Did Leo ever say anything about the SB2?
I'm curious as to what he was thinking, when he built it...
I really love mine.
That's a good question.
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Did Leo ever say anything about the SB2?
I'm curious as to what he was thinking, when he built it...
I really love mine.
That's a good question.
Different question:
I find the Lakland Skylines to be excellent and don't see how the US models could be that much better.
The neck shape is just too shallow front to back for me (4401 & 4402).
How do you all rate the Tributes to the US models. My tribby has a bum neck so not sure where it really stands.
Interested in passive basses and probably just JB and SB series.
I agree about the bridge pickup - a different magic from a tone control ...though I don't hate the neck pickup soloed much eitherYes. The neck pickup soloed is not a sound that works that well for me. I find it dominated by low mids. It's very thick. I've never played much with EQing because it's not that appealing to me.
But that's where the bridge pickup comes in. Start dialing that baby in and the SB-2 will cut through a mix no problem.
I don't know if that's what Leo intended but it seems to work.
I've read that "SB" may have originally stood for "Student Bass", suggesting they were attempting to create entry-level basses having many fundamental attributes (of good quality, of course) but lacking some of the bells and whistles (such as active electronics) that necessitated higher price points.Yeah. I gather that the guy was a doer, not a talker. Because there doesn't seem to be a wealth of information out there about him talking about his innovations.
I'm especially curious about the SB-2 because he clearly wasn't trying to reproduce the typical P/J. He was shooting for something else. I'm curious as to whether he was aiming for the SB-2, or if he just sort of stumbled into it.
.Sorry, "Student" was the story I heard too back in the day. They did cost considerably less than the L models. Maybe we both heard wrong![]()
I love 'em. Love 'em love 'em love 'em. My main player right now is my SB-2. This has that same kind of awesome but just a bit different. The bridge pup is totally useable solo when reversed like this (unlike the bridge of the SB-2). If it were mine, I think I would reverse both Ps, but that's just me.Wow! What are your thoughts on the dual/reverse P set up?
I love 'em. Love 'em love 'em love 'em. My main player right now is my SB-2. This has that same kind of awesome but just a bit different. The bridge pup is totally useable solo when reversed like this (unlike the bridge of the SB-2). If it were mine, I think I would reverse both Ps, but that's just me.
This is totally not helping my GAS for a Matador....
I love 'em. Love 'em love 'em love 'em. My main player right now is my SB-2. This has that same kind of awesome but just a bit different. The bridge pup is totally useable solo when reversed like this (unlike the bridge of the SB-2). If it were mine, I think I would reverse both Ps, but that's just me.
This is totally not helping my GAS for a Matador....
No, but since you have to go through the custom shop anyway...Is the Matador reversed though?
Can't say you are right or wrong, but to me, giving a student an SB would be like a driver school using Ferraris. And there are many of us who see no point in active electronics.I've read that "SB" may have originally stood for "Student Bass", suggesting they were attempting to create entry-level basses having many fundamental attributes (of good quality, of course) but lacking some of the bells and whistles (such as active electronics) that necessitated higher price points.
But there are other theories out there, so don't quote me.
Frankenbass: precision body with an MGbass neck. Stacked V/T V/T plus kill switch. Bridge is a Hipshot Kick@$$, I think. That's about all I know.What's the story behind the bass pictured? What was it originally?
Working there and having asked the question of Leo himself.I've read that "SB" may have originally stood for "Student Bass", suggesting they were attempting to create entry-level basses having many fundamental attributes (of good quality, of course) but lacking some of the bells and whistles (such as active electronics) that necessitated higher price points.
But there are other theories out there, so don't quote me.