Why is it different to the pics provided? (Single Soap bar VS twin thins)
I thought he played a MIM Fender Jazz?
The single H is the #1 Joe Dart signature and the single coil is the most recent #2.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Why is it different to the pics provided? (Single Soap bar VS twin thins)
I thought he played a MIM Fender Jazz?
26389869[/URL], member: 384773"]What you see as "condescension" is me just giving some a much needed reality check, but I'll stand by it. And I'll accept your point.
This comment? Meh.
With, I believe, a MusicMan pickup wired with just a volume pot, hence the Joe Dart I model MM.Edit: I thought the MM-style bass Joe previously played was a stock Carlo Robelli. Maybe I'm wrong.
Just like the $7000 Cliff Williams Stingray…?Thats ridiculous...... that's a $500 bass. But somebody pays for them.
Ive said something similar here many times before. Specifically when they released the $7k Cliff Williams model. My question was.... where is the Louis Johnson , Bernard Edwards, Paul Denman, Tony Levin, John Deacon signature models? These players put StingRays on the map.Dart is a cool player, though not my favorite personally.
For modern/current players killing with EB/MM basses, I'd personally rather see a Paul Bender sig.
But - what really amazes me is that although they're doing TWO Dart signature models, they never did a signature model for Flea or Tony Levin (note: I know there was a short-lived OLP Levin model, but that doesn't really count).
Two of the most successful and visible players of the last couple of decades, who basically built their sounds and personas with MusicMan basses, and neither of them
got an "official" signature bass.
I have no beef with Dart as a player - he's good, and I appreciate that he's bringing the bass out front and getting people excited.
Tim Commerford makes a bit more sense as a signature artist, though (like Dart) he rather noticeably spends a lot of his time with J-basses.
But I think very few people would try to make the case that either of those guys have done more for EB/MM's visibility than Flea or T-Lev. Or even Pino, for that matter, who basically
put the fretless Stingray on the map in the '80s with Paul Young and others.
Go figure. If I had Flea or Tony playing my basses, I'd have them up on billboards in Times Square.
I had exactly the same thought. There’s some weird substitutions in there. But I dig it.That is some serious music major Funk. Funk is finding itself being maintained by music education the way Jazz has been for the last fifty or so years. It is good to see the fruits of that education.
What a hot take! Because this is the first time anyone has every released a signature instrument. And it's definitely "worship." [/SARCASM]‘Emporer’s new clothes’ comes to mind. Not a fan of celebrity worship.