You likely know, but 50 tubes watts will sound a lot more substantial than its SS equivalent.
Not my experience. I like the sound of all-tube, not the weight, but didn't notice it being louder if you throw some compression in to the SS mix.
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You likely know, but 50 tubes watts will sound a lot more substantial than its SS equivalent.
Do I miss playing though an SVT or a V4-B, or even my ‘66 B-15n? You betcha; however, I’ve got a 69 year old back, and no roadies…so my 1.6 pound TE Elf is my go to amp these days…
Which is your Warwick amp? Gotta pic?I was tempted as my current SS amps are 300W Warwicks (the unpopular ones with linear volume controls - it was hard to find a second example but cheap) and even they aren't exactly light. I wasn't sure it would offer enough Watts, though. I might never have pushed it that hard, but if I do push it to 131W (it's 130W, yes?) then that's not ideal.
The Warwicks also have built-in compression, and see my previous comments about a bit of compression helping to give a little extra in the feel department, at least for me.
Which is your Warwick amp? Gotta pic?
I liked, and almost bought one a few yrs back. Sounded great
Ahhh ok, I don't think I've tried that one. The one I was looking at was a WA600, or 300 maybe.Profet 3.1. The 300W with linear volume that was 'too quiet: (it's perfectly loud). Before that I briefly used Ashdown (muddy) and before that Trace Elliot. The Warwick is like a warmer sounding TE with fewer features, but also cheaper. But not muddy.
You said louder, I didn't. And once you start throwing compression into the mix we're no longer talking apples to apples.Not my experience. I like the sound of all-tube, not the weight, but didn't notice it being louder if you throw some compression in to the SS mix.
Wouldn't it be funny if in a couple of weeks you go back to that same bar and find a WD800 or some other modern ss head sitting on top of that 4x10 and you ask the guy, "Where's the Fender head?", and he responds, "Sold it locally a couple of weeks ago".Oh, I hear that! None of use are getting any younger. Funny thing, one of those same Bassman Ten amps (1972 silverface) was posted for sale today locally. Some may consider that "fate", but I value my lower back too much to do anything crazy
I never should have sold my Bassman Ten! What a great amp that was, and pretty lightweight, all things considered…Oh, I hear that! None of use are getting any younger. Funny thing, one of those same Bassman Ten amps (1972 silverface) was posted for sale today locally. Some may consider that "fate", but I value my lower back too much to do anything crazy
I know what your saying. I do feel that a bit with the SS ampsIn as much as I would say that every bassist needs to have a 'P-bass' phase, there should also be a tube amp phase. Once you know what that is all about, you can play through what ever solid state class D amp your back will agree too. But there is a reason I traded my PF500 for a PF50T.
One thing I have always found strange is that tube amps seem to be more immediate than solid state. Like the note gets there sooner, much sooner. It's a weird feeling. Not enough to be off putting playing through a solid state amp, just the tube amp feels better because it feels more accurate in relation to time. Anyone else feel that?
Put the damping on your Mesa amp to low, and change the ohm selector on the back to 2 ohms. The ohm thing will essentially lower the power of the amp when driving a 4 or 8 ohm cab... meaning you could probably drive it more to it's full potential.
I've had a lot of tube amps, and they are all pretty different, but I've generally had a really good experience. Love Fender amps especially. There is something really great about only having 2-3 knobs - get a sound a play - it forces you to focus on your playing rather than the features of the amp.
You might like a fender style preamp before your Mesa rig... it might bring that something extra without getting a whole new rig.
I can’t imagine using just one 2/10 cabinet bringing out the most of such an amp. Try adding a matching one or an additional 1/12 or 1/15, or upgrade to a 2/12 or 2/15 if the above post advice about changing settings does not work.
Maybe @agedhorse will chime in.
Your experience is very typical of an old tube Fender. You could mimic it by using a compression pedal in front of your current rig.
You said louder, I didn't. And once you start throwing compression into the mix we're no longer talking apples to apples.
Yup. Ss is immediate, accurate, and consistent.I know what your saying. I do feel that a bit with the SS amps
One thing I have always found strange is that tube amps seem to be more immediate than solid state. Like the note gets there sooner, much sooner. It's a weird feeling. Not enough to be off putting playing through a solid state amp, just the tube amp feels better because it feels more accurate in relation to time. Anyone else feel that?
In as much as I would say that every bassist needs to have a 'P-bass' phase, there should also be a tube amp phase. Once you know what that is all about, you can play through what ever solid state class D amp your back will agree too. But there is a reason I traded my PF500 for a PF50T.
One thing I have always found strange is that tube amps seem to be more immediate than solid state. Like the note gets there sooner, much sooner. It's a weird feeling. Not enough to be off putting playing through a solid state amp, just the tube amp feels better because it feels more accurate in relation to time. Anyone else feel that?