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Is that a joke? Have you ever ridden inside an old car for any length of time?An automobile is just wheels, a seat, steering, brakes, and a motor. There has been no innovation since it was first made. Only refinements of what's already there. When will we see something new?
Form follows function.
Bla bla bla.
Looks like a market opening for you to grab!A nice EUB that actually sounds like an upright, looks cool onstage, is lightweight and affordable (like under $1K) I believe any manufacturer who comes up with that will start the next millennia of bass.
Apparently people don't like the evolution or lack thereof with fender and keisel, but....
What do you actually want?
At some point, the bass has to still be a playable bass.
There is that bass with the half fretted, half fretless that's an interesting evolution, but nobody bought it...
Headless basses are a thing to some, but heavily divisive....
P/j, p/mm, j/mm are all combos of other basses...
People hated gibson's robot tuning guitar...
So, what do you people actually want?
I recall my friends 1967 Holden, we were travelling downhill on a wet road, not fast by any means. He applied the brakes which were drum brakes all around, we ended up facing in the opposite direction.Is that a joke? Have you ever ridden inside an old car for any length of time?
if you have you’ll know the phrase “they don’t make em like they used too” isn’t a pejorative for modern automobiles. It’s a good thing they don’t.
There is definitely a lot of innovation and evolution. Automatic transmissions sat nav and hybrid vehicles just to name some obvious ones.
I’d like to see a production bass with functional moving/sliding pickups AND a bass with hot swap pickups. How cool would it be to just snap in whatever pickup you wanted, exactly where you wanted it?
I like the single tree idea, but then you’re stuck with an all maple, mahogany,or wenge bass. Could still be cool.Okay, I’ll go - BTW if any company incorporates these ideas, you need to hire me at an executive level with corresponding compensation.
1) Improved ergonomics: specifically, I’d like to see a company look at anatomical measurements and either have a customized approach, or one based upon a few different “sizes” of different body parts to create an instrument that is truly optimized for comfort and playing ease. 34” has its drawbacks. So does 30”. Don’t know if 32” is the magic number, but someone needs to approach it from the angle of what works for the human body. This also goes for neck width. In the upright world, Upton has made the observation that a thinner neck reduces your ability to stretch your fingers — again, there is an optimum balance here that I know someone has yet to try to achieve in a scientific manner. Create some sort of technology or tool to allow people to figure out what works for their body, and then sell them a bass that really fits.
2) Improved lightness: We have all sorts of space age technologies and materials. While the entire guitar doesn’t need to be made out of carbon fiber, let’s see some really innovative approaches to reducing weight without negative side effects. Maybe it’s an all wood guitar - maybe it’s a hybrid of wood and other materials. Maybe there’s only a wood fingerboard.
3) Single tree instruments: in the world of Scotch, you have single malts. In the wine industry, you have single vineyard, or even single block wines. Bring for a guitar made out of a single tree, provide the buyer with documentation of that tree, where it grew, etc. as well as the replacement tree(s) that were planted. Honor the tree that went into the instrument and create something that is so unique that each instrument is a real work of art.
4) Truly solve the problem of hum: Seriously, no excuse. Use a phantom coil if you need to, but there’s no other musical item we’d tolerate this with.
5) Flexible pickup configurations: Why am I stuck with pickups in a single configuration, of fixed type, and in fixed positions. I want to be able to quickly hot-swap and move my pickups around. Create a rails system, quick disconnects, and some interesting routing. Hell, make each pickup battery powered and wireless, and then let me dock them on a magnetic wireless charger.
6) Onboard recording: allow us to record the sound and then reamp it as needed without any external devices. Hell, through in some sort of MIDI logging as well.
7) Onboard effects: why bring pedals? Incorporate technology to allow effects to be handled within the instrument itself.
That’s literally just off the top of my head. If I actually think hard, I can probably double the list.
Champan Stick.