I do it depending on what I need at the time. Live, I combine them. In the studio, I separate themHey Guys
Did anyone here do this?
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I do it depending on what I need at the time. Live, I combine them. In the studio, I separate themHey Guys
Did anyone here do this?
I do it depending on what I need at the time. Live, I combine them. In the studio, I separate them
It's not really a big deal the GED-2112 has the switch in the battery compartment. It's a simple switch and easier than the rack mount that you have to open. Least the 2112 has the tight switch too...
Does the 2112s clean blend on the drive channel, truly blend in the un-effected original bass signal (which should help retain some of the original tone). And does the clean blend work well when using a single output (single the jumper switch for the deep channel)?
Intriguing. Can you also run the YYZ pedal at 18v?You can also run the pedal at 18 volts if desired for more headroom.
Intriguing. Can you also run the YYZ pedal at 18v?
The GED-2112 has internal jumpers to combine the outputs or you can jump the channels. The "DI-2112" has the switch to combine outputs. On the latest rev there is a Drive/Mix output. That gives you both channels combined at the 1/4" Drive output. The internal switch combines the channels for the XLR only.
I got the YYZ and liked it so much that I figured the 2112 would be even better.It is.Like you I dug the simplicity of the YYZ and it does sound great.Once I got the hang of the 2112 I haven't taken the Geddal out of its tin.I'll probably sell it.Quick question about the 2112 as compared the the YYZ (which I use and gig with using a passive P-Bass). I like the relative simplicity of the YYZ too.
I have a MM Sterling USA 5 active 5-string that the YYZ changed the sound too much (didn't sound like a MM bass to me and I want to keep the tone of the MM). The YYZ sounds great on my passive P-Bass.
Does the 2112s clean blend on the drive channel, truly blend in the un-effected original bass signal (which should help retain some of the original tone). And does the clean blend work well when using a single output (single the jumper switch for the deep channel)?
Why would you want the DI-2112 then?Thanks, Tech21 for the explanation. I hadn't been able to find a good demo of the clean blend on the drive channel; it seems like what I'm looking for. I prefer the Para Driver V2 for my Music Man Sterling 5 due the the clean blend. So, I think I'll get a 2112 in the near future.
Rocknroller4 - The YYZ is not thin sounding at all, but I find I prefer how it sounds with passive basses. It's really versitale; it does a great cleanish sound (think MoTown) that most don't talk about; it has a great drive tone as well. The YYZ deep channel is really good too it does result in a good ballance and helps find the tone your looking for; also great for when playing different rooms and less than new strings; some rooms require more or less bass signal and takes a second to find the tone you like.
What are the serials/production dates for the newest revision?
As this setup would indicate, the YYZ also sounds great ampless. No amp or speaker sim required.Rocknroller 4 - Make it simple - try the YYZ pedal first; run it like this: bass, YYZ, into the amp insturment input.
- That's how I've been running my tone for a long time, only difference is I use a DI pedal to split my signal after the YYZ - one output goes to the amp the other from the DI to the PA (my amp is basicaly my monitor on stage). The amp gets my YYZ and so does the PA.
Cool, thank you for all the awesome products Tech 21 puts out. Hopefully we'll see some upgraded Geddy pedals maybe in different color schemes.Our suggestion is to buy both.![]()
The YYZ is designed for users that want the GED "flavor" to use as a stompbox with an amp they are already happy with. The DI-2112 is an amp/desk top dedicated preamp. The DI-2112 has more tonal options. It's not mean to be used as a stombox. The YYZ would most likely work best into the front end of the Bass Block 800.
Rocknroller 4 - Make it simple - try the YYZ pedal first; run it like this: bass, YYZ, into the amp insturment input. The bass block seems to have an XLR line out that you could send to the PA/mixing board if your on a live gig.
- That's how I've been running my tone for a long time, only difference is I use a DI pedal to split my signal after the YYZ - one output goes to the amp the other from the DI to the PA (my amp is basicaly my monitor on stage). The amp gets my YYZ and so does the PA.