I had my first actual show with this head last night in downtown Ann Arbor with a packed house after the Michigan/Ohio State game. I played my Stingray 5 through the Shuttle 9 into an Eden 210XLT with no support from the PA. I was using Ed Friedland's EQ suggestion of turning the mid frequency all the way to the left and boosting a little. My strings weren't particularly new and the room was pretty murky sounding, so I kicked in the HF boost for some presence.
After the first set, my band's old bass player came up and was raving about how well I was cutting through the room. He sat in during the second set, and I was able to confirm his opinion; it sounded clear and detailed everywhere I walked.
This was a 4ohm cab and I had both of the tube knobs up at about 1 o'clock and the master up about four or five clicks. I could tell the cab was fighting to produce the low B if I dug in, but overall it was a nice fat and clear sound. Realistically, I was probably sending more juice to this cab than it's really made to take.
Regardless, I'm completely in love with the sound of this head and can't wait to play a gig where I can fire this thing up with my Berg HT322 and move some serious air!
After the first set, my band's old bass player came up and was raving about how well I was cutting through the room. He sat in during the second set, and I was able to confirm his opinion; it sounded clear and detailed everywhere I walked.
This was a 4ohm cab and I had both of the tube knobs up at about 1 o'clock and the master up about four or five clicks. I could tell the cab was fighting to produce the low B if I dug in, but overall it was a nice fat and clear sound. Realistically, I was probably sending more juice to this cab than it's really made to take.
Regardless, I'm completely in love with the sound of this head and can't wait to play a gig where I can fire this thing up with my Berg HT322 and move some serious air!
