Oh come now.
That bass isn't any more hacked up than Oakley's Tractor Bass.
And your point is.............?
They both look like experiments that escaped the island of Dr. Moro.
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Oh come now.
That bass isn't any more hacked up than Oakley's Tractor Bass.
People talk about the tractor bass here in admiring tones all the time.And your point is.............?
They both look like experiments that escaped the island of Dr. Moro.
I just have to ask... why split the p pickup around the bridge jazz p/u? (I know, why do any of it?....) Why not just keep it together on neck side of bridge j p/u? The d/g side has to be useless twang...
To me the body looks like being made of ash. Or is it some weired thing a previous owner did with the finish?
Where there any ash bodied '62 Jazz Basses?
To me the body looks like being made of ash. Or is it some weired thing a previous owner did with the finish?
Where there any ash bodied '62 Jazz Basses?
they got room for a 5th pickup in there ... they sure better get to work and add it in there
It looks to me like somebody took a BernzOmatic to it to give it a slightly scorched effect. I've seen similar finishes on other wood items, walking sticks, boxes and the like.
Id buy it for 500, and send it to a very talented luthier for restoration. It will never be original but it could definitely be brought back to respectability.
Or the tonal variety may only be half-vast.The description claims that it sings. It probably sounds like a choir with all of those pickups. BobKos got it right when he said the tonal variety may be vast with all of the possibilities. May be a mojo laden tone machine of the veg-o-matic variety. At least the body hasn't been mutilated to the point you can't tell what it left the factory as. Those cases are really sad. This sort of reminds me of Walter Becker's P bass. As far as it being a rare find, unfortunately, idiocy runs rampant in our society.
At the risk of sounding wonky, I think that is a Bass VI control plate. If it's vintage, it could add up to $12 to the value of the thing. . .I'm not going to get into the " how can you have done this" part of the conversation.
I actually kind of like the idea of extra pickup's & the jag control plate is interesting...
I just have to ask... why split the p pickup around the bridge jazz p/u? (I know, why do any of it?....) Why not just keep it together on neck side of bridge j p/u? The d/g side has to be useless twang...
Anyone seen that done before? Just a strange choice.
I think p/j/p/j pickup orientation would've been crazy enough and probably offer a huge tonal palette...
Indeed, it may have once belonged to Berly Sheekley, who had it overhauled by luthier Mike Watt.It's kind of a miracle the neck is in relatively decent shape. The rest looks like the bastard child of Billy Sheehan and Berry Oakley. Berry Sheehan?
All I can say it was hard to keep from Going postal see this.
