I have a Warwick Thumb and it cuts through like crazy. Also, listening to Level 42, Status and Alembic cut pretty nice.
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Mid-Rangy Cut-Through Basses
- Thread starter PRUNEFACE
- Start date
It's not about the volume at all, it's about the timbre (the quality of a musical note or sound or tone that distinguishes different types of sound production, such as voices). For example, ONE oboe will be heard through a full orchestra with strings, brass, drums etc. if everything is mic'ed up right. The oboe's sounds is very unique and therefore it cuts through the mix like a hot knife through butter. Every bass has their own personality (sound) some are more laid back and some love to be heard. Not going to name any examples because everyone has a unique set of ears.
What I'm trying to say is, that an EBMM Stingray, Sterling or Bongo will cut through the mix no matter how many instruments are playing with you.
EBMMs like to be heard
Note: Volume levels have to reasonably equal
P.S. An active '77-'78 Fender Jazz with ash body and maple freboard will work as well.
Without a sound guy, i.e. for jamming, a P-bass especially with a pick. I've heard Stringrays are good too since they are very bright, but I don't like their unbalanced sound between strings.
Using a pick seems to be a bit of a hassle, the guitars players are always losing their picks!
The first thing to do is to have that band meeting. Volume and mids alone aren't going to solve the problem. (Sometimes, more mids from the bass can make the whole band sound worse... a surprising discovery that I made, a while back.) You have to occupy your own niche in the sonic scheme, probably going UNDER the other guys. My guess is that a passive P-Bass, which goes under, but which can also give you pretty aggressive "barky" mids, might be what you want. (Active electronics are a complicated issue too, in my experience... they can make a Stingray (for example) very aggressive, which can be great... but they can also make your tone so rich and complex that it competes too much with other sounds going on. The dryness of a passive bass can often cut through better.)
IMHO
IMHO
As of now I am planning on 1.) Talking to my bandmates, ask them to turn down the bass and turn up their treble 2.) I'll bring both of my basses (Euro LX and MIM P Bass) and 3.) Ask the keyboardist to play an octave higher...
Asking your band mates to change what they are doing to accommodate you? Not sure that's the way to go
IMO cutting (if you stick to the instrument's influence) is more an issue of pickup wiring and placement than anything else. The Stingray sound isn't my thing, but trebly sounds picked up closer to the bridge cut best IMO.
Game over.
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waaaay over... That looks beautiful too. It a Wal?
Wals cut through everything! In a more realistic realm, however, G&L basses cut through a mix very well
My swamp ash Carvin B4 with J99 pickups, punches through with no problem at all. Played with a pick, it has that '80's "hair" band tone to it.
If thats what your into...............
If thats what your into...............
