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Kubicki club, part 2

Let's see if I make sense here...from a playing perspective the neck feels really nice and solid your hands. Notes punch back at you if you really dig in, unlike the mush you get from a cheap, flexible neck. That being said, the neck does need a little more adjustment than others in my stable. I don't take my basses out much these days. For me that means that where I would rarely touch the neck on say, my Stingray or my Cirrus, I may have to adjust the Factor once a year if that. Mine will usually gain relief so I end up twisting it back to just a hair under perfectly straight. I'm still on the original fret job and showing no signs of the dreaded body joint hump that my beloved Jazz and Stingray do. I don't know if multi-laminate is helping there but I thought I'd mention it.
Does it always need relief taken out of it? Or is it a seasonal thing?
 
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For those of you with one of the laminated necks, how stable/ stiff is it compared to your other basses?

It's interesting to note that although many aspects of Phil's Factor were unique/proprietary to him, a multi-lam neck was not. Tightly spaced multi-lam necks are found on production MIJ basses from the 60's-70's. He most likely sourced out a high-quality version for his necks, but he didn't innovate its use for necks.
 
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It's interesting to note that although many aspects of Phil's Factor were unique/proprietary to him, a multi-lam neck was not. Tightly spaced multi-lam necks are found on production MIJ basses from the 60's-70's. He most likely sourced out a high-quality version for his necks, but he didn't innovate its use for necks.
Yes I've seen those as well, I'm asking about it here because I'm considering using baltic birch, which is similar to what he used, and quarter sawn oak in a build and I figured this thread would be a good source of information on the many piece laminate neck's stability.
 
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Yes I've seen those as well, I'm asking about it here because I'm considering using baltic birch, which is similar to what he used, and quarter sawn oak in a build and I figured this thread would be a good source of information on the many piece laminate neck's stability.

I would have to think that if it's a high quality pressure-fitted multi-laminate, it will be as stable as wood can possibly be. Oak would be a strong wood resulting in a strong neck, but I'm not familiar with its use as a tone-wood. Not sure about birch either. The neck is where most of an instruments tone comes from after the pu's so tone-woods use are optimal.
 
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I would have to think that if it's a high quality pressure-fitted multi-laminate, it will be as stable as wood can possibly be. Oak would be a strong wood resulting in a strong neck, but I'm not familiar with its use as a tone-wood. Not sure about birch either. The neck is where most of an instruments tone comes from after the pu's so tone-woods use are optimal.
I'm not sure of the tone of oak or birch either :) I'm not sure I buy into specific woods have different tones, although I do know that the stiffness and density of the neck has an effect on the tone, so we don't side track this thread we can continue this in the luthiers corner.
Triple Bucker 4 string build
 
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I'm not sure of the tone of oak or birch either :) I'm not sure I buy into specific woods have different tones, although I do know that the stiffness and density of the neck has an effect on the tone, so we don't side track this thread we can continue this in the luthiers corner.
Triple Bucker 4 string build

I'm not sure I would have an ear for toanl differences on a bass, but I can tell you on drums it is quite significant. Maple v. birch for example are quite different sounds.
 
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I'm not sure of the tone of oak or birch either :) I'm not sure I buy into specific woods have different tones, although I do know that the stiffness and density of the neck has an effect on the tone, so we don't side track this thread we can continue this in the luthiers corner.
Triple Bucker 4 string build

I'm not sure I would have an ear for toanl differences on a bass, but I can tell you on drums it is quite significant. Maple v. birch for example are quite different sounds.

It is a contentious topic (amongst others) here on tb, but WADR as someone who has designed and built a number of basses of different woods and designs - I personally have experienced how wood and how it's designed can make for individualized and unique tonal quality. Relating drum shells tonal differences is an apt comparison.
 
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Awaiting a FCS vintage coming soon.

See: NBD -- Ex Factor!

kubicki_zps6kritmer.jpg
 
Awaiting a FCS vintage coming soon.

See: NBD -- Ex Factor!

kubicki_zps6kritmer.jpg

Nice! The 1st Factor I was made aware of was a red one pictured in Tony Bacons "The Ultimate Guitar Book". I bought a black '86 and when I 1st talked to Phil on the phone I mentioned how I liked that red (looks more like tomato/Fiesta Red) and he pointed out it looked very different in reality. I have a more recent WD J body in what they call Fiesta Red that looks a whole lot like your Factor though. FR is a colour that comes in many varieties.
 
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So, what are everyone's favorite strings on these Kubicki's?

Phil sold his own Kubicki brand (made by one of the top makers w/his name on them) in both nickel and stainless steel. As it's a 32" scale headless, some strings work better than others due to their wrap (if they have it). His NOS strings pop up on eBay from time to time.
 
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I have a '90 FCS and it is my main gigging bass.
To answer the neck stability question....I am in central VA and usually have to adjust the neck a couple of times a year. In winter it will need to be tightened to remove too much relief and in summer I will need to let some relief back in. Never more than a 1/4 turn.
Strings....Hybrid Slinkys were OK. Currently strung with DR Pure Blues ....real nice on it.

I just received 2 new sets of Kubicki Nickels. THEY CAN STILL BE ORDERED.

I used the Kubickis in between the Slinkys and the DRs. Going back to them once I get tired of the DRs but so far I'm good.
* Disclaimer* --- I leave strings on my Basses for a looong time. I like them to mature.
 
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I have a '90 FCS and it is my main gigging bass.
To answer the neck stability question....I am in central VA and usually have to adjust the neck a couple of times a year. In winter it will need to be tightened to remove too much relief and in summer I will need to let some relief back in. Never more than a 1/4 turn.
Strings....Hybrid Slinkys were OK. Currently strung with DR Pure Blues ....real nice on it.

I just received 2 new sets of Kubicki Nickels. THEY CAN STILL BE ORDERED.

I used the Kubickis in between the Slinkys and the DRs. Going back to them once I get tired of the DRs but so far I'm good.
* Disclaimer* --- I leave strings on my Basses for a looong time. I like them to mature.

From where do you order the new Kubicki Strings?
 
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