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Let's spread some musical misinformation

I thought it was "I've got issues, I'm afraid of dyin'... ", but it wasn't "up" enough for Teen Bleat Maggotzine....


Neckdive on a bass is a thing of the past when you employ a gyroscopic stabilizer.

The one shown here is for a camera but can easily be adapted to bass.

Just set and forget.

View attachment 938787

This was originally a top-secret military development intended for military bands, specifically to replace the antiquated Sousaphone in the marching bands with electric bass guitar (it also was to house a battery-powered amp naturally) ... but some idiot tried to leak the design to the weapons development section thinking they could mount rifle-PPG combinations and it was that leaked document that was intercepted by the film industry and henceforth the design adapted for camera work.


The color of a stringed instrument does make difference regarding tone. Each color emits a pair of frequencies. These are the spectral frequency (light reflection) and the frequency caused by color temperature (Planck's radiation law). It's the interference of both frequencies that does the trick.

Carefully chosen color schemes with clear colors can enhance the tone beyond belief. Blurry colors like off white and poo brown are known for their dull Motown tone.

Matte black is an exception. It doesn't reflect any visible light, but does emit Planck radiation. This color is recommended for Black Metal.


For Über-black Mëtāl All Instruments, clothing, and stage props must be painted in Invalid Link Removed.







BTW, the nut on a Gibson is reversible, whereas on a Fender it is not. Just ask @GBassNorth ...
 
I thought it was "I've got issues, I'm afraid of dyin'... ", but it wasn't "up" enough for Teen Bleat Maggotzine....




This was originally a top-secret military development intended for military bands, specifically to replace the antiquated Sousaphone in the marching bands with electric bass guitar (it also was to house a battery-powered amp naturally) ... but some idiot tried to leak the design to the weapons development section thinking they could mount rifle-PPG combinations and it was that leaked document that was intercepted by the film industry and henceforth the design adapted for camera work.





For Über-black Mëtāl All Instruments, clothing, and stage props must be painted in Invalid Link Removed.







BTW, the nut on a Gibson is reversible, whereas on a Fender it is not. Just ask @GBassNorth ...

 
I thought it was "I've got issues, I'm afraid of dyin'... ", but it wasn't "up" enough for Teen Bleat Maggotzine....




This was originally a top-secret military development intended for military bands, specifically to replace the antiquated Sousaphone in the marching bands with electric bass guitar (it also was to house a battery-powered amp naturally) ... but some idiot tried to leak the design to the weapons development section thinking they could mount rifle-PPG combinations and it was that leaked document that was intercepted by the film industry and henceforth the design adapted for camera work.





For Über-black Mëtāl All Instruments, clothing, and stage props must be painted in Invalid Link Removed.







BTW, the nut on a Gibson is reversible, whereas on a Fender it is not. Just ask @GBassNorth ...


I don't care if it cooks celebrities, I want my car painted with that.
 
As noted by Feral Feline above - Gibson has blazed the innovation trail like no one at Fender ever could.

Notable Gibson innovations...

1) The "automatic detach" feature on their headstocks - this has saved countless tuners from being bent or damaged when the bass is dropped on the floor.

2) The "auto dive" feature built into many of their models - nothing hurts more than accidentally getting whacked in the face by the headstock of your band mate. That safety hazard was solved by Gibson. Now we can jump and prance around stage without accidentally knocking the teeth out of the lead singer.

3) The "compensation Humbucker" or mudbucker as some call it was a fantastic addition to the Gibson line up. With that pickup it no longer matters if you know a song exactly note for note, the pup compensates for inaccuracy by creating a wall of nearly subsonic tone that makes it almost impossible to tell which note you're playing.

4) And my favorite, the "reversible nut". We've all heard about or experienced phase cancellation issues in multi pickup basses. Well Gibson took a fresh approach at solving the problem. Unlike Fender and other builders that require time consuming and tricky rewiring of the pup to pot connections, Gibson allows you to simply reverse your nut to eliminate the phase cancellation problem. Here's a picture of mine in the reverse position...
IMG_1216_zps5cwwjkws.jpg


It's obvious that by comparison Leo and the rest of the Fender company have been completely asleep at the wheel and totally lacking in any real innovation of their instruments.
 
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Led Zeppelin lost their lawsuit in the Stairway to Heaven plagiarism trial.

"Stairway To Heaven" was no accidental trial-by-error composition. Disney hired Led Zeppelin to come up with a viable theme song for the California operation at the time.
A song that was instantly recognizable and alluded to being able to purchase heaven-like enjoyment plus targeting a younger age demographic.

"Stairway To Heaven" was the final product. But execs thought it was too serious and couldn't imagine anybody singing it while wearing mouse ears...
 
Rush was briefly a 5 piece band. Geddy Lee was cloned; the original played bass while the two clones worked alternate nights on keyboards and vocals.

The same was done by the Beatles, with Ringo being cloned, however, after a band meeting, Ringo was fired and the clone was retained.

Yes...cloning people is rampant in the music industry.

Alice Cooper's 1980 song "Clones (We're All)"...was an open admission that he wasn't the real Alice Cooper.....
 
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