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G&L Club Part 7

Obviously it's a personal choice depending on what you like to play and what you like to hear from your ax.

I had both an SB-2 and a Kiloton built new to the same specs (not at the same time). The SB-2 was my #1 from the day I brought it home until now, four years later. I sold the Kiloton within a year. I still have an L2k and SB-1 that I'm pretty fond of, too.

Very generally, I feel like the SB-2 sound "fits" into a broader range of music than the Kilo--but that's my ears and my tastes. And it's always there. I can plug it straight into my interface and hear what I want. The Kiloton had me fiddling with knobs all the time. I tried a mess of different strings on it. Don't get me wrong, it was a super-nice bass. But it wasn't my favorite bass for any one thing, and wasn't good enough at enough things to overcome that.
 
Ok fellow G&L nerds I am very conflicted.

Here's why:

[Invalid or Expired Link Removed]

Teaser pics:

00w0w_4nVFilURtgXz_0t20CI_1200x900.jpg
00E0E_d2iNPCKZ7fiz_0t20CI_1200x900.jpg


I happen to have a Fullerton red ASAT, and would LOVE a matching L2k. Unfortunately this is part of the description:

"The late great Mike Lull modified the electronics for the last owner - there is no preamp, and the series/parallel functionality has been split out. Middle switch controls the neck pickup, back switch controls the bridge pickup."

GAH!!!!

My hopes are/were dashed. However $700 still seems quite fair, so my question is how much (and how exactly) could I go about putting the electronics back to stock? I'm useless myself so I'd need a skilled hand to do the restoration.

And if someone else here gets the bass that's absolutely fine by me.

My matching ASAT porn:

img_20200515_193015228_hdr-jpg.jpg



EDIT UPDATE: I emailed the seller, and he happens to have the stock preamp and such. Sweetens the deal tremendously!
 
Last edited:
Ok fellow G&L nerds I am very conflicted.

Here's why:

[Invalid or Expired Link Removed]

Teaser pics:

View attachment 4269169 View attachment 4269170

I happen to have a Fullerton red ASAT, and would LOVE a matching L2k. Unfortunately this is part of the description:

"The late great Mike Lull modified the electronics for the last owner - there is no preamp, and the series/parallel functionality has been split out. Middle switch controls the neck pickup, back switch controls the bridge pickup."

GAH!!!!

My hopes are/were dashed. However $700 still seems quite fair, so my question is how much (and how exactly) could I go about putting the electronics back to stock? I'm useless myself so I'd need a skilled hand to do the restoration.

And if someone else here gets the bass that's absolutely fine by me.

My matching ASAT porn:

View attachment 4269176


EDIT UPDATE: I emailed the seller, and he happens to have the stock preamp and such. Sweetens the deal tremendously!
Keep it that way . and you will have a couple versatile basses that sound great. some of the early L 2000 were passive with seperate coil tapping abilities, ALA Roscoe Beck fender sig... if i had 700 dollers i would not be telling you this,, i would be posting pics of my new passive L2000, is it a six bolt neck?,, their mite be room on paypal. that is cool
 
it just came to me what my next passive bass will be , L 2000 with passive tone stack like my L1000 and coil tap for both pickups separate, and three way switch. and the same neck that comes on the CLF 1000, 1 5/8 slim C9.5 radius. If this bass had the L2000 neck and not a Jazz neck i would buy it.
 
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Ok fellow G&L nerds I am very conflicted.

Here's why:

[Invalid or Expired Link Removed]

Teaser pics:

View attachment 4269169 View attachment 4269170

I happen to have a Fullerton red ASAT, and would LOVE a matching L2k. Unfortunately this is part of the description:

"The late great Mike Lull modified the electronics for the last owner - there is no preamp, and the series/parallel functionality has been split out. Middle switch controls the neck pickup, back switch controls the bridge pickup."

GAH!!!!

My hopes are/were dashed. However $700 still seems quite fair, so my question is how much (and how exactly) could I go about putting the electronics back to stock? I'm useless myself so I'd need a skilled hand to do the restoration.

And if someone else here gets the bass that's absolutely fine by me.

My matching ASAT porn:

View attachment 4269176


EDIT UPDATE: I emailed the seller, and he happens to have the stock preamp and such. Sweetens the deal tremendously!

$700 including the original preamp?! I'll look forward to seeing the NBD pics. :D
 
Ok fellow G&L nerds I am very conflicted.

Here's why:

[Invalid or Expired Link Removed]

Teaser pics:

View attachment 4269169 View attachment 4269170

I happen to have a Fullerton red ASAT, and would LOVE a matching L2k. Unfortunately this is part of the description:

"The late great Mike Lull modified the electronics for the last owner - there is no preamp, and the series/parallel functionality has been split out. Middle switch controls the neck pickup, back switch controls the bridge pickup."

GAH!!!!

My hopes are/were dashed. However $700 still seems quite fair, so my question is how much (and how exactly) could I go about putting the electronics back to stock? I'm useless myself so I'd need a skilled hand to do the restoration.

And if someone else here gets the bass that's absolutely fine by me.

My matching ASAT porn:

View attachment 4269176


EDIT UPDATE: I emailed the seller, and he happens to have the stock preamp and such. Sweetens the deal tremendously!
At $700 that's cheaper than most Tributes you'd find out on the market right now.

Wiring a preamp is a pretty extensive project to dive into if you've never soldered anything before...it's also free though. It would be worth it to have a pro do it
 
Hey all, I recently played two Tributes at a store - a Kilton and SB-2 - and fell in love with both. I plan on picking one up soon, and was curious which one y'all would snag first and why.
I happen to own both an SB-2 and a Kiloton. Both are monsters, but if I had to have just one, it'd be the K'ton. The versatility of playing that MFD 'bucker in series, parallel, or single coil trumps what the SB-2 can do, at least for me. I'm just glad I only have to choose between the two one gig at a time. Plus, if you're looking at the Trib Irish Ale K'ton, I really love that color!
 
At $700 that's cheaper than most Tributes you'd find out on the market right now.

Wiring a preamp is a pretty extensive project to dive into if you've never soldered anything before...it's also free though. It would be worth it to have a pro do it
Here ya go
I didn't know Peavey made space heaters.:smug:
That's a portable air conditioner!
 
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I had both an SB-2 and a Kiloton built new to the same specs (not at the same time). The SB-2 was my #1 from the day I brought it home until now, four years later. I sold the Kiloton within a year. I still have an L2k and SB-1 that I'm pretty fond of, too.

Very generally, I feel like the SB-2 sound "fits" into a broader range of music than the Kilo--but that's my ears and my tastes. And it's always there. I can plug it straight into my interface and hear what I want. The Kiloton had me fiddling with knobs all the time. I tried a mess of different strings on it. Don't get me wrong, it was a super-nice bass. But it wasn't my favorite bass for any one thing, and wasn't good enough at enough things to overcome that.

Same experience here. My first G&L was an L-1500, which in passive mode sounds just like the Kiloton, and I bought an SB-2 a year and a half later. The L-1500 was gone within a year, for essentially the same reasons you ditched the Kiloton. I got all the MFD slam out of the SB-2 with the same plug-and-play goodness of any P-bass, while the L-1500's tone varied tremendously across different rigs, in different rooms, etc. At its best, the L-1500 produced unbeatable rock tone, but to get its best reliably I needed to use an Aphex Bass Xciter pedal, and I didn't want to deal with that all the time.
 
Same experience here. My first G&L was an L-1500, which in passive mode sounds just like the Kiloton, and I bought an SB-2 a year and a half later. The L-1500 was gone within a year, for essentially the same reasons you ditched the Kiloton. I got all the MFD slam out of the SB-2 with the same plug-and-play goodness of any P-bass, while the L-1500's tone varied tremendously across different rigs, in different rooms, etc. At its best, the L-1500 produced unbeatable rock tone, but to get its best reliably I needed to use an Aphex Bass Xciter pedal, and I didn't want to deal with that all the time.
I've owned and loved both (still have the SB-2, it's a lifer). I was able to find a passive setting on my L-1500 that worked fantastic for the classic rock band I was in at the time - our guitarist loved it. So I rarely changed it, except for that active switch for those rowdy moments :). My guess is the Kiloton could fill the same niche nicely. The SB-2 can be tweaked to sound like a P-bass with the tone wide-open if that's something you like. It can also be a fire-breathing monster. The L-1500 could not ever sound much like a P-bass (and I'd expect from its genes the Kiloton follows suit), but had its own great sound. Sorry if I didn't help you make a choice :).
 
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