It's a little too much blue, tbh! The Bahama Blue SB-2 might be the first one to (reluctantly) go up for sale. Still debating with myself.
Phew. I was afraid it was gonna be the sunburst one.
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It's a little too much blue, tbh! The Bahama Blue SB-2 might be the first one to (reluctantly) go up for sale. Still debating with myself.
Using my US L-2000, it wasn't uncommon to clip when maxing controls (might have just been the amp). Be sure to keep volume around 80%. Otherwise, it sounded good.Hey guys! I want to get a L2000 tribute.Have you ever played through a hartke 410xl? How is/was it?
Thanks. Great community!
It measures exactly 1.662 with my calipers, so just a hair under the usual vintage G&L nut width of 1 11/16".Whats the nut width on that Bad Boy?
Interesting bass. What's that white button for?
Nitrous oxide boost? Door bell? Garage door opener?....what is it?![]()
Kill button? Does it administer a severe shock to the drummer? The guitarist? The sound guy? Great idea!! I knew there was a reason that G&Ls have so many darn knobs and switches!! (LB-100 and SB-1 here.)It's a kill button I wired in. It is gold like everything else, just reflecting a bit of light.
When I got my L-2500 it was new old stock and had been sitting in a storeroom for a few years. One of the switches didn't work properly (long time ago and don't remember the details). I think they have silver contacts that can tarnish if not used for a while.Any electronics guys have any ideas?
An '86 would have the two "OMG" caps, and on a stock bass, they both are wired to the neck-side coil, meaning that they're not really humbucking. The pickups will hum like a single coil, and both together will hum twice as much. I'm guessing the rehearsal space isn't well grounded and really accentuated the single coil hum that you would get from the two unaffected coils.
Two solutions -
1) remove the caps. You get true humbucking series mode, but you lose the "OMG" tone
2) rewire one of the pickups to have the cap affect the bridge side coil. This would create a humbucker when both were on, but still give you the single coil hum when neither pickup was solo'd.
I see what you are saying. Interesting. It is weird that this is the first time since I bought it in 2006 that it has done that. I never played it at that studio before though.
These ones have an ebony board:I have a 4 string Fretless and it is awesome. I think this is ebony.
I see the SB-2 has a MFD humbucker in the middle "P" position, but the bridge jazz style is a single coil. How much single coil hum bleeds through? The church I play in on a regular basis has allot of stray RF noise. I ended up gutting the electronics on my Fender Aerodyne and installing a DiMarzio humbucking PJ set.
Of course, the simple solution is to leave the bridge pickup off. The MFD split-coil is a monster on its own, and I've rarely used the bridge pickup at all. But I know some players usually blend it in to some degree.
Fed Pol with his new Kiloton 5. Cool.
View attachment 1141212
Quote from Fed:
A very good friend and fine bassist himself, Ron Moreno, told me about the Kiloton 5. I'd known Ron since the late '80s, when we used to spend countless hours hanging out at the Bass Centre in Los Angeles. Recently, I was in L.A. rehearsing for the Lindsey Buckingham/Christine McVie tour and with me I had all the basses I thought would work for this gig. Ron suggested I check out the Kiloton 5, so of course I'd give it a try and tell him what I thought. Well, that changed the minute I plugged in the bass. The front-of-house engineer, monitor engineer and crew all raved about the incredible sound of the Kiloton 5. The verdict was unanimous: the bass sounded fantastic. I ended up playing it the rest of the day and now I have my own Kiloton 5