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Get off my LAWN! "Grumpy Old Farts"

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... They used varispeed on a number of songs. Sometimes they would tune down so that it would be in the correct key when speed up to normal pitch. Harrison couldn't play the 12 string riff at normal speed in Help as an example. In My Life had piano recorded at half speed, at full speed it sounded like a harpsicord. There were also differences in some mono and stereo versions of the same song. Speed can also be changed during mastering once it leaves the studio.


I've read that, if they weren't using a keyboard, The Beatles just tuned their guitars to each other without regard to any standard pitch. That explains why I had a lot better time playing along to their records once I got my 1965 Sony/Superscope player with variable speed adjustment.

And I believe the fast 12-string riff that gave George problems, initially, was the solo in the middle of "Hard Day's Night". Geoff Emerick referred to George as sometimes being quite hamfisted with some new guitar parts. But, there are live videos of that song that show he had very well mastered it by the time they toured.

I think "Help!" was recorded with their two new matching Sonic Blue Stratocasters for the piercing trebly twang on that song. [Edit: Sorry, that was "Nowhere Man".] Nothing hard to play on that song, "Help!" [either] just mostly arpeggioed chords.
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I've read that, if they weren't using a keyboard, The Beatles just tuned their guitars to each other without regard to any standard pitch. That explains why I had a lot better time playing along to their records once I got my 1965 Sony/Superscope player with variable speed adjustment.

And I believe the fast 12-string riff that gave George problems, initially, was the solo in the middle of "Hard Day's Night". Geoff Emerick referred to George as sometimes being quite hamfisted with some new guitar parts. But, there are live videos of that song that show he had very well mastered it by the time they toured.

I think "Help!" was recorded with their two new matching Sonic Blue Stratocasters for the piercing trebly twang on that song. Nothing hard to play on that song, just mostly arpeggioed chords.
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Bootlegs of the song reveal George saying that he couldn't do it that fast and wondering what they'd do. John suggested that he hit his acoustic to keep time during the recording of that part, George wouldn't play. You have to keep in mind that some songs came quickly in the studio. When they recorded some songs, they hardly had time to practice and play them through.

In No Reply, on bootlegs the band is writing the song in the studio and it evolves each time they played it. At one point, they changed the tempo up during "If I were you, I'd realize that I...". John comments, well now we know how it goes. It was amazing how they could read each other on the fly.
 
Bootlegs of the song reveal George saying that he couldn't do it that fast and wondering what they'd do. John suggested that he hit his acoustic to keep time during the recording of that part, George wouldn't play. ... ....


To which song do you refer here? [I just knew you would reply to my post before I corrected my error.]
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To which song do you refer here? [I just knew you would reply to my post before I corrected my error.]
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Help!

The band moved so fast. George liked to take the time to practice and work out all the details. Understandable that he needed some time to work on it. They slowed down the track and he overdubbed the guitar part later. At normal speed it's fast.

April 13 1965 was a Tuesday.



I liked Geoff's book. One criticism is that he was overly pro McCartney and made too many negative comments about the others.
 
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Given that I'm still in lockdown, and that the probability of me seeing anyone in the course of the day is low (but higher than zero), I dress daily as if I were to be seen in public.*

Seen in public doesn't mean the same thing to everyone. There are men who wear track suits to their daughter's wedding.

The apparent dysfunction in the system is I'm buying clothing as if someone will see me much beyond the camera. And it was with a clear, and premeditated, intent I bought what is colloquially known as a utility skirt (AKA cargo skirt). By TB rules, or at by least extension of TB rules, this is enough to be perma-banned from stage. Not even Rapunzel makeup can save me from GOF dorkdom :cool:

* Nobody on Zoom sees anything below my elbows unless I get up. Which happens. Nobody sees me in pearls and jammie bottoms :wideyed:
 
Be warned, a computer virus can allow someone to turn on your camera and eavesdrop. Consider keeping computer camera lenses covered when not in use.
If you buy a Logitech the dual side lights activate when sound or microphone are accessed. Also they come with a built in privacy filter.

09585B40-74DB-4862-9A84-722F051B681B.jpeg
 
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Be warned, a computer virus can allow someone to turn on your camera and eavesdrop. Consider keeping computer camera lenses covered when not in use.
One puts a small piece of Scotch Magic tape over the lens when it's not in use. Have done that for many years, ever since I found out they can turn your camera on and disable the light and any notification to whichever software you're using that it's on.
 
One puts a small piece of Scotch Magic tape over the lens when it's not in use. Have done that for many years, ever since I found out they can turn your camera on and disable the light and any notification to whichever software you're using that it's on.
That's why I like the flip down cover. As for audio, if they listen in they'll be awful bored! :laugh:
 
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