Do you really shoot for a "PA like" tone?
My basses always sounded a whole lot better in bass cabs than in PA cabs.
What's the appeal of uncolored tone? Tone has to be good, that's it... Overly transparent bass cabs sound cold, uninspired and boring. Best cabs around have a characteristic voice.
It isn't a matter of "colored" vs "uncolored". It is a matter of which page you do your coloring on.
If your color comes from the speaker page, then you probably wouldn't like the result of leaving that page out, unless you put some time into coloring the "before the speaker" page the way you wanted instead.
If your color comes before the speaker page, the reverse can also be true... you might get annoyed with a speaker that throws a bunch of its own color on top of what you've already dialed in to your liking.
Both happen all the time... in the first case someone might love the sound of their rig, but the audience often hears something else if there is a PA, because the house takes a DI and won't mic the cab.
In the latter, one might be dialed in for DI into the PA, but never get quite what they want on stage for themselves because their cabs sound very different.
The point of PA, or "PA-like cab" isn't "PA tone".
It's a relatively blank slate for getting the tone the audience hears and the tone on stage to be similar. (Plus get PA-like projection when there is no PA.). Another method is to always have a PA, and to always mic your cab when using it.
Some find the first method incredibly useful and flexible, and like to share info about various cabs that are really good at it (not all are fEARfuls) with others that haven't tried or heard it. Because most haven't. Pretty much everybody has tried or heard the latter.
It isn't so much just the fEARfuls... it is the different approach, and a modern class of multiway super-woofer cabs that excel at it. (And more recently, some super-woofer cabs that also excel at the other approach.)