Didn't know the carry case was included. A nice touch from Fender!
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The 1/4" line output jack is Hi-Z and unbalanced, and no problem for short runs of say 50 ft or so. Since this is a first generation Rumble, if you've not used it before, do clean the jack first for a good clean connection. You can also use a line transformer to convert it from Hi-Z unbalanced to Lo-Z balanced XLR for longer runs.Anyone know of any issues when running a Rumble 60 directly to a PA using that balanced 1/4' Line Out jack?
You are member #399 
Thanks. I was reading an online manual for this amp and it says the line out is an "impedance balanced TRS jack". I plan to run it to the PA using a 1/4" TRS to XLR cable. This is just an emergency situation for an upcoming gig.The 1/4" line output jack is Hi-Z and unbalanced, and no problem for short runs of say 50 ft or so. Since this is a first generation Rumble, if you've not used it before, do clean the jack first for a good clean connection. You can also use a line transformer to convert it from Hi-Z unbalanced to Lo-Z balanced XLR for longer runs.
Oh yeah, welcome to the Fender Rumble Club, JRL174!You are member #399
Rumble On!
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Yes the Rumble 60 owner's manual states:Thanks. I was reading an online manual for this amp and it says the line out is an "impedance balanced TRS jack". I plan to run it to the PA using a 1/4" TRS to XLR cable. This is just an emergency situation for an upcoming gig.
The amp belongs to our guitar player and is housed in our rehearsal room. I am working on some issues with my two Ampegs and will need to use this amp. My plan is to get one the the V3 500w Rumbles when the shipment comes in.
Looking for a new cab myself, how does that table sound?View attachment 579860 Okay, so my Rumble 500 V3 head arrived today! Unfortunately, I'll have to wait a few days for the 15 cab. I must say, the fit and finish on the head appears to be top notch. Love the feel of the control knobs! I can't wait to plug it in.
Didn't know the carry case was included. A nice touch from Fender!
For super aggressive prog rock with a pick such as YES or RUSH, I'd go with 10's all the way.I'm starting to get GAS for these Rumble amps! Debating between the 500 combo with a 210 extension cabinet or the 500 head and a pair of either 112 or 115 cabs. The 112 and 115 are the same price and there is only 8 lbs difference in weight, so I'm having trouble choosing between those as well.
You might not need an extension cab; I'm a loud player myself, and I find the 500 combo to sit in a great place volume-wise. IMO they're louder than the specs indicate, probably due to good speaker and cab design, meaning efficiency. I bought mine based on the sound of the speakers and enclosure, not anything about the amp in particular. It just sounds good.I'm starting to get GAS for these Rumble amps! Debating between the 500 combo with a 210 extension cabinet or the 500 head and a pair of either 112 or 115 cabs. The 112 and 115 are the same price and there is only 8 lbs difference in weight, so I'm having trouble choosing between those as well.
Or if you're playing really huge festicles, get the Rumble 500 head and a pair of Rumble 410 cabinetsYou might not need an extension cab; I'm a loud player myself, and I find the 500 combo to sit in a great place volume-wise. IMO they're louder than the specs indicate, probably due to good speaker and cab design, meaning efficiency. I bought mine based on the sound of the speakers and enclosure, not anything about the amp in particular. It just sounds good.
We play a range of places, including large festicals (sorry, I meant to type festivals, but that misstype type was so funny I'm leaving it). The way I figure it, if the sound fills the stage, I'm good with it. Anything larger and the FOH can pick it up.
So for you, it might be wise to buy a head and ONE 210 cab before proceeding.
For super aggressive prog rock with a pick such as YES or RUSH, I'd go with 10's all the way.
For what you are describing, the 15 is more than perfect. Something I found out is that my Rumble 200 (with a 15) is way louder in any setting other than Guitar Center. I play the same styles of music. Push in the Vintage button and you get a big round sound that fills a room like nothing else.I play mainly classic rock and blues, finger style. I prefer a rounder, warmer sound so maybe the 15's are the best choice. I think I just need to go find the combo and the head/cabs somewhere that I can compare them.
True That! A Rumble 500 head on top of a pair of Rumble 115 cabinets would make a glorious classic rock & blues rig.I play mainly classic rock and blues, finger style. I prefer a rounder, warmer sound so maybe the 15's are the best choice. I think I just need to go find the combo and the head/cabs somewhere that I can compare them.
True That! A Rumble 500 head on top of a pair of Rumble 115 cabinets would make a glorious classic rock & blues rig.
The trouble is finding a music shop that has everything for you to audition. The only place that comes close that I know of is Larry Hartke's Bass Lounge in the Sam Ash store in mid-town Manhattan. I've never been. Just seen photos on facebook. Looks awesome!
Chicago Bass Exchange!My wife and I have always wanted to go to NYC! Probably not gonna happen any time soon though. We are going to Chicago this summer for a few days. Maybe I can find somewhere there that has them in the store.
Chicago Bass Exchange!
No sooner did I post this than I got a call from the bandleader - got in a dispute with the promoter and we pulled out. Sheesh, those business guys...I'm working a large festival on March 28, and am specifically going to use the XLR out to put the issue to rest, for me at least. FYI:
View attachment 579947
Looking for a new cab myself, how does that table sound?