TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Now, those are two gems you don't hear covered every day.
Dire Straits - Money for Nothing
Van Halen - Jump
Somebody - Bryan Adams
...just a few off the top of my head from the '80s...should be classic enough hits?
Who has ever covered this song in their band?
Dire Straits - Money for Nothing
Van Halen - Jump
Somebody - Bryan Adams
...just a few off the top of my head from the '80s...should be classic enough hits?
This thread is very interesting because my band goes out of its way to play classic hits that not many others do. BTW, we are an acoustic/electric trio with no drums...bass, guitar, lead singer (all sing).
We cover:
Hotel California, Still the One, Don't Stop Believing, Paradise By The Dashboard Lights, Too Much Time On My Hands....and a host of others. I still get psyched every time we play because people don't expect this from an acoustic act (we get more bookings and more $$)
Ive been in bands and seen bands cover the Outfield one...On Topic:
I have never seen or heard covers of these iconic (in my mind) rock tunes:
David Essex -- Rock On
The Outfield -- Your Love
anything by Warren Zevon
(I always thought a Warren Zevon 'tribute' band would be awesome ...... No one else seems to think so ......)
Who has ever covered this song in their band?
Sometimes the songs have so much production and specialized sounds that a typical band can't duplicate the tune in a way that works. Some tunes work with all kinds of different instrumentation, but others require faithful reproduction to even work.
So the tune falls by the wayside. Check out Ah Ha "Take on Me" from the 80's. Very few people can pull off those vocals and not all have the synth sound or chops to make the song work.
Sometimes a radical genre change can take a song a long way - i first realized this from the cover of VH's Jump on the 'Everybody Wants Some' compilation, which is all genre-shifted. It took a keyboard driven uptempo rock/pop number and made it the ultimate pensive lilith fair feminist folk anthem, and was miraculous. I later took a page from this book and did a reggae Crazy Train, that worked really, really well. I'd bet 'Take On Me' would find lots of new life in new genres that didnt require all the synth programming. In my head maybe I can hear what a death metal version would be. The grunting would really take away the fear of that high note!