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G&L Club Part 7

Im guessing its the standard P location. 1/2" toward the bridge would offer slightly more harmonic content, or focus, or whatever along those lines. Probably not a huge noticable diff.

I've has SB-2s. Recently I installed an MFD split in a friends Ibanez P bass which I believe is the standard P locale. From what I recall, there was little difference in the split sound.
 
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Has anyone ever put an MFD split pickup into a standard P bass, so that it's not half an inch closer to the bridge like it is on the SB-1 and -2?

If so.....how was it?
Is this something different than an off-the-shelf LB-100?

(If so, please explain. I struggle to keep track of the G&L kinds of pickups available over time, and their location on the different models and, IIRC, some have changed location over time.)

Thanx.
 
I got this Tribute JB when it was the Musician's Friend Stupid Deal of the Day for $299. Since then, updated it with a very old pair of new old stock Dimarzio J's (they are darker than more modern ones), updated the pots, and the tone is a push/pull for series/parallel. Also added the pickup cover. Thinking a white pearl Pickguards would look great with this color.

View attachment 4325576

Now if they could only make a Kiloton 5 fretless as the Stupid Deal of the Day !

Congrats - thats' a steal !
 
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For one moment I considered leaving the new pickguard off. But I love the black. This now looks like my bass.

New pg:

View attachment 4325457

Nekkid JB, so immodest:

View attachment 4325475

That old tort:

View attachment 4325478

Bye Felicia!
I say go bold & black ! the Sans pick-guard just doesn't get it for me with the sparkle job & solid color.... solid painted instruments need something to break up the lines a bit IME. Just like the clean look of the black over the tort. If the body were wood grain or a burst of some sort I might be inclined to get some tort.
 
Has anyone ever put an MFD split pickup into a standard P bass, so that it's not half an inch closer to the bridge like it is on the SB-1 and -2?

If so.....how was it?

I just visited some bass friends up in Virginia. One has both a Mike Dirnt P and a Fender American Professional P that he put the MFD P pickup in. It sounds great! We had my Matador there (2 MFD P's) and they sounded pretty dead on. The Dirnt is a maple body, so it was a bit brighter, but all 3 sounded very similar. The pickup has a distinct tone across the basses.
 
Now if they could only make a Kiloton 5 fretless as the Stupid Deal of the Day !

Congrats - thats' a steal !

Ha, I'm not gonna hold my breath for another G&L Tribute bass at $299 regardless of model. Why I grabbed it (as did my guitarist who wanted a better bass to mess around with than the old Peavey he had).

I got to play a Kiloton Tribute model recently, and that led me to ordering a new Kiloton build (USA option level). Can't wait to get it.
 

Hey everyone! Here's my latest vid unboxing and checking out the LB-100 tribute. Enjoy!


Nice video, @LowEndLobster. Unboxings are fun and are kind of like vicariously getting a new bass. Couple of things. First, G&L as a company has never made any serious commitment to shielding their instruments, either in the control cavity or elsewhere. Sometimes in the US models there's a single half-arsed coat of conductive paint, but it's never better than that. Buying a new G&L for me has always meant having copper tape etc. on hand. So your experience is right there. Second, I do wish you'd mentioned the embedded, locking bridge on the bass: it's part of what makes a 2nd-tier G&L P-bass distinct from other 2nd-tier offerings. I'm sure you'll be setting up action and intonation etc. When you do, I'm pretty sure you'll find that the locking set-screw for the bridge saddles wasn't tightened down prior to shipping. That has a substantial influence on the tone of these instruments, so it's something to perhaps consider for upcoming videos. Nice job as always. Thanks!
 
Did a show last night at a club with a great stage and sound system. This was what I was playing
SB-2 4.jpeg

I was going through a Tech 21 Sansamp Bass Fly Rig to the board.
It is my very favorite. After the show the sound man came to me and was raving about the tone of this bass. He said he set my EQ flat and let me go. This isn't the first time. I get more comments on this bass than any of my basses. The comments always come down to "every note is clear and defined".
 
Did a show last night at a club with a great stage and sound system. This was what I was playingView attachment 4326662
I was going through a Tech 21 Sansamp Bass Fly Rig to the board.
It is my very favorite. After the show the sound man came to me and was raving about the tone of this bass. He said he set my EQ flat and let me go. This isn't the first time. I get more comments on this bass than any of my basses. The comments always come down to "every note is clear and defined".

Every time you post that bass…
:drool::drool::drool::drool::drool::drool::drool::drool::drool::drool::drool::drool::drool::drool:
 
Did a show last night at a club with a great stage and sound system. This was what I was playingView attachment 4326662
I was going through a Tech 21 Sansamp Bass Fly Rig to the board.
It is my very favorite. After the show the sound man came to me and was raving about the tone of this bass. He said he set my EQ flat and let me go. This isn't the first time. I get more comments on this bass than any of my basses. The comments always come down to "every note is clear and defined".
I have experienced that many times with an SB-2 in the system, and have heard it from the audience as well. I haven't found another bass like it (though I'd expect an SB-1 to be similar).
 
Nice video, @LowEndLobster. Unboxings are fun and are kind of like vicariously getting a new bass. Couple of things. First, G&L as a company has never made any serious commitment to shielding their instruments, either in the control cavity or elsewhere. Sometimes in the US models there's a single half-arsed coat of conductive paint, but it's never better than that. Buying a new G&L for me has always meant having copper tape etc. on hand. So your experience is right there. Second, I do wish you'd mentioned the embedded, locking bridge on the bass: it's part of what makes a 2nd-tier G&L P-bass distinct from other 2nd-tier offerings. I'm sure you'll be setting up action and intonation etc. When you do, I'm pretty sure you'll find that the locking set-screw for the bridge saddles wasn't tightened down prior to shipping. That has a substantial influence on the tone of these instruments, so it's something to perhaps consider for upcoming videos. Nice job as always. Thanks!
I have 3 of these basses and they are way better than the price would indicate. I still need/want a white one.