• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

G&L Club Part 7

So since I'm using tapewounds (that don't ground since I'm not touching metal), does that mean that I cannot get rid of the hum? Or is it still a grounding issue that can be fixed and give me no hum even with tapes?

I tried the sanding bridge thing to no avail. That's about the extent of what I feel comfortable doing myself. G&L says I can send it back or have someone in Town fix it but I want to make sure it can be fixed.
Yeah, if you're using tapes here it looks like you're gonna get hum, they don't ground like metal strings. No repair needed here just a string change. Very sorry I sent you down the path of sanding the back of the bridge, but I didn't know you had tapes, and I've had two vintage G&L's that built up a bit of oxidation there that gave me the exact same symptoms.
 
  • Like
Reactions: audreycashin
Yeah, if you're using tapes here it looks like you're gonna get hum, they don't ground like metal strings. No repair needed here just a string change. Very sorry I sent you down the path of sanding the back of the bridge, but I didn't know you had tapes, and I've had two vintage G&L's that built up a bit of oxidation there that gave me the exact same symptoms.

Oh, no worries. As I was doing it I realized that since touching the bridge stopped the hum, the connection was probably fine. Kinda fun to take the bridge off. That's an impressive piece of metal! (and explains why G&Ls are heavy!).

The hum is no worse than a normal Jazz hum but I thought with "humbuckers" I wouldn't get any (like my Stingray - but that's active).
 
  • Like
Reactions: AGH
Having said that, it's hard to nail down a good price for an El Toro. They don't hit the market very often- in any condition.

Good points. I've had a couple El Toros over the years but let them go for various reasons...and then regretted it. So when I had a shot at this '88 a few years ago in a rare color scheme, I couldn't resist. Not sure what the official G&L name for the color is, but I haven't seen another G&L with the yellow finish from the same era. It's kinda heavy, but it plays great and sounds completely outrageous.

IMG_0121_zpsndq1ss6l.jpg

IMG_0124_zpsc8gv1dw9.jpg

IMG_0122_zpsed69ac5f.jpg
 
Good points. I've had a couple El Toros over the years but let them go for various reasons...and then regretted it. So when I had a shot at this '88 a few years ago in a rare color scheme, I couldn't resist. Not sure what the official G&L name for the color is, but I haven't seen another G&L with the yellow finish from the same era. It's kinda heavy, but it plays great and sounds completely outrageous.

That's really gorgeous.

IMG_0121_zpsndq1ss6l.jpg

IMG_0124_zpsc8gv1dw9.jpg

IMG_0122_zpsed69ac5f.jpg
 
  • Like
Reactions: Iridescentone
Good points. I've had a couple El Toros over the years but let them go for various reasons...and then regretted it. So when I had a shot at this '88 a few years ago in a rare color scheme, I couldn't resist. Not sure what the official G&L name for the color is, but I haven't seen another G&L with the yellow finish from the same era. It's kinda heavy, but it plays great and sounds completely outrageous.

IMG_0121_zpsndq1ss6l.jpg

IMG_0124_zpsc8gv1dw9.jpg

IMG_0122_zpsed69ac5f.jpg

The world needs this bass now more than ever.