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I hate switching basses...who's with me?

i own about 70 basses but outside of the studio i only use 3 or 4 for live shows we mainly do a couple of festivals a year and the 3 of us have played together for over 35 yrs so were pretty much got it worked out on most days but i do see a lot of newer players opting for less basses which i always think limits options but then i guess it depends on what your playing n my case most live stuffs always been blues but ive also been a studio basses for 35 yrs and play just about all types through that side of my work
 
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Nobody likes showing off my basses more than me. They're not super special or anything, but I used to be in love with the idea of switching basses just to show off the collection a little, plus it's cool to have different basses for different sounds and tunings. I've tried to enjoy it, especially since I spent a good many years doubling on upright on most of my gigs. Sounded like a good idea at the time.

Here's why I ended up hating it...

---It either slows the show down or it leaves you hanging and looking like amateur night because you're not ready when they start the next song. And many bandleaders don't care if you're switching and they'll count the song off anyway. So I just want to play one bass that can do it all.

---It's easy to switch basses that all have similar sound and output, but switching between a Stingray with new rounds and a Hofner with old flats is going to take some EQ to keep levels consistent and tones not so different that it throws the mix into a meltdown. And the more different basses, the more EQ's you need. Some folks will use programmable EQ's or pres and that's what I did most of the time, but it can take some effort to get it right. And I just don't want to spend time screwing with it. Once saw Heart's sound tech have to rebuild the bass mix from scratch for every other song because Steve Fossen switched every other song and never used the same bass twice.

---Two basses are manageable, but any more than that gets on my nerves during setups and teardowns. Have I done it? Sure I have! How do you think I know???

Anyway, thx for listening to me yak while I try to get over health problems. Been a while I had this much free time since going corporate. And feel free to comment either pro or con.
I did it for a while. Switching between the Precision and the EB-2. I don't any more. It's rare for anybody in the audiences I play in front of to notice or care. So long as butts are moving, it's irrelevant. If it's a doghouse gig, then that's what I play all night. If it's a plank gig, I just play the plank all night.

I have more than one bass because I can. That's the only reason.
 
One of the things I really love about my tc RH450 head is the ability to store three user presets. Makes it extremely easy to switch basses. Set the presets for each bass and then just plug in the cable and select which preset. I can do it quickly and use the footswitch. BOOM Done! Easy Peasy.
 
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Not a lot, IMHO. Swapping to and from the stand is somethng that can be practiced and perfected, much like an F1 pit stop. Depending on the type of stand and strap attachment it can be done in under 10s, which is about the time it takes for the last crash to stop ringing, the audience to abate and the lights to go up on the next number, IMHO.

Great point! An I agree. Rehearse everything you do on a gig, not JUST the material. I rehearse changing basses, tones, and I rehearse SMILING! Heh. A bigger deal than some realize. I rehearse every facet of my Game.

Knowing your set list is critical, too. My bands have a lotta guitar intro tunes, drum groove intros. I only start at the Head 50% of my band's material. The rest I have time. Time to plan, orchestrate, my changes. My bands would take my changes into account. If I asked. Even on Gun gigs. But I don't ask em to. It ain up to them to accomodate me. It's up to me. I don't bring two basses often. And that is usually only cuz some players are comin. I have a lot of fun using fretless on tunes no one would expect. Folk may take it as showing off. Some do. But I do it to inspire my friends and peers. And to cause laughs. I'm a bass guitarist at rehearsals an such. But on my gigs, I am but an entertainer. Folk in an audience like to see change. Like to see my band, at least, walk a tightrope on occasion. Fun is universal. If the band is havin fun, the audience will, too. Fretless is fun. Helps my entertaining.
 
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Precision, Ric, Hofner, Steinberger, 8-string and acoustic?

I take the Variax.

IMG-20170225-WA0020.jpg
 
Does that include the time it takes for the sound guy to adjust or is there no FOH? If there is do you spend time with him go over those changes?

I make sure of my levels and tones are ridiculously close, so FoH doesn't notice. At least, I've never had issue in my past. I run a few of our smaller gigs' sound. Along wit members of my band. On bigger gigs, we have a main an monitor sound tech. We're all friends. We work together. On road shows, opening for nationals, I explain my situation, work with the techs within THEIR selected techniques of balancing sound. I know my basses and gear intimately. I can work within any framework they suggest. But usually, in my experience, I've rehearsed the Change facet of my game well enuff that techs have never said a word to me after shows. And, any feedback they give I take into great consideration. And apply it going forward.

I don't do major shows that often. Tho I have. And, I do take the Scale of the show into consideration. If I must use two, which is rare, I take every opportunity to know when, where, and how. And map that using a sound tech's help. If channel space allows, I have two D.I.s I can use to send to separate channels, and sound check both basses.

I want Techs to enjoy working with me. So, I do my homework. I rehearse all my game. And I haven't had issue yet.
 
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I bring two basses to every gig. This past weekend the set list was set up quite nicely for a four string w/rounds for the first eight songs and then we were off to the five string w/flats for the remainder of the set. The entirety of the second set was five string material. I really wish it worked like that every gig, but truthfully I don’t mind switching.
 
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Know it is not exactly the point of this thread, but I like to stick to one bass in all aspects of playing, that is ideally giving 1 single main bass as much attention as possible regardless of weather it is in the context of home practicing, band rehearsal or gigging.

Actually the only time I don't really mind using different instruments and will do so without second thoughts is when recording, since it is much more important to get the exact right instrument for the job in that context.

More on topic I was once part of a band where we would all take turns in playing the different instruments of the respective songs as well as taking turns in handling the vocal duties, I for instance both played electric guitar and bass, heck even drums on a couple of songs that only required a relatively simple drum beat, as well as I was shifting between doing lead, backing and no vocals too, I guess born from the fact that we would all more or less equally contribute with songs to the project, and the fact that the core concept was sort of an "all stars" singer/songwriter band, all members being part of different other actively gigging and well known original main musical projects and bands on the local music scene at that time.

Mind it was a rather short lived band, but we did get to play one live gig, and contrary to what one might have thought the transitions between instruments actually went pretty seamlessly and naturally, not really interfering with the overall flow of our show or appearing odd, I guess maybe because it was how we rehearsed the different songs too, so that we were used to swapping around fairly quickly without much fuzz, as well as I guess that since it was done so consequently it kind of worked out as an integrated part of the concept of the band and our show, sort of becoming a curious feature, rather than an interfering inconvenience.
 
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I'm definitely am a 1 bass per gig player.

The problem is those gig that require doubling between upright and electric. That is a major P.I.T.A. I carry two heads for those gigs separately eq'd and with a DI from each to the house. I am looking for a single 2 channel amp with enough fidelity to handle an upright and electric bass but that is one tall order.

If the gig is electric then just one bass. A Precision handles most of my work load but I am pretty impressed with the versatility of my 2012 AM Deluxe Jazz 5'er. It can go old school, funk, Motown, Jazz, etc. with just a few twists of the controls. I have 5-6 clearly different bass tones in that thing. Everything except a P bass sound <sigh> but then again, it is a Jazz bass after all.
 
I'm with you JimmyM.

I never switch basses on a gig. On a small loud stage in a venue with far from great acoustics, swapping basses for a different sound is often pointless IMO. It's ok on a big festival stage, but even then it's not like swapping between a Strat and a 335, the nuances between different basses are harder to hear.

I get swapping between a 4 and 5+ string - for extended range, not tonal variation. Then again, Lee Sklar has said if there is one song that he needs a 5 string on, he'll play a 5 the whole show. I like to stick to his advice :roflmao:
 
When I was gigging regularly, I broke alot of strings...
What a pain... I resolved to get a second bass to take to shows,..ready to go.
It dawned on me that what I really wanted was as close a proximate as possible to my 78 P.
I got an 84 MIJ P with a maple neck, and Shazam!
Was it exactly like my main bass?.... no.
But real damn close was good enough.
I learned to love that MIJ enough to start with it..but I never changed basses to show them off...just if I needed to. ;)
 
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Great point! An I agree. Rehearse everything you do on a gig, not JUST the material. I rehearse changing basses, tones, and I rehearse SMILING! Heh. A bigger deal than some realize. I rehearse every facet of my Game.

Knowing your set list is critical, too. My bands have a lotta guitar intro tunes, drum groove intros. I only start at the Head 50% of my band's material. The rest I have time. Time to plan, orchestrate, my changes. My bands would take my changes into account. If I asked. Even on Gun gigs. But I don't ask em to. It ain up to them to accomodate me. It's up to me. I don't bring two basses often. And that is usually only cuz some players are comin. I have a lot of fun using fretless on tunes no one would expect. Folk may take it as showing off. Some do. But I do it to inspire my friends and peers. And to cause laughs. I'm a bass guitarist at rehearsals an such. But on my gigs, I am but an entertainer. Folk in an audience like to see change. Like to see my band, at least, walk a tightrope on occasion. Fun is universal. If the band is havin fun, the audience will, too. Fretless is fun. Helps my entertaining.
The dirty little secret is that if you are doing it right, the band is having more fun than the audience.
 
Other than other bassists, no one cares what bass you're playing, and they just want to brag that theirs is better.
Unless you are playing a fretless Thunderbird. Then some weird guy will stare at you all night trying to figure out what he is looking at. Then come up and grill you about it. Always a really weird guy. English becomes my barely comprehended third language when that happens.
 
Know it is not exactly the point of this thread, but I like to stick to one bass in all aspects of playing, that is ideally giving 1 single main bass as much attention as possible regardless of weather it is in the context of home practicing, band rehearsal or gigging.

Actually the only time I don't really mind using different instruments and will do so without second thoughts is when recording, since it is much more important to get the exact right instrument for the job in that context.

More on topic I was once part of a band where we would all take turns in playing the different instruments of the respective songs as well as taking turns in handling the vocal duties, I for instance both played electric guitar and bass, heck even drums on a couple of songs that only required a relatively simple drum beat, as well as I was shifting between doing lead, backing and no vocals too, I guess born from the fact that we would all more or less equally contribute with songs to the project, and the fact that the core concept was sort of an "all stars" singer/songwriter band, all members being part of different other actively gigging and well known original main musical projects and bands on the local music scene at that time.

Mind it was a rather short lived band, but we did get to play one live gig, and contrary to what one might have thought the transitions between instruments actually went pretty seamlessly and naturally, not really interfering with the overall flow of our show or appearing odd, I guess maybe because it was how we rehearsed the different songs too, so that we were used to swapping around fairly quickly without much fuzz, as well as I guess that since it was done so consequently it kind of worked out as an integrated part of the concept of the band and our show, sort of becoming a curious feature, rather than an interfering inconvenience.
It sounds like fun.
 
Last night I was with my Motown Stax cover band, some technical difficulties due to the sound man made things tough to switch bases from my Jazz to P with flats which was about a group of 4 songs.. although I only make a switch twice for the whole night, with the sound issues I only didn’t it once and kinda wish I didn’t bother. So depends on gigs and the band.
 
It sounds like fun.

It was for as long as it lasted.

Honestly can't remember exactly why the decision was made to shelf the project, but I guess it might have been due to the fact that some of the other members rather wanting to focus on their respective main musical projects.

I for one would have wished we could have continued a little while longer and had done some more live shows, at least as far as I am concerned our first and sadly only live show was a success, and it was my impression that that was pretty much the consensus of the rest of the members too.

We even had plans to incorporate a cover of Chris Isaak's "Wicket Game" in our repertuar of otherwise all original songs going forward, which was agreed on that I was the only one of us who could pull off the lead vocals for properly, even if the cover wasn't originally my idea.

I had actually really looked forward to that, but unfortunately as things turned out the whole project was disbanded before we even got to rehearse that.

I am pretty certain though that it was not the prospect of me doing lead vocals on "Wicket Game" that lead to that decision. :p

...Or was it? :cautious:
 
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