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No, Fender. Stop it.

That’s gotta be one of the biggest Emperor’s New Clothes sheeple con jobs ever. I was quite happy to kiss vinyl goodbye 30 years ago. If vinyl was so great in the first place, why wasn’t there a great hue and cry over it being phased out back then, even when the mastering/fidelity on the earliest CD’s wasn’t all that great, due to the fact that they were still using the LP masters(with their baked-in limitations)? Over time, labels figured out that oversight, and of course would periodically upgrade everything. What cracks me up about people’s self-righteous embracing of vinyl now, is that it’s still coming from a digital source. I never missed the extra handling, pops, surface noise, diminished frequency range, having to turn it over in 20 minutes, any of that. If anyone wants to prove how ironically hip they are, start collecting 78’s…
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Oh yeah, that turntable…a sucker born every minute.

"Self righteous"?

I don't get the hostility. Some people like records. Some don't. Everybody wins.
 
When I was very young, like maybe ten years old, my mom had the Herb Alpert album with the girl with whipped cream on her pointy things on the cover. Needless to say I was smitten.

that’s the hardest one to find in “good” condition….

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I may be mistaken but I thought I remember reading somewhere that before he got into designing amps Leo Fender did in fact, design or repair turntables. But I could be mistaken. I am old and have a huge record collection and a turntable that I probably used seven or eight years ago. I don't listen to CDs either, my hearing is shot and it all sounds like crap anyway.
 
I thought I remember reading somewhere that before he got into designing amps Leo Fender did in fact, design or repair turntables.
He very well could have. He had an interest in electronics and dabbled in it enough to teach himself enough to open a repair shop. From what I've read, mostly radios, PA systems and amplifiers. But I'm sure he fiddled with a bit of everything. In fact, Rickenbacker would send him amps to repair, when they were young and making amps and lap steels.
I'm sure Leo got all his ideas for how to build an amp from fixing Rics.
That's how he met Doc Kauffman. Who left Ric and teamed up with Leo. That's where Leo learned how to build a lap steel and a pickup.
 
I don't really get the appeal of vinyl either. Growing up in the digital age, I used to fall for that vinyls may have preserved a bit more details in its analogue processing - that is, until I actually listened to one. Now I'd take CD or even MP3 any day of the week. And this comes from someone who actively prefer the overdrive sound of old valve bass amps.
 
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In the US, by 1992, it had pretty much vanished, except for limited editions or as novelty pressings. In the UK/EU it might have lingered on.
You’re right where standard pop/rock releases were concerned, but anything that was likely to appeal to club DJs was being released on vinyl until DJing with digital files became the norm. Lots of hip-hop, house, drum ‘n’ bass, trip-hop, funk re-issues, reggae, etc.
 

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