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wcriley said:Everything at '5' on a vintage Fender will not be anywhere close to 'flat'.
Is every amp different? How can you tell what "flat" is?
Is every amp different? How can you tell what "flat" is?
Where electric bass is concerned the term is meaningless. Even with the EQ set for zero boost or cut almost all amps have a built in pre-shape, and the number of speakers with flat response can be counted on the fingers of one hand.What exactly does "flat" mean in terms of EQ?
It's pretty much pointless to look at it just in terms of the amp. "Flat" through what speakers, in what room, at what location in the room?
shackled said:Is every amp different? How can you tell what "flat" is?
Where electric bass is concerned the term is meaningless. Even with the EQ set for zero boost or cut almost all amps have a built in pre-shape, and the number of speakers with flat response can be counted on the fingers of one hand.
Here's how you set your EQ: Turn the knobs or move the sliders until it sounds good.
I'm a little confused, I admit.
I get it when you say that flat is when there's no cuts or boosts, so assuming I'm using my little combo, turning all knobs to 0 will make it flat.
But what does it have to do with the speakers, location or the room?
The speakers inherently boost and cut certain frequencies, so sending a flat signal from the amp does not result in an overall flat sound. In the PA world we typically use equalizers to compensate for the coloring in the speaker, but also for the coloring in the room itself. Rooms are tuned boxes and they resonate at different frequencies depending on their dimensions. Also, features like corners and walls reinforce or cut some frequencies, so different parts of the room will sound different to a listener moving around in the room.
Make sense so far?
Maybe, maybe not. Every amp is not the same.so assuming I'm using my little combo, turning all knobs to 0 will make it flat.
Every speaker has its own response, as does every room, as does every position in the room.But what does it have to do with the speakers, location or the room?
Don't believe everything you read. If there was a valid reason for having the amp flat there would be no EQ controls at all.Some time ago another TBer said that to try out a bass you should set everything to flat.
Wow... there's a lot of thought into these responses!
Flat, to me, has always been the EQ set down the middle, with no cuts or boosts. How does a PA/Amp sound if the EQ and tone controls are FLAT? Usually you start with the EQ flat, then you add/remove frequencies/tone to make it sound better ...or, fit into the mix.
If something SOUNDS flat, that's different. It's just another word for lifeless or dull. If the EQ is set flat, and it sounds too bright, you dial back the treble.
As far as frequency response goes, every instrument/voice has it's own wave, or set of frequencies, if you will. A truly flat line would be silence or white noise (all frequencies).