red burst ab one is sick too!
I tried to a couple of months ago and they were all sold. But I already had orders in for comparable Dingwalls.

Ugh, the poster of the white DBird is killing me. I might need to have a look at my budget. I wanted to like the Standard (Chinese) more, but the Canadian/custom really strikes me as more desirable.
The new fretboard choices and pickguard wood as well as neck choices set the Canadian D-bird off as a different beast. WHen the Standards were announced I changed all my CAndians ones to the choices you can't get with the Standard.

After three days at NAMM the only famous guy I recognized there was Sheldon!

Super P sounds and feels so great, but the biggest surprise was how little it weighs. Definitely on the purchase radar...
Lee Sklar wanked up right as I was speaking with Sheldon.

I wish that was a standard color on these. Dang!
I see you found out it is. I think they got so many likes on this color that it was a given, but was perhaps initially not a go.

I'm actually digging the Vintage Burst myself: the light headstock threw me at first, but it grew on me pretty quickly
Yeah, that Vintage Burst has my eye as well. But I do wish the had gone with a dark headstock.

That Ducati white on the site is killing me. I see one in my future... just not immediately.
There is a new upgrade pickguard wood for the Canadian models that will make the Ducati White insane.
 
Hmm. The grain on that is so variable, I’m not sure how excited I can get about it. I’m sure there are some that look extraordinary.
I think we will be pleasantly satisfied that it will be a really nice looking differential between the Canadian and the Standard.
 
This summer I re-found love for the parallel N/B setting, especially on bigger stages outdoors. Sometimes the series setting was reading as too dense and lacking clarity. We ended up north of 90 shows in 2017 with some of them maxing out at about 5K people, so we're experiencing some different settings. We also have 7 people on stage (although that's shrinking to 6 soon) so the mix has a fair amount of density in it as well.
That has become my go to setting these days, both on my 3x as well as my 2x. I do occasionally solo the neck as well. But the N/B in Parallel just has such a nice, tight response.
 
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