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Genzler Amplification Club

Or anything, really. I have no problem not buying cabs as 95% of my gigging is done via DI/IEM, and the MG350/12T-V is plenty for my jazz quartet type gigging needs with an amp. Actually, except for the Stingray 5HH I played a month ago that was pretty nice, I don't have much true G.A.S. for basses anymore. I am flirting more with preamp/DI/compressor options though for my DI/IEM gigs. The Empress and REDDI are still doing it for me, but some "all-in-one" options are being considered.

My G.A.S. is mostly in check. That is until the "s" in Genzler "Pedals" becomes a reality!

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Or anything, really. I have no problem not buying cabs as 95% of my gigging is done via DI/IEM, and the MG350/12T-V is plenty for my jazz quartet type gigging needs with an amp. Actually, except for the Stingray 5HH I played a month ago that was pretty nice, I don't have much true G.A.S. for basses anymore. I am flirting more with preamp/DI/compressor options though for my DI/IEM gigs. The Empress and REDDI are still doing it for me, but some "all-in-one" options are being considered.

I hear you Steve. In Eugene and surrounding areas, though, I'm not running into any big venues with house PAs. So all of my gigs have been vocals only in our own PA and my rig covers the venue. I'm pretty much set for basses as well and if I ever get my cabinet preferences sorted I'll be good there. I've tried various pedals in the past but none of them spoke to me long-term. However, I'm about ready to try some pedals again. First up will be 4 On The Floor, even though I'm not much of an overdrive guy, but the pedal seems to have a lot of potential for different tones. And hey, it's Jeff and Andy!
 
I hear you Steve. In Eugene and surrounding areas, though, I'm not running into any big venues with house PAs. So all of my gigs have been vocals only in our own PA and my rig covers the venue.
Sure. I'm fortunate that we bring our own PA, lights and guy to every gig. If FOH is supplied - like a festival - we bring our rack board so we can split snake and run our IEM's. Also have our sound guy at every gig. We're the easiest load in/sound check ever for a festival stage.
 
Sure. I'm fortunate that we bring our own PA, lights and guy to every gig. If FOH is supplied - like a festival - we bring our rack board so we can split snake and run our IEM's. Also have our sound guy at every gig. We're the easiest load in/sound check ever for a festival stage.

Steve - Do you happen to play with Paint the Town?
 
Why, yes. I do. Why do you ask?

I have a good friend who is the hired soundguy for 32 Below out of Fargo but your post about having a fulltime sound guy made me think you might be with them (or Tripwire) but I remembered that Paint the Town is out of Grand Forks so was just curious. I've followed y'all on Facebook for a while. I try to keep dibs on bigger bands in the area just in case we need to network or need assistance for something as we're out playing.
 
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I have a good friend who is the hired soundguy for 32 Below out of Fargo but your post about having a full time sound guy made me think you might be with them (or Tripwire) but I remembered that Paint the Town is out of Grand Forks so was just curious. I've followed y'all on Facebook for a while. I try to keep dibs on bigger bands in the area just in case we need to network or need assistance for something as we're out playing.
Yeah, we don't do a very good job of keeping social media updated. We need to work on that. But frankly, we don't play a lot of "public" gigs. Not many venues in GF and they don't pay well. We tend to do private stuff, weddings, corporate, etc. I know of both those bands. I think I know the drummer in Tripwire. I'm not sure I'd callus a "bigger" band in the area, but we have a certain clientele and some annual gigs. We all have kids and stuff so we limit ourselves to 2 gigs a month. We don't always have 2 gigs a month, but that's kind of our limit. Keeps us from burning out as well. But if you ever need something, give us a shout. We'll help if we can.
 
Yeah, we don't do a very good job of keeping social media updated. We need to work on that. But frankly, we don't play a lot of "public" gigs. Not many venues in GF and they don't pay well. We tend to do private stuff, weddings, corporate, etc. I know of both those bands. I think I know the drummer in Tripwire. I'm not sure I'd callus a "bigger" band in the area, but we have a certain clientele and some annual gigs. We all have kids and stuff so we limit ourselves to 2 gigs a month. We don't always have 2 gigs a month, but that's kind of our limit. Keeps us from burning out as well. But if you ever need something, give us a shout. We'll help if we can.

Ahhh! Modesty suits you! ;)

While we've played Fargo a couple times, I've not had the pleaure of making up to Grand Forks. It's good to know though that if we ever do, there's a great band with solid musicians and a bass player who knows and uses great gear!
 
Question for you Genzlers out there:

I recently moved my massive Bag End rig out of my music room/basement and into the studio I play in, which is a relief - the 1x18" ELF (flat to 18hz) and 2x10" Bag end sounded amazing but they were huge, weighed a ton (~85lb each), and were way too much for the smallish music room (10x20-ish) they were in. I'm a little more bummed about moving my Alembic F1X with them, but thats another story.

I'm looking to replace them with a Magellan 350 and either a 12-3 or a 10-2. I see that the 12-3 is rated down to 35hz and the 10-2 is rated down to 55 hz, do folks with a low B string and have both notice a big difference? The specs dont say what "35hz" means -3db at 35hz, or -6db, etc. The 10-2 does seem a good bit smaller and weighs a good amount less (21lb vs 32lb).

thx in advance - i play a dingwall ab1-g and low frequency resolution is pretty important to me (which is why i went with a ELF bag end rig originally). I'll be using it at fairly low volumes in my music room and taking it out for the (very) occasional rock gig.

-ts
 
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Question for you Genzlers out there:

I recently moved my massive Bag End rig out of my music room/basement and into the studio I play in, which is a relief - the 1x18" ELF (flat to 18hz) and 2x10" Bag end sounded amazing but they were huge, weighed a ton (~85lb each), and were way too much for the smallish music room (10x20-ish) they were in. I'm a little more bummed about moving my Alembic F1X with them, but thats another story.

I'm looking to replace them with a Magellan 350 and either a 12-3 or a 10-2. I see that the 12-3 is rated down to 35hz and the 10-2 is rated down to 55 hz, do folks with a low B string and have both notice a big difference? The specs dont say what "35hz" means -3db at 35hz, or -6db, etc. The 10-2 does seem a good bit smaller and weighs a good amount less (21lb vs 32lb).

thx in advance - i play a dingwall ab1-g and low frequency resolution is pretty important to me (which is why i went with a ELF bag end rig originally). I'll be using it at fairly low volumes in my music room and taking it out for the (very) occasional rock gig.

-ts

The 12-3 handles the low B on my Roscoe and Moollon with ease….can’t speak for the 10-2
 
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Question for you Genzlers out there:

I recently moved my massive Bag End rig out of my music room/basement and into the studio I play in, which is a relief - the 1x18" ELF (flat to 18hz) and 2x10" Bag end sounded amazing but they were huge, weighed a ton (~85lb each), and were way too much for the smallish music room (10x20-ish) they were in. I'm a little more bummed about moving my Alembic F1X with them, but thats another story.

I'm looking to replace them with a Magellan 350 and either a 12-3 or a 10-2. I see that the 12-3 is rated down to 35hz and the 10-2 is rated down to 55 hz, do folks with a low B string and have both notice a big difference? The specs dont say what "35hz" means -3db at 35hz, or -6db, etc. The 10-2 does seem a good bit smaller and weighs a good amount less (21lb vs 32lb).

thx in advance - i play a dingwall ab1-g and low frequency resolution is pretty important to me (which is why i went with a ELF bag end rig originally). I'll be using it at fairly low volumes in my music room and taking it out for the (very) occasional rock gig.

-ts

I now have both the BA10-2 and BA12-3. The 12-3 is a good bit more solid in the lows and I would recommend that cab for what you're describing. The 10-2 is no slouch, the 12-3 just brings more. And with the top bar handle the 12-3 is pretty easy to carry.
 
This is an awesome rig (awesome basses as well)! I know the BA15 is a bit bigger but not much heavier than the BA12, and these posts have me thinking about adding a BA15. I also remember a post a while back that showed a stack of BA10/BA12/BA15 cabs. The only potential remedy to buying more cabs is staying off of TalkBass, but I'm not doing that.
Oddly enough I find the 15 slightly lighter and easier to move around compared to either of my 12's.
 
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