I'm not standing for it.
Not standing upright, that is.
You seemed to have made up your mind though, and you are certainly entitled to your decision, as is he.
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I'm not standing for it.
As far as the bitterness, being hard to work with all that -- I reject it. You guys don't know me.
what's the downside to dropping him like a hot potato? That's what I'd be doing. No discussion, just stop feeding him gigs unless everyone else is busy. Anybody with half a brain will figure it out for themselves.
That's right. All we know is what you write here. And what you've written here (even the above quote) doesn't exactly scream "warm personality."
sorry I didn't read the whole thread before quoting your earlier post. Your plan to keep him on the existing gigs while not giving him any new regular ones is as good as it will get.The downside is that he obviously has the motivation to go out and make this new group a success. Without my gigs feeding him, my clients become fair game. If he is still getting SOME work, then he's less likely to lowball my clients because its more work for him, he loses my calls for gigs. As someone once said, keep your friends close, and your "enemies" closer...not that he's an enemy, but that is how the quote goes.
How would you react if the drummer in question were sent a link to this thread?
I later see all over the Internet that he has named the trio, and gotten a professional video done. He is listed as the contact for this group, and they are doing music festivals around town.
How would you proceed with this case?
You're kinda talking more like a gangster than a BL in places. Because half of what you're saying is a threat. Basically, it sounds like you're tap dancing around but still saying: Either do things the way I think they should be done - and don't change the status quo - or face my wrath. I'm a powerful guy locally. And I'll screw you over every chance I get, and make an example of you, if you don't abide by my rules and play my game. Which is to say: I'm the one driving this bus. So don't you be getting any ideas.
Did I miss anything?
When you asked to be part of the project, we agreed to certain things. I would send you gigs as a first call guy and you would use your sales skills to help book gigs for the band. There are other cats that would like to play, but I'm willing to give you the gigs first if you put your effort toward relieving the burden of booking and do your part. Then you ask if you can move me off a gig because I don't play upright, I agree, and next thing I know you have a professional video and are booking the other group into other venues. Your ratio of gigs to mine this year was 1:18 You:Me. Does that sound like you're keeping your end of the bargain?
I don't think so. So, go ahead and book your other band in places. Renig on our agreement, and pretend to do it with my agreement by pretending it was a one-off thing.
But if this guy is a free agent rather than a full time employee of yours, he's perfectly within his legal rights to do whatever he feels is best for him. Because that's the way it works when you're a hired gun and not an employee. Reasonable expectations of loyalty extend only to the hours of the contracted gig.
Explain to me how this question is relevant to the situation? Him getting this thread would be no different than sitting down with him and explaining my concern with the situation except I might choose words more carefully.
Well, have you tried that?
I'd just start working a new drummer into shape to be your #1 call and cut this guy loose. Too much baggage with this other guy and the whole situation. You'll likely never feel quite comfortable about working with him. It's work/business, but music should still be fun.