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Yes. I've done plenty of recordings and live shows using the DI out of the WD-800Greetings TBers!
I hope you all are enjoying good health during these weird times.
A bandmate and I are going to try the Jamkazam experiment. If it works, we'll try to get the two other bandmates wired up as well. Figured two of us could take the plunge before having others invest in what appears to be a sketchy fool's venture (but we're getting desperate and who doesn't like a new adventure?). All this is new to me, so I wanted to check in here to tap the collective wisdom of TB.
I just bought a Audient EVO 4 interface and was initially thinking that I would use a pedal or two for tone shaping between the bass and EVO. However, it occurred to me that rather than plug into the instrument input on the EVO, I could run the DI (at mic level) from the WD-800 into one of the XLR inputs on the interface and get the benefit of the WD-800 tones. Is anyone else doing this? If so, how has it worked for you? Are there better methods to get a usable signal from the WD-800 into an interface?
Thank you and stay safe out there!
Example:Greetings TBers!
I hope you all are enjoying good health during these weird times.
A bandmate and I are going to try the Jamkazam experiment. If it works, we'll try to get the two other bandmates wired up as well. Figured two of us could take the plunge before having others invest in what appears to be a sketchy fool's venture (but we're getting desperate and who doesn't like a new adventure?). All this is new to me, so I wanted to check in here to tap the collective wisdom of TB.
I just bought a Audient EVO 4 interface and was initially thinking that I would use a pedal or two for tone shaping between the bass and EVO. However, it occurred to me that rather than plug into the instrument input on the EVO, I could run the DI (at mic level) from the WD-800 into one of the XLR inputs on the interface and get the benefit of the WD-800 tones. Is anyone else doing this? If so, how has it worked for you? Are there better methods to get a usable signal from the WD-800 into an interface?
Thank you and stay safe out there!
Typically when you engage the “active” switch it pads the input signal of the bass by -15db because an active bass will have a higher output than a passive bass.Sorry if this has been addressed...
Are there any advantages to running a passive bass with the active switch on on the WD-800? Does it make the input stage more/less sensitive to the knob turns? Maybe it warms things up? I still get a nice drive at 4 o’clock (instead of 1). I think I hear things that are different but I can’t put my finger on it and I don’t know if maybe I’m just imagining stuff.
Typically when you engage the “active” switch it pads the input signal of the bass by -15db because an active bass will have a higher output than a passive bass.
High output passive basses, like a g&l L2xx , or other MFD equipped Bass.The active/passive switch changes the gain of the input amp but does not change the impedance. It merely re-scales the range that the gain control works over.
There are some high output passive basses that are hotter than many active basses, the constant impedance input is much more usable to those basses.
I believe the pad is about 12dB on the D-800/800+
Yeah, input pads on other amps seem to suck the life out of the instruments.Active mode works great on my MM Sterling. IME with the SW heads using the input pad isn't the tone muffler it can be on some heads.
Correct Ivan, we addressed this specific issue in the design of all of the Subway models.Yeah, input pads on other amps seem to suck the life out of the instruments.

Thanks Agedhorse, here a precision, I made my reading quickly with power off, when it is ON the reading rise to 1.4 meg , in overdrive or not, in passive mode (10k in active) which is more standard.The Big Block should also be about 1M but this may change a little bit depending on if the overdrive function is selected.
It's possible that somebody (previous owner or the infamous friend of a previous owner) "modded" your amp however, the modding culture often doesn't consider everything necessary to avoid creating entirely new problems.
For products that I repair, all mods come off except factory updates or factory approved changes. Generally, this fixes all of the problems with no need for additional repairs. Just sayin'![]()
Well, I don't have the schematic of the Mesa. Typical tube input have an input resistor which almost determine the total impedance, (I did it quickly this morning with my meter) but I kmow it can be différent.Yes, the power must be on, but sometimes the circuit itself must be analyzed because of things like bootstrapping, switching or biasing that causes an additional increase or change in input impedance. Of course, capacitor coupling will also throw off simple measurements.
The way we do it in the lab is to inject a known signal with a known series resistance that's about 10% of the expected load impedance and measure the voltage drop across the known resistor. From this and Ohm's law, the current can be calculated and from the source voltage (I typically use 1V) the impedance can be calculated. This does require accurate, somewhat quality instrumentation though.
For a 1M input impedance:
Source voltage: 1V
Series resistor: 100k
Measured voltage across the 100k resistor: ~90mV
This gets close enough. When switching to say a 47k active input, you would need to change the series resistance to say 4.7k and calculate from there.
Source voltage: 1V
Series resistor: 4.7k
Measured voltage across the 47k resistor: ~90mV.
Yes, the decimal point got dropped.Well, I don't have the schematic of the Mesa. Typical tube input have an input resistor which almost determine the total impedance, (I did it quickly this morning with my meter) but I kmow it can be différent.
Probably in example 2 you mean 90 mV across the 4.7k?
Thanks Andy.