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Horrible Stock Colors

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I think some people are confusing flashy and ridiculous with ugly. I wouldn't play a flashy or ridiculous bass, but I also wouldn't call them ugly as they fit in perfectly in the right setting. Where there is just no setting where an Antigua finish is attractive.

That finish looks most excellent with this dude's powdered wig :

Charles-Alexandre_de_Calonne_-_Vigée-Lebrun_1784.png
 
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The Daisy Rock Daisy Bass in Dreamy Daisy Yellow. :eek::confused: (You can't make this up folks - that's their catalog's description of the thing.)

DV019_Jpg_Regular_513071.149_dreamy_daisy.jpg

This ...um...bass instrument(?) is just flat out wrong on so many levels...:rollno:

(Funny though how it doesn't really sound half bad once you plug it in.) :laugh:
 
It's very hard for me to come across a bass (or guitar) with an ugly finish as I like 99% of all finishes. Antigua looks great; kinda reminds me of silverburst in a way, and I was considering dragonburst for a build until Carvin introduced their Nightburst and Aquaburst finishes.

I also find that certain basses look good under certain conditions, a good example being the Sahara Taupe P Bass posted earlier. With a white pickguard I can't help but think of it being called "baby crap brown." With a black pickguard it looks handsome.

I guess the colors I really do not like are Lake Placid Blue gloss (as supposed to metallic) and Fiesta Red gloss (again, as supposed to metallic or transparent). Probably because they've been done so many times and Fiesta Red looks like a faded normal red, like the instrument has been sitting out in the sun for many years.

I'm curious as to how Warwick created that rusty finish. My head says they used some sort of metal and actually rusted it (and then sealed it to prevent further rusting and possible injuries) but that sounds too farfetched.

You're in luck, then!

LPB has always been metallic, and Fiesta Red has never been metallic. Y'know, the way they're opposed to be. ;)
 
Fiesta Red can look killer on some basses. I agree that it's non-metallic. Case in point......

View attachment 648571

I agree. Fiesta red comes in so many shades/versions - from bright tomato red to dusty rose. I've found pic's on line of late 50's T-birds (the car) with different shades of FR.
 
The Daisy Rock Daisy Bass in Dreamy Daisy Yellow. :eek::confused: (You can't make this up folks - that's their catalog's description of the thing.)

DV019_Jpg_Regular_513071.149_dreamy_daisy.jpg

This ...um...bass instrument(?) is just flat out wrong on so many levels...:rollno:

(Funny though how it doesn't really sound half bad once you plug it in.) :laugh:

I have a Flower in Awesome Blue and a Heart in Red Hot Red. Not that bad basses. Cheap electronics, but play well and sound like you'd expect. With electronic upgrades they'd easily be giggable.
 
It's very hard for me to come across a bass (or guitar) with an ugly finish as I like 99% of all finishes. Antigua looks great; kinda reminds me of silverburst in a way, and I was considering dragonburst for a build until Carvin introduced their Nightburst and Aquaburst finishes.

I also find that certain basses look good under certain conditions, a good example being the Sahara Taupe P Bass posted earlier. With a white pickguard I can't help but think of it being called "baby crap brown." With a black pickguard it looks handsome.

I guess the colors I really do not like are Lake Placid Blue gloss (as supposed to metallic) and Fiesta Red gloss (again, as supposed to metallic or transparent). Probably because they've been done so many times and Fiesta Red looks like a faded normal red, like the instrument has been sitting out in the sun for many years.

I'm curious as to how Warwick created that rusty finish. My head says they used some sort of metal and actually rusted it (and then sealed it to prevent further rusting and possible injuries) but that sounds too farfetched.
Just wondering something, when you say "as supposed to", do you actually mean "as opposed to" ?
 
I have a Flower in Awesome Blue and a Heart in Red Hot Red. Not that bad basses. Cheap electronics, but play well and sound like you'd expect. With electronic upgrades they'd easily be giggable.

I'm envious. I kept meaning to grab one of those heart models when they first came out. I thought it would be a real goof using one on stage some night.

My guitarist GF has one of their Stardust Retro-H guitars - a semi-hollow with dual mini-humbuckers that drips attitude both sonically and visually. Nice fast neck too. One of two on the clearance rack at GC, it set us back something like $99. I sometimes wish we bought both.

DR_14-6302.jpg


It's quite a cool little guitar. Small surprise though. "Daisy" is Tish Ciravolo, wife of Michael Ciravolo, president of Schecter Guitars. He gave her a lot of good advice and a leg up when she was setting up her own guitar company. The Schecter plant actually built some the earliest Daisy Rock models before Daisy ultimately shifted their manufacturing operations over to Asia.
 
I'm envious. I kept meaning to grab one of those heart models when they first came out. I thought it would be a real goof using one on stage some night.

My guitarist GF has one of their Stardust Retro-H guitars - a semi-hollow with dual mini-humbuckers that drips attitude both sonically and visually. Nice fast neck too. One of two on the clearance rack at GC, it set us back something like $99. I sometimes wish we bought both.

DR_14-6302.jpg


It's quite a cool little guitar. Small surprise though. "Daisy" is Tish Ciravolo, wife of Michael Ciravolo, president of Schecter Guitars. He gave her a lot of good advice and a leg up when she was setting up her own guitar company. The Schecter plant actually built some the earliest Daisy Rock models before Daisy ultimately shifted their manufacturing operations over to Asia.

I like that. It's a good design. Kind of a fan of the semi hollowbody with one F hole. Looks like it's close to Ice Blue Metallic or Blue Agave. Both colors I like. Yeah, I know who Tish is. I've looked at the Daisy Rock line since it was released and follow them on FaceBook.
 
TE="cdef, post: 17552320, member: 33892"]How about that '80s "crackle" finish that was a brownish red with yellow veins... "Liverburst", we called it.[/QUOTE]


image.jpg
 
Just one question:

WHY?



credit-tina-2001.jpg

To each his own, but I really detest this kind of look. Like someone went crazy in shop class. I have done some woodworking, so I do admire the skill and craft, but I have never cared for highly figured woods on instruments and this is just nauseating to me.

TE="cdef, post: 17552320, member: 33892"]How about that '80s "crackle" finish that was a brownish red with yellow veins... "Liverburst", we called it.

Yeah, I had a friend in college who saved up for semesters--no eating out, no beer or smoke unless someone gave it to him...guy didn't even pay to do his laundry, all so he could buy this:

charveljackson.jpg


... and then he wouldn't let anyone touch it or point at it. He was so worried about how "valuable" it was, he didn't even have fun with it. I remember thinking "For the money he spent on that, and all the scrimping and saving, I could have bought ten cool pawn shop guitars to pass around and have a blast on."

I have zero interest anymore in owning things that are so expensive or "precious" I have to worry about them.
 
How about that '80s "crackle" finish that was a brownish red with yellow veins... "Liverburst", we called it.

TE="cdef, post: 17552320, member: 33892"]How about that '80s "crackle" finish that was a brownish red with yellow veins... "Liverburst", we called it.


Kinda reminds me of........bp3.jpg
 
I love warwicks but those natural ovangkol and bubinga oiled bodies look like flea market coffee tables IMO.
I hate that sky blue from EBMM.
black and rosewood is as unoriginal as a kia rondo.

tobacco SB is awful and I don't smoke.
 
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