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Let's see those Work Horse Basses!

The US J Plus was my only bass for more than ten years. I’ve still got it but it mostly lives at my brothers little studio.
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The other one is a parts bass and is the one getting everything these days.
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Here's me at the Cat's Eye Pub in Fells Point (Baltimore, MD) playing with the Pete Kanaras Band using my numero uno workhorse P ...

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It's a bone stock * (rare for me) 2013 Fender American Standard Precision. It was a floor model from some store that was closing it out very cheaply on eBay. Alder body in that super cool Jade Pearl Metallic finish with a mint green pickguard, Fender Custom Shop '62 pickup and maple/rosewood neck. I have it strung with a killer set of 105 - 45 Sadowsky flats. 8.5 lbs, plays like a dream and has that quintessential P-Bass thud that works so well with the Blues, Soul and R&B that I find myself playing most of the time.

Here's me at the Columbia Pike Blues Festival (Arlington, VA) with the Chris Polk Band with my Franken50thAnniversary P which has also seen a whole lotta action over the years ...

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This one's a Fender 50th Anniversary Precision that I purchased offa eBay for $500 in its all original form back in 2001 with a special "petite" contour vintage tint maple/maple P width neck, ash body with see through butterscotch finish and black anodized aluminum pickguard. The original neck is probably the best playing neck I own, but didn't fit very well in the neck pocket of the 50th Anniversary body it came with and was also too bright sounding for most of the gigs I play. I eventually paired it up with a very bassy sounding Warmoth mahogany P-Bass body that ended up being a match made in heaven from both a playing and sound perspective (and would probably be my #1 if it wasn't such a lunker @ 10 lbs). Anyway, I found a "to die for" American Standard maple/rosewood P width neck from a 1999 Hot Rod Precision that is a great player, fit in the 50th Anniversary P's neck pocket like a glove and has been stable as a rock for me. I also replaced the original pickup with a Fender Custom Shop '59 Precision pickup, strung it with a nice set of 105 - 45 Sadowsky flats and routed the black anodized aluminum pickguard for easy truss rod access. * A little on the heavy side @ 9.5 lbs, but just a killer bass that has served me well. NOTE for all you Ampeg fans ... pictured behind me is a brand spankin' new all tube monster SVT head w/matching 8x10 refrigerator cab. The backline company for the festival had just pulled it out of its shipping crate that day. We were the second band up so I got to be the second bassist to play through it. Glorious ... just glorious.

* Except the OCD demons I have to grapple with on a daily basis compelled me to install a "tug bar" on both basses even though I've never used one in my life. ;^)
 
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This is my giggin-est old upright. Nothing fancy, just an old Czech plywood but I put in many hours and many shows on it. This was at a local festival a couple of years ago, backing up a local singer-songwriter.

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That was a busy day. This is later that same evening with my jazz quartet

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And this is my 71 PBass that has never let me down. Bout time I gave it a name I suppose....

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I read lots of threads saying... “I’d never take a Wal/Fodera/Boutique/Whatever out to a gig just in case...”. Never understood that!

Since 1992 when I got it my Mk 1 Wal has gigged everywhere with me. From church to theatres to stately homes to hotels to clubs to marquees to prisons to seedy dive bars... And my Wal Pro Series bass has usually kept it company since I got it back in 2001.

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And in action rocking a local club...

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And the Pro in action...

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This was my number one workhorse for the last couple years:
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Obligatory "work" picture:
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The switched P pickups / Super 55 Hum Cancelling "J" cover everything I need...except a low B string :bawl:

I'm currently playing an L2500, but it's not "home" to me. I never thought about my sound with the precision; used the "J" pickup usually twice per gig (two Flea songs), but I just keep messing with the knobs and switches on the L2500, and I've previously owned an L2000 and an ASAT. Just can't find the "aaaah!"
I've recently purchased a P5 and am working it into my life...wish it had a Maple fretboard!!! :ninja:
 
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Modified early-Eighties Peavey Foundation with a T-40 'bucker in the neck, Duncan Basslines 1/4 Pounder in the mid, and the original Super Ferrite in the bridge. Don't know how my son wired it, but it's three volumes and a master tone. The original finish got all dinged up. I sanded her down and put on about 20 coats of Formby's hi-gloss tung oil on her about 15 years ago. I'm the original owner, having purchased it from the now-defunct American Music Store here in Jacksoville, FL in the summer of 1984. The salesman? Banner Thomas of original Molly Hatchett fame. He and I became friends over the ensuing years, and he always asked if I still had the bass when we would see each other. RIP, Banner!
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Let's see those Basses that brings "Home the Bacon", whether it be gigging, recording or just playing at home

I'll start with my '16 Streamer LX

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And a shot of it at work

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Let's see what you got!

My 85 stingray, if I am not playing upright, this the bass. I have rehersed/gigged/recorded a lot with this beater. It has a really light natural finish that usually photographs as yellow. Sorry I don't have better pics at the moment.
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What an amazing thread. This *was* my pride and joy.... 1998 American Fender Jazz. sigh... I've sold it...to a friend actually. I bought another new Fender Jazz instead. We made a deal that I get first right of refusal if he ever decides to sell it. Anyway. Here's a picture and of this bad boy in action.
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Action shots....
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And another...
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