I'm not surprised by that at all, doesn't the Special's pickup layout produce a very upper-mid forward kind of sound?
Yes, that is an accurate way of describing the Special's sound.
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I'm not surprised by that at all, doesn't the Special's pickup layout produce a very upper-mid forward kind of sound?
Wondering when bass building will resume at Zon, after NAMM.
Angus said:I imagine that most builders will take a day or so off post-NAMM as it's a tiring ride, but they'll be right back on it quickly no doubt.
Hrmmm I thought transporting and restocking all the basses back to the workshop would take a week at minimmum. Hope he finds his regular work schedule quickly.
I can see the desireability, too, of 19mm spacing, and I appreciate the rage, and I want to try one or three, but i can't get over the 17s either. That's just where I'm at...
Some kinda' cool Zon booth pics...
I was too.I was surprised by the number of Legacy basses.
Nope, that's a Todd Johnson 5 lined fretless. I checked it out, and it friggin' plays itself... just like all Zon fretlesses.Also, can anyone identify the bass that is hanging on the black wall- 2cnd bass in from the corner - over Michael's left shoulder? It looks like Michael's Sonus Hyperbass. Is it?
True, but the distribution of Legacy to Sonus did seem to be more weighted towards Legacy than usual. At least to me, anyway, because it caught my attention too.And they always bring lots of Legacy basses to the NAMM show.
Yeah, so maybe if nothing else, it's an indication of which of his products are currently "hotter". Thing is, the basses didn't have the "sold" tags on them until later in the show (not hours... days). Not sure if that meant they just took their time getting to it, or, if they weren't presold and actually did sell at the show, but FWIW anyway.Many NAMM basses are presold to both American and International dealers. Often times they bring what has been ordered and ready for delivery
I was too.
Nope, that's a Todd Johnson 5 lined fretless. I checked it out, and it friggin' plays itself... just like all Zon fretlesses.![]()
He said second from the corner, on the black wall, right? That means the lighter colored of those two on that wall, and the bass hanging lower, unless I misread him somehow. If so, yeah, it's a TJ5 lined fretless.Maybe it's just the dark body and the photo resolution, but I didn't notice the deeper TJ cutaway, I thought it was a regular Sonus body.
Yeah, so maybe if nothing else, it's an indication of which of his products are currently "hotter". Thing is, the basses didn't have the "sold" tags on them until later in the show (not hours... days). Not sure if that meant they just took their time getting to it, or, if they weren't presold and actually did sell at the show, but FWIW anyway.
I don't think they generally take presold basses, and they end up selling them on Fri/Sat. Most are for the show specifically. I think that's actually the more common way than what Mike said.
With proper planning, you don't have to hold current production to build NAMM basses, so I don't agree with your premise here.Do you really think that any high end luthier is going to put a hold on many orders to build specific "NAMM basses" - just does not usually happen.
Yeah, and it wasn't you in the OP, either, as I misstated. Sorry about that.I didn't ask originally, but always enjoy seeing a TJ
I see it now!
I misread "black wall" for "back wall" and so was looking at the very dark Sonus on the light wall.