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Saw that one in person today.
Definitely eye catching.
Me owning one would be the worst ratio of "cash-paid to notes-played" ever.
Nice job on that demo in a really hard place. Playing in those settings direct to 'tape' really is like walking around in the dark. I don't think I realized that the B/M setting on the D-Bird was parallel rather than series. I always assumed it was a regular series vibe.
Yeah the bridge/middle in parallel mode on the D Bird doesn’t have the same oooomph as the series but it can be EQ’d to be very close.
Now, the series setting on the D bird is another story. That’s where my selection mainly stays these days. There’s just soooo much push there. Big sounding is a massive understatement.
Factory option will change your delivery date. There are to be the upgrade kit options beginning in or after April.Thanks so much for this info - you've just changed my order for my Combustion. Would much rather have the factory 3X option if I can.
I tried to a couple of months ago and they were all sold. But I already had orders in for comparable Dingwalls.Anyone on this forum purchase any of those bad boys?
Man I wanted that black/white Z...!
That red burst ab one is sick too!
The new fretboard choices and pickguard wood as well as neck choices set the Canadian D-bird off as a different beast. WHen the Standards were announced I changed all my CAndians ones to the choices you can't get with the Standard.Ugh, the poster of the white DBird is killing me. I might need to have a look at my budget. I wanted to like the Standard (Chinese) more, but the Canadian/custom really strikes me as more desirable.
Lee Sklar wanked up right as I was speaking with Sheldon.After three days at NAMM the only famous guy I recognized there was Sheldon!
Super P sounds and feels so great, but the biggest surprise was how little it weighs. Definitely on the purchase radar...
I see you found out it is. I think they got so many likes on this color that it was a given, but was perhaps initially not a go.I wish that was a standard color on these. Dang!
Yeah, that Vintage Burst has my eye as well. But I do wish the had gone with a dark headstock.I'm actually digging the Vintage Burst myself: the light headstock threw me at first, but it grew on me pretty quickly
There is a new upgrade pickguard wood for the Canadian models that will make the Ducati White insane.That Ducati white on the site is killing me. I see one in my future... just not immediately.
Can you say what it is?There is a new upgrade pickguard wood for the Canadian models that will make the Ducati White insane.
Yes, sorry,
Macassar Ebony
I think we will be pleasantly satisfied that it will be a really nice looking differential between the Canadian and the Standard.Hmm. The grain on that is so variable, I’m not sure how excited I can get about it. I’m sure there are some that look extraordinary.
Chad just got that one in a couple of days ago. Very nice bass. I have my eye on the Prima there... working towards itThe bass shop has a used ABZ for $1700:
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I don't know, I really like the little slices through the guard in the combustion/standard version.I think we will be pleasantly satisfied that it will be a really nice looking differential between the Canadian and the Standard.
Chad just got that one in a couple of days ago. Very nice bass. I have my eye on the Prima there... working towards it![]()
As a non-supporting member I think I have to tread pretty lightly here... but something Dingwall will likely go up for sale soon (likely on facebook groups and reverb). I only have three - the six string and the red one are pretty firmly entrenched soooo....What will you have to sell when that happens? Keep me in mind.![]()
Yeah, lots of unknowns trying to get a chance to talk to the Great Dingwall.Lee Sklar wanked up right as I was speaking with Sheldon.
That has become my go to setting these days, both on my 3x as well as my 2x. I do occasionally solo the neck as well. But the N/B in Parallel just has such a nice, tight response.This summer I re-found love for the parallel N/B setting, especially on bigger stages outdoors. Sometimes the series setting was reading as too dense and lacking clarity. We ended up north of 90 shows in 2017 with some of them maxing out at about 5K people, so we're experiencing some different settings. We also have 7 people on stage (although that's shrinking to 6 soon) so the mix has a fair amount of density in it as well.