• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Guitar Center™ Challenge

This would be how I'd play it as well, though I might spurge a little on a Stingray 5. They have some nice ones at a local GC and it'd be exactly what I'd like to start over with.

I play heavy metal music, for reference.
I'd honestly debate returning the stuff as well - I'm a Dingwall + Fractal Audio guy, and there's really nothing in the GC that will replace either of those. So I'd buy up the next 5 string Dingwall that I saw, buy another Axe-Fx II, and use my AX8 until that showed up. :P
 
Using your scenario, I'd probably end up with a GK or a MarkBass combo and find a bass I could tolerate. When I was amp shopping about a year ago, GC didn't have anything I was interested in but the MarkBass wasn't bad. I'd splurge on the amp and get a lower priced bass like a G & L Tribute. No Fender for me.
 
bukiki-dj-equipment.jpg


:roflmao:

======================

Joke aside:

[Invalid or Expired Link Removed]

View attachment 888956

[Invalid or Expired Link Removed]

View attachment 888957

Only one problem with the G&L - they are never in the showroom, at least not at my GC. Good choice otherwise.
 
  • Like
Reactions: Killed_by_Death
mid ranged P bass or JP(Japanese maybe American if I can find a used one) - countryman di- tc mini comp... a low capacitance cable.. a surge protector, DR back beauties.. a mini tuner.. a comfort strap.. maybe a tc mini chorus.. a Mxr distortion.. scape piece of pallet if can find one.. pedalboard tape. yep
 
If I was robbed, I'd go home, grab my trusty Jazz and the extra P bass, and my other distortion box. Then I'd grab 2 extra sets of strings. I would next go get a GK 700RB or 1001RB and whatever combination of NEO series cabs was in stock, plus a chorus.

But... I'll answer your question as posed. GK MB 212, Fender Standard Jazz (or maybe a P) and whatever distortion or fuzz that wasn't crap and was fairly inexpensive. Probably an extra set of strings. Cables I can borrow, and a onespot power supply isn't hard to find.
 
Some sorta' Effder 4 under $700 and something Hartke/GK/Peavey, etc. 200w combo w/ a 15" driver under $500, (maybe from the used section), $100-$150 for cables, strings, cheapo tuner, gigbag and strap. Bargain hard for an 'out-the-door' deal and have 'em do a set up on the bass.

With a decent P.A.? Scrap the amp and get a good D.I. and a nice cable.

Likely return most of it in the morning and get on the phone to beg/borrow gear to finish out the tour.
 
I'd scroll through my contacts, and ask Walter White what he'd suggest I do to the MFs that stole my stuff.

Then I'd cruise down to Los Pollos Hermanos for a bite while I wait to hear back from him.

OK, more srsly...

I'd grab a Squier JJ (whatever played best, off the wall) and the biggest Fender Rumble GC had.
 
You guys are making this all complicated IMO. You guys only need to list amp and/or head, and the bass. I guess we do have to go into details however, so I guess.

However, I would assume I would have to choose a versatile bass because we aren't told what kind of gig it is. I'm conflicted between the Spector Legend 4x Classic and an MTD Kingston Artist Fretless, but I think I would choose the Artist because then I only have one pickup to fool around with rather than waste time fooling around with two. Yeah it would be a fretless, but as long as I'm adjusted and in-tune, I will adjust, especially if I use my remaining time to noodle around. For amp, I'll go with a Fender Rumble 500. Strings will be Rotosound 66's. That leaves me with about $49 dollars left or so to get a cable, a gig bag and a strap.
 
  • Like
Reactions: jd56hawk