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Sounds very expensive! Oh, wait, you're not in the US.
Fretless Jazz......What's not to like?.....
Fretless Jazz......What's not to like?.....![]()
IIRC, and if that is the same 4005, it is a very dark green.It’s fleeting. At 1:27 you see a black Rickenbacker bass.
IIRC, and if that is the same 4005, it is a very dark green.
I didn't get where I am today by noticing lessons.....Did you miss the free online lessons tag?
......Never seen it in the wood, but I did see photos of the 4005 after Kenny got it and brought it back to life, so to speak. He had the bass finished a really dark green (feverishly looking for pics but not sure if I saved them........).I can only imagine how fantastic dark green would look in person.
I agree with your first two points....Just because someone is stellar in one genre, there's no reason to expect they'll be very good outside of that.
The thing I learned from that experience is that the role of these instruments (both drums and bass) is very different in jazz than in rock.
...Someone here once suggested that the key to playing any genre is to learn jazz first. Nothing could be more wrong.
Well, what they come to the table with and what they come to my jams with are two different things, so I'd be wise to just leave it there.I agree with your first two points.
Not so sure about that last one, though.
I agree that you can’t simply step into rock (or any other style of music) with a jazz approach, and expect to fit in. If a jazz musician fails to immerse themselves in a new genre, they’ll never sound authentic. But they do come to the table with a physical command of their instrument, an ability to improvise, and a knowledge of practical, applied theory that makes it easier to learn new styles.
That was my experience, anyway. I started out playing pop tunes, and struggled to cope with the demands of more demanding material. A year of immersion in a college jazz program was like boot camp. It got me faster on my feet, gave me the ear training to understand what I was hearing, and the confidence to pass auditions that led to a host of other opportunities.
It’s been so long since I played any traditional jazz, that I would struggle with even a simple covers gig. But the vocabulary and the fluency that it gave me have carried me through everything else I’ve ever done.
Well, what they come to the table with and what they come to my jams with are two different things, so I'd be wise to just leave it there.
I guess it's certainly possible that they can learn rock stylings through osmosis, but the guy I am married to so far has not done that. He has chops out the wazoo, but he has no feel for the genre, and it's not like he hasn't tried to learn.
He wants to learn, but his dabblings into my territory have been so painful for both of us that we have a rule now that we will never try to work together in any serious capacity, because it's difficult and painful for me when he tries to play rock and I feel like I have to bite my tongue about all the ways he gets it wrong.
Happy Soulful Sunday...
Walking your dog?


Got it! A big yellow book called MacOS For Dummies. LOL
Got it! A big yellow book called MacOS For Dummies. LOL