sorry for naivety, but whats the difference please ?250 continuous watts, or RMS watts. More would be better.
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sorry for naivety, but whats the difference please ?250 continuous watts, or RMS watts. More would be better.
Hi Rumblers,
apologies if this has been discussed before....
Im looking to add another cab to my 500w rumble combo for forthcoming gig. I would buy the 2 x 10 Fender, but cant afford to at the mo. As long as I respect the ratios, can I use another brand of cab? There are a few options I can rent from our studio....
I think understand the fundamental resistance / power ratio stuff. Amp is rated 500w, Combo speakers are 350w 8 ohm. So I can safely add the 2x10 fender cab, rated 8 ohms, to give 500w combined power at 4 ohms.
So as long as another cab is rated at 8 ohms, is that OK ? Any other important factor(s) ?
How much does a different brand of can colour the sound? For example, I could go for an Ashdown cab or other...
Thanks in advance !!![]()
Ashley Dzerigian because who wants to wait 'til Friday?
View attachment 3291981
Continuous is how much power it can handle safely during operation, peak or max is what it can handle in a spike or very short time before failure happens.sorry for naivety, but whats the difference please ?
What cabs do they have available for rent? That might make it easier to help out.
Continuous is how much power it can handle safely during operation, peak or max is what it can handle in a spike or very short time before failure happens.
need to go and jump in the snow to cool down a bit......
Some manufacturers do that, but not all. That is the frustration in the bass community at times. Different manufacturers measure at different points to get their numbers and not all do the same way. And then some just post max or continuous limits, but not both.OK thanks, should that be written on a given cab/amp's spec somewhere?
Hi Rumblers,
apologies if this has been discussed before....
Im looking to add another cab to my 500w rumble combo for forthcoming gig. I would buy the 2 x 10 Fender, but cant afford to at the mo. As long as I respect the ratios, can I use another brand of cab? There are a few options I can rent from our studio....
I think understand the fundamental resistance / power ratio stuff. Amp is rated 500w, Combo speakers are 350w 8 ohm. So I can safely add the 2x10 fender cab, rated 8 ohms, to give 500w combined power at 4 ohms.
So as long as another cab is rated at 8 ohms, is that OK ? Any other important factor(s) ?
How much does a different brand of can colour the sound? For example, I could go for an Ashdown cab or other...
Thanks in advance !!![]()
Other factors to consider are, will you have FOH/PA support? How big is the venue? How many people are you expecting?
Odds are, you may not even need that extension cab. I played many shows with just the Rumble 500 heand and 210 cab. The trick is getting the speaker closer to your ear to help in a live setting. I only got ybe 2nd cab for the cool factor and to get speakers closer to my ear. Added benefits are the amp works less hard and I have more presence on the stage. But it wasnt necessary. The 1 cab and head did just fine. I used the Eden on just a couple shows and that was mostly at punk rock venues that had no FOH support and other bands where using my rig. I wanted to make sure no one blew my stuff up.
Next rehearsal, try putting the amp on a chair or a box/milk crate. See what that does for overall sound/volume to your ear.Thanks.
Its our first gig. We are not that experienced. Not sussed the venue out yet, but chances are the Rumble 500 combo will be enough (bar / cafe, but long room). I just fancied having a bit more/fuller sound, if desired. Our rehearsals are always too heavy in the drums. We have an engineer, but only mic-ing up kick drum (and vocals !)
A 115 will do you proud.I just fancied having a bit more/fuller sound,
Next rehearsal, try putting the amp on a chair or a box/milk crate. See what that does for overall sound/volume to your ear.
A 115 will do you proud.
the idea of having a cab to handle the full wattage has stuck
That's where the weight comes from.I had great luck with my Eden 210XLT with the Fender 210 cab and 500 head. But the OCD in me wanted matching cabs and got a 2nd Rumble 210. However, I do leave the Eden at the rehearsal spot and just tote the head back and forth. Sound incredible by itself. There is Magic in them old Eden cabs I tell you.

Me, too. Oh....wait....no snow in s.e. FL.need to go and jump in the snow to cool down a bit......
Riiiiiight!the amp, of course......
Phone recordings do Not capture all the bass. Try recording with a real mic.(or a bunch)Thanks, I do just that. I often place it on top of another spare cab, such as the Ashdown. It's OK most of the time. But drums too heavy in the mix, when we do our crap recordings on someones phone etc. Just curious to try at gig, better to have more than needed, than other way round.
Right. A Rumble 115 (or other comparable 115) in conjunction with the Rumble 500 combo's internal 210 is a well known and ear pleasing combination. A real winner from the days before the Rumble 210 was available.Is that your referred choice in ADDITION to a 2x 10 ?