• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Jule Amps Monique part 5

Back in the beginning, I think Jule designed and envisioned bass players using the Monique in front of their regular bass amps, or through the loop. So yes, it will work for you. What I found out is that the Monique sounds so fantastic without another amp's 'color' getting in the way of what it's doing. So...it became pretty clear early on with the unit, was that my real job was to find a way to get other things out of the way. I think that more and more players realized this upon having their hands on Monique, which is why so many people are using pre/power and/or the reason why the 700 came to be.
Yes. The idea was to give yourself a monitor, at least, with the Line Out, and then if you had to, use the Balanced Out to whatever snake happened to be crawling around the stage. The show must go on.
 
I think i read somewhere in this thread that the monique is not "phantom-power safe". I might remember incorrectly, so if someone (jules maybe:-) ), could tell me if it's true.
It kinda makes or breaks it for me, because you never know if the soundguys accidentally switches it on, or just dont care.
 
I think i read somewhere in this thread that the monique is not "phantom-power safe". I might remember incorrectly, so if someone (jules maybe:) ), could tell me if it's true.
It kinda makes or breaks it for me, because you never know if the soundguys accidentally switches it on, or just dont care.

Jule Amps Monique part 4 | Page 55 | TalkBass.com


It is best for the sound-folk and us to keep phantom power (~48 volts) off that balanced line. They (sound-folk) are pretty hip to that. So the "default" is to leave the Ground Lift Switch in the Grounded position. The first few Moniques didn't have a ground lift switch.

For the environments where we just can't keep phantom power out of the balanced line (a limited environment) we should "Lift" that ground so the Cinemag output transformer doesn't see that ~48 volts.

As to damage, we shouldn't see any damage either way, but I will always worry that it can happen when we stuff ~48 volts into it. The Cinemag output transformer in Monique is a fabulous device. Cinemag did a great job. It is also the most costly single component in Monique.

You can read the previous few posts for context as well.
 
  • Like
Reactions: Jule Potter
I leave my DI lifted since Jule first addressed this. I figure that if there's a problem with my DI, the soundman will let me know and I can ask, and then switch it easily enough.


The big problem is that many entry and mid level soundboards have 'universal' phantom. You can turn it on and off, but it's applied to all channels of the board. My experience is that in many smaller rooms, clubs, bars and band owned PA systems, these boards are also pretty universal.
 
I leave my DI lifted since Jule first addressed this. I figure that if there's a problem with my DI, the soundman will let me know and I can ask, and then switch it easily enough.


The big problem is that many entry and mid level soundboards have 'universal' phantom. You can turn it on and off, but it's applied to all channels of the board. My experience is that in many smaller rooms, clubs, bars and band owned PA systems, these boards are also pretty universal.

+1

When I use the Monique D.I., I always leave the ground lifted as well just to be safe.
 
+1

When I use the Monique D.I., I always leave the ground lifted as well just to be safe.

The only guff I've ever gotten from house sound was once or twice guys didn't understand that lifting the ground on the DI is not lifting the ground for the amp and I got an earful about how it was totally unsafe and deadly.

Seriously.
 
  • Like
Reactions: kcole4001
For anyone who is curious, I've got a live recording via the soundboard from Arlene's Grocery using the Monique. It does a damn fine job in a rock setting while sounding big and ballsy down low



Signal chain is Rickenbacker 4003 > FEA De/Cl > Iron Ether SubT (choruses only) > Mountainking Maximum Overdrive > Monique > soundboard.

Bass tone sounds good. I like the octave on the chorus. Nice.
 
For anyone who is curious, I've got a live recording via the soundboard from Arlene's Grocery using the Monique. It does a damn fine job in a rock setting while sounding big and ballsy down low



Signal chain is Rickenbacker 4003 > FEA De/Cl > Iron Ether SubT (choruses only) > Mountainking Maximum Overdrive > Monique > soundboard.

Outstanding. I am going to see how many times I can play this today. Thank you.
 
Hey, everyone. It's almost tax time, but also winter is nearly done.

There's something I considered mentioning earlier, but I wasn't sure about it. I know the claim will sound suspect. Here it is:

I believe that the Monique reduces ground hum significantly and single coil hum slightly.​

Whether I'm playing a bass guitar with only single coil pickups, or one with a minor grounding problem, if I play them through another preamp (a homemade point-to-point tube preamp or The Enabler, for example), I hear to varying degrees, but always clearly, whatever hum weakness that bass has. But if I'm playing those same basses through the Monique, the hum is either reduced or effectively eliminated.

Jule, if you are reading this, know that I am not asking you to reveal any trade secrets. :D But how is this possible? Is it an artifact of your use of DC for the tubes? In any case, I have observed that hum reduction is characteristic of this preamp, and I am duly impressed.

That Monique... what a gal.
 
  • Like
Reactions: Jule Potter
Hey, everyone. It's almost tax time, but also winter is nearly done.

There's something I considered mentioning earlier, but I wasn't sure about it. I know the claim will sound suspect. Here it is:

I believe that the Monique reduces ground hum significantly and single coil hum slightly.​

Whether I'm playing a bass guitar with only single coil pickups, or one with a minor grounding problem, if I play them through another preamp (a homemade point-to-point tube preamp or The Enabler, for example), I hear to varying degrees, but always clearly, whatever hum weakness that bass has. But if I'm playing those same basses through the Monique, the hum is either reduced or effectively eliminated.

Jule, if you are reading this, know that I am not asking you to reveal any trade secrets. :D But how is this possible? Is it an artifact of your use of DC for the tubes? In any case, I have observed that hum reduction is characteristic of this preamp, and I am duly impressed.

That Monique... what a gal.
I find the same thing!

I am always suprised when people say a certain bass hums like crazy (Fender Americal Dlx Jazz is a good example) but it is dead quiet thru my Monique. I never seem to hear hum and I play active single coil basses (or in single mode) as well as passive Jazz basses.

Be interested to know if there is something to this or we are both just nuts.:wacky:
 
  • Like
Reactions: Snaxster
I find the same thing!

I am always suprised when people say a certain bass hums like crazy (Fender Americal Dlx Jazz is a good example) but it is dead quiet thru my Monique. I never seem to hear hum and I play active single coil basses (or in single mode) as well as passive Jazz basses.

Be interested to know if there is something to this or we are both just nuts.:wacky:

Excellent!! Thank you for corroborating my experience.

We may both be nuts, but not because of this. ;)
 
  • Like
Reactions: Baird6869