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Joe dart .. Ernie ball jazz !

26389869[/URL], member: 384773"]What you see as "condescension" is me just giving some a much needed reality check, but I'll stand by it. And I'll accept your point.

I respect your conviction and appreciate the measured response. Carry on!

This comment? Meh.

I can’t disagree with you on that. Well done.
 
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Edit: I thought the MM-style bass Joe previously played was a stock Carlo Robelli. Maybe I'm wrong.
With, I believe, a MusicMan pickup wired with just a volume pot, hence the Joe Dart I model MM.
This one makes sense. The Jazz-ish one is a stretch. Even the website splash page for the Joe Dart II has pictures of Joe Dart playing....a Joe Dart I.
 
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I like it, but I’ll never buy one…two totally different concepts…
I’ll never buy one because I can pretty much build one of similar specs for under a grand….and I’m frugal…very frugal.

“How many tone knobs does your oven have…?”

None. But my oven doesn’t make any sound either…

It think it should be the Jack Sparrow bass (or whatever his name is) because he seems to have more input on it than Joe does.
 
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Dart is a cool player, though not my favorite personally.
For modern/current players killing with EB/MM basses, I'd personally rather see a Paul Bender sig.

But - what really amazes me is that although they're doing TWO Dart signature models, they never did a signature model for Flea or Tony Levin (note: I know there was a short-lived OLP Levin model, but that doesn't really count).
Two of the most successful and visible players of the last couple of decades, who basically built their sounds and personas with MusicMan basses, and neither of them
got an "official" signature bass.

I have no beef with Dart as a player - he's good, and I appreciate that he's bringing the bass out front and getting people excited.
Tim Commerford makes a bit more sense as a signature artist, though (like Dart) he rather noticeably spends a lot of his time with J-basses.

But I think very few people would try to make the case that either of those guys have done more for EB/MM's visibility than Flea or T-Lev. Or even Pino, for that matter, who basically
put the fretless Stingray on the map in the '80s with Paul Young and others.

Go figure. If I had Flea or Tony playing my basses, I'd have them up on billboards in Times Square.
Ive said something similar here many times before. Specifically when they released the $7k Cliff Williams model. My question was.... where is the Louis Johnson , Bernard Edwards, Paul Denman, Tony Levin, John Deacon signature models? These players put StingRays on the map.