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Mustang Sally sighting

What a bunch of whiners! How many of you have had the opportunity (and fortitude) to play not only Mustang Sally, but also Brown Eyed Girl and Sweet Home Alabama all on the same night? Yeah, I’m not in that band anymore.

I've done Mustang Sally and Brown Eyed Girl on the same night - at one gig Brown Eyed Girl got the entire place going in a conga line so we did an extended version. I'd gladly play Sweet Home Alabama but my lead guitar/vocalist refuses to do it.

We usually have a sax so Mustang Sally sounds pretty good as well. One time we were the band for a sound recording school and one of the teachers joined in on trumpet and it sounded great.
 
We once had a request for Brown Eyed Girl, and the guitarist told the lady that it was his wife's favorite song that he used to sing to her everyday until she died in a car crash with a total straight face. She totally understood and left us alone. I later asked him if it were true, and he said it wasn't. I told him that he was the wind beneath my wings.
 
I love playing this song to bar crowds. It always gets a great response and isn't that why we want from a bar crowd. to make them happy with the music and energy? Sorry, I do not have a video of one of the many, many times I have played it.
 
What a bunch of whiners! How many of you have had the opportunity (and fortitude) to play not only Mustang Sally, but also Brown Eyed Girl and Sweet Home Alabama all on the same night? Yeah, I’m not in that band anymore.
These songs are part of my current band's set list. You forgot to include Sweet Caroline :) Love em or hate em they fill the dance floor every night and usually results in more bookings for the band. Those three songs are part of the reason I have a full schedule with the band.
 
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Something that I posted a few years back.

Long ago, a humble bassist found a set list that had 'Mustang Sally' , 'Sweet Home Alabama', 'Brickhouse', 'Old Time Rock N Roll', 'Brown Eyed Girl', 'Margaritaville' and 'Hard to Handle' inscribed on it. The bassist thought he had stumbled upon a treasure. A treasure that would give him the greatest power in Music Earth. Using 'The Set List', this humble bass player formed a band and they started gigging and doing pretty well. Even though they got bigger and better gigs, the musicians were actually cursed. Each time they played from 'The Set List', a part of their soul was destroyed.

The bassist knew 'The Set List' was cursed, but each time he tried to destroy it, a drunk would come out of nowhere and put money in the tip jar. The bassist then decided he would give 'The Set List' away, but each time he did it would return to him. Not only that, it would multiply and whomever had possession suffered from the same curse. 'The Set List' as it got passed around and multiplied over time, gained new powers of damnation through additional songs like '867-5309', 'Jessie's Girl', 'Summer of 69' and 'Don't Stop Believing'.

'The Set List' grew so powerful that its evil was destined to destroy all of Music Earth. A Fellowship of Musicians was formed to finally destroy 'The Set List'. The fellowship consisted of The great Jazz piano Prodigy of the West, the Indie drummer from Thunder Mountain, the Prog-Rock guitarist from Secludia, and the humble bassist from the Basement Shire. Their mission was to return 'The Set List' to its birthplace, the fiery hell hole known as Cover Dale. The journey was treacherous and all but the humble bassist succumbed to alcohol, drugs, loose women, cranky soundmen, and shifty agents.

The humble bassist ventured alone toward Cover Dale to save Music Earth. On the way, he met Craig List, a delusional and demented soul who was one of the original owners of 'The Set List'. Craig offered to help the bassist, but his scheme was to steal 'The Set List' so that he could return to the dive bar he once played Thursday nights at. Craig did manage to get the list at one point, but his soul was so rotten that he disintegrated at the first notes of 'Sweet Home Alabama'. Alone once again, the humble bassist made his way toward Cover Dale.

At the gates of Cover Dale, the humble bassist was met by a horde of drunks, booking agents, and bar managers all clamoring for songs off 'The Set List'. The bassist fought his way through an army of drunks that were attacking him with vomit, unintelligible requests, and singing along to songs on 'The Set List'. After barely surviving the relentless barrage of attacks, the humble bassist finally found the fiery pit that could finally destroy 'The Set List'. Just as he was about to throw the cursed tome into the pit, a drunk chick flashed her boobs at the bassist with a $20 in her cleavage and he lost 'The Set List'.

'The Set List' is still floating out there, consuming the humanity of all who try to harness it's power.
 
I heard that McDonald's is going to stop selling cheeseburgers because they're just so tired of making them. Fries are on their way out, too.

Well said. As a musician in a cover band I see it as my job to serve "musical cheeseburgers".


We play Mustang Sally, Brown Eyed Girl, Old time Rock and Roll, Margaritaville and Wagon Wheel. Of course we play them, and we try to play them better than other bands do. We are a cover band, our job is to fill the venue and fill the dance floor. If you fill the dance floor, you have women. Where you have women, men will follow. And THAT is how to get booked again.

So lets serve the tastiest "musical cheeseburgers" that we possibly can.
 
It's a guaranteed crowd pleaser even if it's a cheap and easy way to do it.
It's even better when a band actually puts some thought in the song instead of half-assing their way through it. Go listen to the original or the Commitments version. People always blame the song, but it's the lazy musician's fault that it's tired and stale.
 
It's even better when a band actually puts some thought in the song instead of half-assing their way through it. Go listen to the original or the Commitments version. People always blame the song, but it's the lazy musician's fault that it's tired and stale.

Totally agree.
Played with a good groove it's fun, and it always gets people up dancing.
The reason it's such an overplayed cliche is because it's so successful at getting the ladies dancing and selling beer.
That's what bars are for.

Add 'Wagon Wheel' to the list while you're at it...jeez I hate that tune, but it works like some kind of voodoo.
The first gig I ever played it I didn't know it except from what I had heard on the radio and tried to block out, but we played it three times in total, so at the end I was quite familiar with the song.
People cheered and hooted louder each time we played it.
Go figure...
 
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I don't mind playing those songs, actually. There are ways to keep yourself amused while playing them, since there are only about six rock and roll songs, total, ever written. They are just different riffs and words pasted to the same songs. That makes it much easier to play around within the structure and feel of the song.

Another absolutely awful song that's great to play is I Saw Her Standing There. Women dance to that song, no matter how old they are. It amazes me when girls who are 30 years younger than the song go wild for it, but they do. It's beyond my pay grade to try to change it.
 
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Tell him you want to play Kid Rock's All Summer Long. It would be interesting to see if he gets it.

I like that, but he's a medical researcher with a Ph.D. in some sort of genetic science that I can't begin to understand or even pronounce, little chance I sneak it past him. For better or worse, I'm one of the few guys on TB who might not even be the 3rd smartest guy in his band.
 
People who refuse to a song any song still believe being in a band is all about them and what they want.
NEWS,FLASH
Boys & Girls It's not.
We provide a service and are being paid to do so.
I play a wedding back in the 80s where at the end when they said I Do they two stepped down the aisle to Rocky Top.
We played that Song 28 times that night because the couple who hired us asked for it. Each time we played it the solos got a little longer
The point is if your going to play for money you must do what is asked if you can or starve
Duke
 
If you play in a variety cover band, you are not "too good" to play Mustang Sally. Period. :thumbsup:
This.


It's even better when a band actually puts some thought in the song instead of half-assing their way through it. Go listen to the original or the Commitments version. People always blame the song, but it's the lazy musician's fault that it's tired and stale.
When Bass & drums are tight it's great to play. Don't rush the syncopated beats, but give them air to breathe (a touch behind the beat).
 
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Played it at a gig last night - we do a rock/funk version of it (yes, I slap the bass line) - we had a TON of people dancing along and singing along - from cute college coeds to 50+ year olds. I don't understand it, but the people had a great time. We did our job, and we did it well.
 
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