umm... did I not say Greg Rzab earlier? He got that bass, w/ no case and a pair of Jaco's Chuck T's (smelly and quite used).
That was ages ago, way back in post #40. Who remember such things??
I'll post the Bass Player quote in full for everyone that may be interested:
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According to Kaufman, Jaco left it in New Yorks Central Park shortly before his death. It hasnt been seen since.
1960 Fender Jazz, SN 57308
Jacos main fretted Jazz Bass, a two-tone sunburst, of average weight and very resonant according to Kaufman. This was Jacos main bass on tour with Joni Mitchell; it can be seen and heard on her Shadows and Light album and DVD. Its whereabouts are unknown.
Early 60s Fender Jazz, SN 82429
During his 1982 Word of Mouth tour of Japan, Jaco threw this bass into Hiroshima Bay; Ibanez Guitars then refinished it natural. Shigeru Uchiyamas photographs of Jaco and this bass appear in promotional material for the live Twins and Invitation albums, on the back cover of Invitation, and on BPs Jan/Feb 91 cover. According to Kaufman, Jaco didnt like this bass as much as the others. Its whereabouts are unknown.
1963 Fender Jazz, SN L14769
The opening shot of Jacos DCI instructional video, Modern Electric Bass, shows Jaco slotting the nut on this bass. The original neck was being repaired at the time, so Jaco installed a 70s Fender Precision neck on the Jazz body. This bass wound up at Albert Molinaros Guitars R Us shop in Los Angeles and was sold to a collector with the original and the P-Bass necks.
1960 Fender Jazz, SN unavailable
Longtime Buddy Guy bassist Greg Rzab bought one of Jacos final Jazz Basses from the Pastorius family in 1994. Rzab played the bass, apparently used by Jaco during a six-month stretch of intense practicing in 1986, on Guys 1994 album Slippin In. I used it on Lover with a Feeling, and it was really alive in the studiothe notes and harmonics jumped out of that bass. Greg eventually sold it to a good frienda famous bassist who chooses to remain anonymous. Its in good hands and being kept safe.
Acoustic 360
The Acoustic 360 amp, which debuted in 1968, featured a 200-watt power amp. The separate preamp had a built-in fuzz effect, and the large cabinet housed an 18" backward-firing speaker. According to Bobbing there was nothing like it in 1971, when he and Jaco, just out of their teens, saw South Florida bassist Carlos Garcia using one on a gig with Nemo Spliff. The Acoustic had something special, recalls Bobbing. We talked about it, we loved it. We went down to Modern Music in Fort Lauderdale and put money down and got two of them immediately.
In retrospect, the Acoustic was as important to the development of Jacos tone and technique as his Jazz Basses were. The Acoustic held up better than a Sunn or an Ampeg fliptop B-15 could. Jaco could play an open E while he did intervals up the neck, harmonics, and his muted fingerfunk style, which required punch and clarity. The timing of that amp was important, because no one would have been able to get that particular sound without it. Jaco couldnt have come out in 62 and done the same thing with a Bassman amp or an Ampeg flip-top. More important, Bobbing says, the combination of the 62 fretless Jazz and the Acoustic 360 gave him the perfect acoustic-like warmth, too. The 360s big, vibrating cabinet was set up so it had a reflective sound without all the high endnot muffled, but without the bright, clanking speaker cone. At low volumes, with his fretless, he could make it sound like an upright. Rumors continue to circulate regarding several of Jacos Acoustic 360s.
Special thanks to Bob Bobbing, Greg Rzab, David Page (for providing serial numbers of Jacos basses), John Paulus, Albert Molinaro, and Kevin Kaufman. Kevin Kaufman now operates Kauffman-Daenzer Instruments; he can be reached at (561) 832-1249 or by e-mail at
[email protected]. Larry Breslin of Deerhead Guitars can be reached at (719) 576-4567.
© BASS PLAYER
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This is all correct I think.
