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I'm a ham radio operator and a broadcast technician. I guess that makes me a double dog radio junkie?If musicians were ham radio operators this might matter, but they aren't and it doesn't. I don't know any musician unless they are also an amp designer, EE, or radio junkie that can actually define class A, A/B, D, H, B or any of the other many configurations an output section can take. So call it digital. it's wrong but most people here refer to all micro SMPS style amps as "class D" even though half of them aren't. It's wrong but nobody even cares enough to understand what output class is or means in the first place.
My MB500 amps sound fantastic and that's all any musician cares or needs to know about.


It often reminds me of what elected officials explain as the difference between campaigning to get elected and the realities of actually governing after being elected.People that write ad copy often majored in creative writing.
This post was a learning experience I hadn't expected!I'm a ham radio operator and a broadcast technician. I guess that makes me a double dog radio junkie?
And as a double dog radio junkie I would like to point out that you clearly neglected to mention Class C.
Not that it has anything to do with audio, but my standing in the Royal Order of the Wouff Hong would most assuredly be in jeopardy, where after I might suffer the Rettysnitch, had I not made mention.
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I've read arguments...
There's some confusion because class D amps can be used to convert digital audio to analog without requiring a D/A converter, this is used in devices like cell phones to save components. Class D was first developed for controlling motors, believe it or not. Audio applications came later.
If musicians were ham radio operators this might matter, but they aren't and it doesn't.
They are still working to optimize the distributed framework to engage in a strategic deployment that will achieve a reduced opex and capex investment, resulting in marked customer satisfaction and time management potentials.Cloud-based Class-C sure is taking forever to work itself into the MI market. I expect it to completely disrupt the ecosystem when it does.
You forgot blockchain... it's gotta have blockchain.They are still working to optimize the distributed framework to engage in a strategic deployment that will achieve a reduced opex and capex investment, resulting in marked customer satisfaction and time management potentials.
You forgot blockchain... it's gotta have blockchain.
Isn't it amazing how everything has to somehow incorporate the latest greatest tool/technology of the day even when it doesn't apply?You forgot blockchain... it's gotta have blockchain.
...and I assume would require a public ledger consensus before the note could be played???As blockchain is a cryptographic hash of the incoming information, this could lead to some interesting sounds when applied to audio.
...and I assume would require a public ledger consensus before the note could be played???
...For example, look up Rickenbacker guitars on their website. The 330 is listed as a “thinline” and 620 is a “deluxe” and the 360 is a “deluxe thinline.” I’ve been a Rick enthusiast for 25 years (guitars and basses) and I’ve never heard those instruments described as that.
If musicians were ham radio operators this might matter, but they aren't and it doesn't. I don't know any musician unless they are also an amp designer, EE, or radio junkie that can actually define class A, A/B, D, H, B or any of the other many configurations an output section can take. So call it digital. it's wrong but most people here refer to all micro SMPS style amps as "class D" even though half of them aren't. It's wrong but nobody even cares enough to understand what output class is or means in the first place.
My MB500 amps sound fantastic and that's all any musician cares or needs to know about.