I don't play out much but last weekend we played a fairly large room (about 60X100' with 150 in attendance) with no PA support (only vocals)-basic rock stuff-with just my 210 pushed with a 500 watt head at less than 1/2 its' capacity. We wanted to be loud enough for people dancing at the front of the room while allowing people in the rear 1/2 to converse. The cab didn't break a sweat. I had brought a 2nd 210 (a Genzler NuClassic), tried each cab alone and both stacked vertically together during (a luxuriously long) sound check while I roamed the room with a wireless......realized I didn't need both and disconnected the 2nd cab. Hopefully that gives an indication of what the BF210 can do. As far as orientation goes, my .02 is "don't overthink it". When vertical it's closer to my ears, easy to hear and takes up a postage stamp of stage real estate, while keeping my head within easy reach. I see no reason to mess with a horizontal orientation unless you're adding another 210 (or 2 or 3) to the stack, for reasons of stability.Barefaced Two10 owners, what has your experience been with vertical vs. horizontal orientation of the cab? I'm trying to decide which way to orient the badge.
The vertical orientation seems like a nice height to sit on, has a nice strap-free spot at the top for my Aguilar Tone Hammer 500, is less boomy which is probably ideal for most stages (I generally only use my amp as a monitor), and if I eventually get two I could make a tall 410 vertical stack. However, the horizontal orientation has the "full sonic weight" and is the intended design for the cab considering the high pass filter on one of the speakers.
Which orientation do you find yourself using more? Which one sounds better to you for your purposes and why? If you use it vertically would you recommend keeping the high pass filter or ordering one without it? Is it actually loud enough as a monitor for medium to large-size shows, or should I just sacrifice the convenient one-hand carry and get a Three10?


